
A Hidden Life
It’s one of the year’s best and most distinctive movies, though sure to be divisive, even alienating for some viewers, in the manner of nearly…
It’s one of the year’s best and most distinctive movies, though sure to be divisive, even alienating for some viewers, in the manner of nearly…
Bombshell is both light on its feet and a punch in the gut.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article about today's noon premiere of a new movie about architect Benjamin Marshall at the Gene Siskel Film Center.
An article about the screening of Horace Jenkins' "Cane River" on Friday, November 1st, at the Academy Film Archive in Los Angeles.
Scout Tafoya's video essay series about maligned masterpieces celebrates Steven Soderbergh's Solaris.
An article about today's noon premiere of a new movie about architect Benjamin Marshall at the Gene Siskel Film Center.
An FFC on Gavin Hood's Official Secrets.
A celebration of Yasujiro Ozu, as written by a Far Flung Correspondent from Egypt.
Our contributors share their Top 10 lists for the best films of 2019.
The latest on Blu-ray and DVD, including Hustlers, Ready or Not, Once Upon a Time in Hollywood, and a Criterion edition of Until the End…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of Call of Duty: Modern Warfare.
A dispatch of three reviews from Sundance, including the latest by Under the Shadow director, Babak Anvari.
A look ahead at the films set to come out in the fall season, starring ten of our most anticipated titles.
An interview with Daveed Diggs and Rafael Casal, stars and co-writers of "Blindspotting."
A review of the new book, People Only Die of Love in Movies: Film Writing by Jim Ridley.
“A Quiet Place” is John Krasinski’s breakthrough as a triple-threat entertainer, but it’s been a long time coming.
After all these years it’s hard for me to say if “Earthquake” is either a guilty pleasure or a movie so bad that it’s good.
A review of "Far Cry 5" in the wake of renewed conversation around violence in video games.
A piece on the success of The Greatest Showman and the condescending critical response to it.
A countdown of our most anticipated films coming this winter.
"The Glass Castle" tidies up a disturbing memoir; Paranoid style; Watching "Dunkirk" with autism; Bill Pullman remembers John Candy; Last hurrah of "Beach Party."
As much as Matt can say about "Baby Driver" in 30 minutes at the keyboard.
An interview with the directors of "Hollywood's Greatest Trick" and a presentation of the short film.
A review from Sundance of Maya Forbes' "The Polka King," which had its world premiere Sunday night.
A piece on the experience gained from seeing bad movies.
The latest and greatest Netflix, Blu-ray and streaming options, including Anomalisa, Hail, Caesar!, 13 Hours, Rick and Morty, Vinyl, and more!
A preview of dozens of films coming out this summer.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Susan Wloszczyna.
The movie questionnaire and 2015 reviews of RogerEbert.com editor Matt Zoller Seitz.
The importance of engaging in all aspects of film analysis, even the -isms, and even in summer blockbusters.
With another Police Story film opening this week, 30 years after the original, Simon Abrams offers a primer.
Editor in Chief Matt Zoller Seitz responds to our Movie Love Questionnaire.
"Legend of Korra" is subversive; 50 underground filmmakers; How headlines change the way we think; The millennial job paradox; Michelle MacLaren is the best director on TV.
Matt Fagerholm picks his favorite piece of Roger's writing.