Cronenberg
Cronenberg Movie Reviews
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Blog Posts That Mention Cronenberg
Second Sight Drops 4K Releases for Excellent Films by Brandon Cronenberg, Jeremy Saulnier, and Alexandre Aja
A Vision of the Future: On David Cronenberg’s Videodrome
David Cronenberg, Léa Seydoux, and Viggo Mortensen on Crimes of the Future, Cannes, eXistenZ, and More
Psychological Infections: Brandon Cronenberg on Possessor
A Look Back at David Cronenberg’s Debut Shivers, 45 Years Later
The Shape of Rage: David Cronenberg’s “The Brood”
The Fault in Our Stars: David Cronenberg’s Latest Triumph
David Cronenberg’s “The Fly”
Written in the Flesh: A Crash Course in David Cronenberg
TIFF 2007: Cronenberg’s knockout punch
A piece of David Cronenberg’s mind
Rescued and reposted: A Crash Course in Cronenberg
Written in the Flesh: A Crash Course in David Cronenberg
The 20 Best Films of 2025 So Far
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
How to Be Human: A Personal Response to John Carpenter’s “Starman,” Now in 4K
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
The Florida Film Festival: An Oasis for Creative Souls
The Dream Within the Fairy Tale: Emilie Blichfeldt on “The Ugly Stepsister”
The Unloved, Part 135: Adoration
SXSW Film Festival 2025: Redux Redux, Descendent, The Surrender
Sundance 2025: Rebuilding, Together, Peter Hujar’s Day
Sundance 2025: The Ugly Stepsister, By Design
The Great Craft of 2024
Two Thumbs Up! The Individual Top Tens of 2024
The Best Films of 2024
10 Underrated Horror Movies That Roger Ebert Loved (and Where to Watch Them)
TIFF 2024: The Shadow Strays, Friendship, The Shrouds
TIFF 2024: Mike Leigh Accepts the Ebert Director Award
TIFF 2024: 20 World Premieres We Can’t Wait to See
Mike Leigh to Receive Ebert Director Award at the 2024 Toronto International Film Festival
Pat Garrett and Billy the Kid Ride Again with Criterion’s 50th Anniversary Release
Understanding Grief in Rural Canada Through Hulu’s Under the Bridge
Cannes 2024: Normal Normal or Cannes Normal?
Cannes 2024 Video #8: Award Winners
Cannes 2024: Sean Baker’s Anora wins Palme d’Or
Cannes 2024: The Apprentice, The Shrouds
Cannes 2024: The Weirdo Films of Cannes
Cannes 2024: The Substance, Visiting Hours
A Preview of the 2024 Cannes Film Festival
The 10 Most Anticipated Films of Cannes 2024
A New Skin: Losing Control of Your Body in the 2020s
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
Dead Ringers: Rebirthing Body Horror
Sundance 2024: I Saw the TV Glow, Thelma, Freaky Tales
The Best Horror Films of 2023
Home Entertainment Guide: October 2023
CIFF 2023: All of Us Strangers, Poor Things, Saltburn
Their Show Was the Gateway: Matt Singer on His New Book, Opposable Thumbs: How Siskel & Ebert Changed Movies Forever
Second Sight Releases Stellar 4K Versions of Crimes of the Future, It Follows
Venice Film Festival 2023: Dogman, Ferrari
Triage Is a Huge Part of Filmmaking: Laura Moss on Birth/Rebirth
The Best Films of 2023 … So Far
Everything Is Fate: Julian Sands (1958-2023)
Cannes 2023: Room 999, Anita, In the Rearview
The Transformative Power of Matthew Barney’s Cremaster Cycle
Cannes 2023 Line-up Includes Wes Anderson, Martin Scorsese, and Many More
Slasher Returns to Shudder with Intriguing New Season
The Great Filmmaking Craft of 2022
The Great Performances of 2022
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
Considering Easy To Get: World War II Army Training Films, Segregation, Black Uplift and VD
Cannes 2022: An Annotated Table of Contents
Cannes 2022: Highlights of the Return of the Legendary Film Festival
Cannes 2022 Video #5: Crimes of the Future, De Humani Corporis Fabrica, R.M.N. and IndieCollect’s Call for Film Preservation
Cannes 2022: Crimes of the Future, De Humani Corporis Fabrica
Cannes 2022 Video #1: Opening Night Welcomes Ukrainian President Volodymyr Zelenskyy and Final Cut
Cannes Film Festival Preview 2022
Home Entertainment Guide: April 2022
Cannes Official Selection Line-Up Overview with Digressions You Won’t Find Anywhere Else
Stare at the Flame: Jane Schoenbrun on We’re All Going to the World’s Fair
Roger’s Top Ten Lists: Best Films of 2006
Death Game: A Grindhouse Classic Returns to Theaters
William Hurt: 1950-2022
The Cost of Heroism: Matt Reeves on The Batman
Ivan Reitman: 1946-2022
Extreme Empathy: An Appreciation of the Films of Jimmy Chin and Elizabeth Chai Vasarhelyi
TIFF 2021: A Torontonian’s Take on a Tumultuous TIFF
FACETS Reopening on September 17th with Anne at 13,000 Ft.
Shudder’s Slasher: Flesh & Blood is a Great Late Summer Diversion
Home Entertainment Guide: January 2021
Home Entertainment Guide: December 2020
8 Films to See at the Nightstream Virtual Film Festival
Reexamining Indigenous Mythology: Michelle Latimer on Inconvenient Indian & Trickster
John Saxon: 1935-2020
30 Minutes on The Manchurian Candidate
The Best Performances of the 2020 Sundance Film Festival
Sundance 2020: Possessor, Surge, The Killing of Two Lovers
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
Babak Anvari on the Many Mysteries of His Freaky Hulu Horror Film, Wounds
CIFF 2019: Preview of the 55th Chicago International Film Festival
TIFF 2019: Sea Fever, Clifton Hill
