Smoke
Auggie Wren
Harvey Keitel
Harvey Keitel Movie Reviews
The Tattooist of Auschwitz
Lale Sokolov
Lansky
Meyer Lansky
Fatima
Professor Nichols
The Painted Bird
Priest
The Irishman
Angelo Bruno
The Last Man
Noe
Isle of Dogs
Gondo (voice)
Lies We Tell
Demi
The Comedian
Mac
Youth
Mick Boyle
Two Men in Town
Bill Agati
The Congress
Al
A Farewell to Fools
Father Johanis
The Grand Budapest Hotel
Ludwig
Moonrise Kingdom
Pierce
National Treasure: Book of Secrets
Sadusky
Be Cool
Nick Carr
National Treasure
Sadusky
Taking Sides
Maj. Steve Arnold
Blog Posts That Mention Harvey Keitel
Harvey Keitel on the edge
Martin Scorsese’s Dangerous Men: On the Actors of The Irishman
Opening Shots: ‘Little Murders’
Why the Helvetica is Trajan the movie font?
TIFF 2007: It’s alive!
On acting, authenticity and Robert De Niro
The Mystery of the Missing Mandy
10 Great Performances from Sundance 2025
No Box He Won’t Escape From: James Mangold on “A Complete Unknown”
Lost Souls: Bringing Out the Dead at 25
Some Material May Be Inappropriate: The PG-13 Rating at 40
The Weight of Smoke (and Blue in the Face): The Magic of Paul Auster
He’s Got Something Going On: David Proval on Mean Streets, and Acting for Martin Scorsese
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
Streetcorner Symphony: The Music of Mean Streets
Looking for Loneliness: Wayne Wang on His Career
Roger Ebert on the Films of Martin Scorsese
Revisiting Martin Scorsese’s Alice Doesn’t Live Here Anymore
National Treasure: The Edge of History Struggles to Solve Puzzle of Its Existence
Trevante Rhodes Captivates in Hulu’s Mike but the Show Loses the Fight
Home Entertainment Guide: February 2022
High-Spirited Naughtiness: Celebrating Terry Zwigoff’s Bad Santa
A Director Who Had Fun: Lina Wertmüller (1928-2021)
A Household Name in France: Celebrating Bertrand Tavernier
Bertrand Tavernier: 1941-2021
The Bonus Situation: Yaphet Kotto, 1939-2021
Book Excerpt: This is How You Make a Movie by Tim Grierson
A Truthful Movie: Václav Marhoul on The Painted Bird
Bright Wall/Dark Room March 2020: The Cross Inside Me by Thomas Zak
Five Spike Lee Films Released on Blu-ray
Stars Shine at the 25th Critics Choice Awards
Chaz Ebert’s Top 10 Films (And Then Some) of 2019
CIFF 2019: Preview of the 55th Chicago International Film Festival
Cannes 2018: Scorsese Honored at 50th Directors’ Fortnight; Rafiki, a Banned Kenyan Film, Screens
Greta Gerwig Joins Short Legacy of Female Best Director Nominees
2018 Winter Movie Preview: 25 Films We’re Excited About
The Big Knockover: “Noir City: Chicago” Brings Heist Films to the Music Box Theater
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
Ebertfest 2017, Day 5: Every Time We Say Goodbye
Silence, Guilt, Christ and Martin Scorsese
AFI Fest 2016: “The Comedian”
Venice Film Festival 2016: “The Young Pope”
Thumbnails 5/18/16
The Unloved, Part 27: City of Industry
From the nostalgia file: “Taxi Driver”
Book Excerpt: “Richard Pryor: American Id” by Jason Bailey
CIFF 2015: Preview of the 51st Chicago International Film Festival
TIFF 2015: “Brooklyn,” “Youth”
2015 Fall Movie Preview
Who’s Who In Reviews: Peter Sobczynski
Video: Chaz Ebert Reports on “Youth,” “Macbeth,” “Chronic,” and More
Cannes 2015: “Youth,” “Madonna,” “The Assassin”
Welcome to Cannes 2015
Book Review: “In the Company of Legends” by Joan Kramer and David Heeley
The RogerEbert.com Interviews of 2014
Working From the Heart: The Career of Nastassja Kinski
Marian Seldes: 1928-2014
Abel Ferrara’s scandal-ready “Welcome to New York” screens in Cannes
Blu-ray Consumer Guide: March 25, 2014
Robert Rodriguez Talks About His Move Into Television With “From Dusk Till Dawn: The Series”
Stories within Stories: Wes Anderson Talks About “The Grand Budapest Hotel”
Thumbnails 11/21/2013
Paul Schrader: Porn Again?
Cannes review: Ari Folman turns to sci-fi with “The Congress”
Django Unchain my heart (and set me free)
Ebert & Scorsese: Best Films of the 1990s
‘Election,’ ‘Boys Don’t Cry’ take Spirit
The Best 10 Movies of 1994
The Best 10 Movies of 1993
‘The Piano’ Plays On the Inner Voice
The Best 10 Movies of 1992
Stepin Fetchit, then and now
Goodfellas & badfellas: Scorsese and morality
Inglourious Basterds: Real or fictitious, it doesn’t matter…
Some ways to watch Inglourious Basterds [sic]
Doo Wop, cool and raw masculinity
TIFF #7: It was a very good day
My vocation as a priest
Screen gems brighten Toronto film fest
A place in the Sun
Sundance a pinnacle for novice filmmakers
Class of ’94 gets their due at Cannes
The Rocky Mountain High of Telluride Film Festival
A ‘Silence’ sweep?
Scorsese by Ebert: Introduction
Toback’s “Tyson”: Iron Mike, the short, fat, pushed-around little kid
Rosie Perez on a roll
Quentin Tarantino, a ‘Pulp’ Hero
Yaphet Kotto: “Blue Collar”
Let the right one in, but with the wrong subtitles
