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A Sense of Peace Being Restored: Andrea Riseborough and Zeina Durra on Luxor

CFCA Mourns Losses of Members David Schultz, Andrea Gronvall

Rock and Roll Me: On Andrea Riseborough’s Spellbinding 2018 Performances

Tribeca Film Festival 2025: The Narrative Features

59th Karlovy Vary Film Festival Announces Official Selection and Juries

Though Uneven, ‘Overcompensating’ Is a Promising New Comedy

SXSW Film Festival 2025: Redux Redux, Descendent, The Surrender

SXSW Film Festival 2025: Nirvanna the Band the Show the Movie, Fantasy Life, Brother Verses Brother

“Out of My Mind” Director Amber Sealey on Casting Authenticity and Breaking Barriers

Sundance 2025: Come See Me In The Good Light, Move Ya Body, Deaf President Now!

Oscar Nominations Predictions 2025

Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See

My Night at the Critics Choice Celebration of Black Cinema and Television

2025 Sundance Film Festival Announces Ambitious Program

Home Entertainment Guide: November 2024

London Film Festival 2024 Highlights

HBO’s “Like Water for Chocolate” is Downright Sumptuous

London Film Festival 2024 Preview

Less Sex Scenes, More Sex Shots: Sean Baker and Mikey Madison on “Anora”

The Weirdos and the Outsiders: Gregg Araki on “The Teen Apocalypse Trilogy”

Home Entertainment Guide: September 2024

TIFF 2024: Dahomey, Bird, Oh Canada

Female Filmmakers in Focus: Mika Gustafson and Alexander Öhrstrand

Female Filmmakers in Focus: Angela Patton and Natalie Rae

Cannes 2024: Normal Normal or Cannes Normal?

Fantastic Start to Fourth Season of Evil Maintains Creepy Quality

Cannes 2024 Video #3: Megalopolis, Kinds of Kindness, Oh Canada, Bird, Wild Diamond

Cannes 2024: Megalopolis, Bird, The Damned, Meeting with Pol Pot

A Preview of the 2024 Cannes Film Festival

The 10 Most Anticipated Films of Cannes 2024

Preview of Tributes at the 58th Karlovy Vary International Film Festival

Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances

Second Sight Drops 4K Releases for Excellent Films by Brandon Cronenberg, Jeremy Saulnier, and Alexandre Aja

Spirit Awards 2024: A Platform for Essential Independent Films

Sundance 2024: In a Violent Nature, The Moogai, Krazy House

Female Filmmakers in Focus: Noora Niasari on Shayda

2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition

Female Filmmakers in Focus: Meg Ryan on What Happens Later

TIFF 2023: Alice & Jack, Expats, Sly

Female Filmmakers in Focus: Jennifer Reeder on Perpetrator

Ten Must-See Films at the 2023 Toronto International Film Festival

KVIFF 2023: We Have Never Been Modern, Restore Point, Blackbird Blackbird Blackberry

Female Filmmakers in Focus: Carolina Cavalli on Amanda

Redacting Racism: Some Thoughts on Race-Blind Casting

To Leslie: The Difficulty of Starting Over

Ebertfest 2023 Recap: A Photo Journal

Airwaves: The Top 40 Beauty of the Air Soundtrack

Ebertfest 2023: Frank Oz and Derek DelGaudio Screen In & Of Itself, Rita Coburn Spotlights Marian Anderson and More!

10 Major Snubs and Surprises from the 2023 Oscar Nominations

Netflix’s That ’90s Show is a Lackluster Throwback

The Great Performances of 2022

The 25 Best TV Series of 2022

Everything Everywhere All at Once Leads Chicago Film Critics Nominations

Marya Gates’ Overlooked Films of 2022

Sylvester Stallone Stars in Paramount’s Charming Tulsa King

Female Filmmakers in Focus: Phyllis Nagy on Call Jane

CIFF 2022: A Piece of Sky, Monica, Huesera

Goodbye to a Chicago Legend: Sergio Mims (1955-2022)

Highlights from the 2022 Reeling: Chicago LGBTQ+ International Film Festival

Martin Scorsese’s World Cinema Project Returns with Fourth Criterion Box Set

Female Filmmakers in Focus: Adamma Ebo and Adanne Ebo on Honk for Jesus. Save Your Soul.

Capturing the Truth of the Space: Joe Hunting on We Met in Virtual Reality

KVIFF 2022: Aftersun, F*cking Bornholm, Ramona

Black Representation in Youth Dramas – Degrassi Case Study

Evil Returns with Demonic Third Season on Paramount+

Cannes 2022: Highlights of the Return of the Legendary Film Festival

SXSW 2022: To Leslie, The Unknown Country, A Lot of Nothing

Why Batman: The Animated Series Remains One of the Best Dark Knight Tales

Ivan Reitman: 1946-2022

2022 Rotterdam International Film Festival Highlights

Brenda Robinson Elected as Chair of Board of Directors at Film Independent

Amazon’s Harlem Delivers a Fun, Flirty Romp of New York City Glamour, Finally in Color

TIFF 2021: The Electrical Life of Louis Wain, Belfast, Colin in Black and White

Telluride Film Festival Announces Full 2021 Program Lineup

Cannes 2021: Chaz’s Video Dispatch Table of Contents

Cannes 2021: Vortex, In Front of Your Face, Blue Bayou

Cannes 2021 Video #3: The Velvet Underground, Val, Onoda, Cow, Where is Anne Frank

Cannes 2021: Val, Jane par Charlotte, Cow

A Look Back at Tribeca 2021: The Documentary Features

Don’t Leave A Stranger: Nicole Riegel and Jessica Barden on Holler

Getting Away With It: Mads Mikkelsen and Anders Thomas Jensen on Riders of Justice

SXSW 2021: Here Before, Our Father

Introduction to Women Writers Week 2021

Home Entertainment Guide: December 2020
