X-Men: Apocalypse is a confused, bloated, mess of a film.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Roger's Favorites: actor Denzel Washington.
The latest and greatest on Blu-ray and DVD, including "Bridge of Spies," "Chi-Raq," "Suffragette," "Truth" and more.
A celebration of Maggie Smith's career and a review of Michael Coveney's new biography about the actress.
A preview of the 51st Chicago International Film Festival.
A review of Fox Searchlight's "Brooklyn" and "Youth."
Three films from TIFF 2015 starring Natalie Portman, Charlotte Rampling and Helen Mirren.
A look back at the Brian De Palma film "Dressed to Kill," celebrating its 35th anniversary with a new Criterion release.
An overview of the films that will be theatrically released in the 2015 fall season.
Further evidence that Max von Sydow starred in more than just "Game of Thrones" and "Star Wars, Episode VII: The Force Awakens."
A report from the August 2015 installment of the Midwest Independent Film Festival in Chicago.
Our latest video from Cannes includes coverage of some of this year's biggest films, along with press conference footage from Macbeth and footage from the empathy panel led by Chaz Ebert.
A report from Cannes 2015 on the latest films from Paolo Sorrentino, Shin Su-won and Hou Hsio-hsien.
A review of Paolo Sorrentino's latest from Cannes.
A curtain raiser for the 2015 iteration of the Cannes Film Festival.
An appreciation of Joseph Sargent, Director of many classic television and theatrical films, including "The Taking of Pelham 123."
Lord Richard Attenborough, legendary director and actor, has passed away at the age of 91.
Simon Abrams on two sequels: "The Trip to Italy", the sequel to the hilarious "The Trip", and "The Raid 2".
Peter O'Toole, who died this weekend at 81, was great in great films and great fun in bad ones, and equally convincing as a rascal and a saint.
Bob Calhoun muses on the deleted scenes from "The Wicker Man," now restored in a new version.
Sheila writes: While life can often be messy and awful, and the bombardment of bad news from around the globe is disheartening to say the least, sometimes it really helps to sit back, relax, and watch a bunch of guys working together to play "Flight of the Bumblebees" on the cliched 100 bottles of beer on the wall. This clip came out a couple of years ago and I haven't tired of it. I love the collaboration and the creativity. I love in particular the scene that isn't shown here, the one where they worked it all out.
Peter Sobczynski ranks 27 films by Brian De Palma.
Marie writes: Behold an ivy covered house in Düsseldorf, Germany and the power of plants to transform stone, brick and mortar into a hotel for millions of spiders. To view an amazing collection of such images and showcasing a variety of buildings from around the world, visit The Most Colorful Houses Engulfed in Vegetation at io9.com.
Tom Shales looks at "Carson on TCM," a weekly series of shows culling great Carson interviews.
"As film exhibition in North America crowds itself ever more narrowly into predictable commercial fodder for an undemanding audience, we applaud those brave, free spirits who still hold faith with the unlimited potential of the cinema." - Roger
Fred Zinnemann's "The Day of the Jackal" (1973) is a great example of how a film can do a good job of creating tension and involving the viewer by sticking with the most basic cinematic elements. We have the benefit of comparing it with a remake ("Jackal," 1997) that went on the opposite direction and by wrongly doing everything that its predecessor got right, making he merits of the earlier version all the more evident. Both are distinctive reflections of how studios perceived audience tastes in their respective time periods. They are as different as two movies based on the same source might be and can hardly be classified in the same genre. The later entry is a brainless action flick; the original is a "thriller" in every sense of the word.