Great Movies
Features
The Individual Top Tens of 2020
The best films of 2020, according to each individual contributor.
The best films of 2020, according to each individual contributor.
A dispatch of three reviews from Sundance, including the latest by Under the Shadow director, Babak Anvari.
A look ahead at the films set to come out in the fall season, starring ten of our most anticipated titles.
“A Quiet Place” is John Krasinski’s breakthrough as a triple-threat entertainer, but it’s been a long time coming.
After all these years it’s hard for me to say if “Earthquake” is either a guilty pleasure or a movie so bad that it’s good.
A review of "Far Cry 5" in the wake of renewed conversation around violence in video games.
A piece on the success of The Greatest Showman and the condescending critical response to it.
"The Glass Castle" tidies up a disturbing memoir; Paranoid style; Watching "Dunkirk" with autism; Bill Pullman remembers John Candy; Last hurrah of "Beach Party."
As much as Matt can say about "Baby Driver" in 30 minutes at the keyboard.
An interview with the directors of "Hollywood's Greatest Trick" and a presentation of the short film.
A review from Sundance of Maya Forbes' "The Polka King," which had its world premiere Sunday night.
A piece on the experience gained from seeing bad movies.
The latest and greatest Netflix, Blu-ray and streaming options, including Anomalisa, Hail, Caesar!, 13 Hours, Rick and Morty, Vinyl, and more!
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Susan Wloszczyna.
The movie questionnaire and 2015 reviews of RogerEbert.com editor Matt Zoller Seitz.
The importance of engaging in all aspects of film analysis, even the -isms, and even in summer blockbusters.
With another Police Story film opening this week, 30 years after the original, Simon Abrams offers a primer.
Editor in Chief Matt Zoller Seitz responds to our Movie Love Questionnaire.
"Legend of Korra" is subversive; 50 underground filmmakers; How headlines change the way we think; The millennial job paradox; Michelle MacLaren is the best director on TV.
