On the filmmaking career of Taylor Swift, who spoke about her All Too Well: The Short Film at TIFF this month.
Our series on underrated movies gets to the latest from Michael Bay.
The newest releases on physical media, including The Bad Guys, Ambulance, The Northman, Everything Everywhere All at Once, and Criterion editions of The Tales of Hoffman and Shaft.
The bios and headshots for our esteemed guests at Ebertfest 2022.
A review of Age of Cage by Keith Phipps with quotes from Roger Ebert about the work of Nicolas Cage.
The best films of 2020, according to each individual contributor.
A dispatch of three reviews from Sundance, including the latest by Under the Shadow director, Babak Anvari.
A look ahead at the films set to come out in the fall season, starring ten of our most anticipated titles.
“A Quiet Place” is John Krasinski’s breakthrough as a triple-threat entertainer, but it’s been a long time coming.
After all these years it’s hard for me to say if “Earthquake” is either a guilty pleasure or a movie so bad that it’s good.
A review of "Far Cry 5" in the wake of renewed conversation around violence in video games.
A piece on the success of The Greatest Showman and the condescending critical response to it.
"The Glass Castle" tidies up a disturbing memoir; Paranoid style; Watching "Dunkirk" with autism; Bill Pullman remembers John Candy; Last hurrah of "Beach Party."
As much as Matt can say about "Baby Driver" in 30 minutes at the keyboard.
An interview with the directors of "Hollywood's Greatest Trick" and a presentation of the short film.
Great Movies
