Heaven Is for Real
Faith-based film tries reaching past its audience, but falls back on preaching to its own choir way too much.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A remembrance of Harold Ramis.
Marie writes: I've been watching a lot of old movies lately, dissatisfied in general with the poverty of imagination currently on display at local cinemas. As anyone can blow something up with CGI - it takes no skill whatsoever and imo, is the default mode of every hack working in Hollywood these days. Whereas making a funny political satire in the United States about a Russian submarine running aground on a sandbank near a small island town off the coast of New England in 1966 during the height of the Cold War - and having local townsfolk help them escape in the end via a convoy of small boats, thereby protecting them from US Navy planes until they're safely out to sea? Now that's creative and in a wonderfully subversive way....
Marie writes: Welcome to "Good Books", an online bookseller based in New Zealand. Every time you buy a book through them, 100% of the retail profit goes directly to fund projects in partnership with Oxfam; projects which provide clean water, sanitation, develop sustainable agriculture and create access to education for communities in need. To increase awareness of Good Books' efforts to raise money for Oxfam, String Theory (New Zeland based agency) teamed up with collaborative design production comany "Buck" to create the first of three videos in a digital campaign called Good Books Great Writers. Behold the award winning animated Good Books Metamorphosis.
Why in the world couldn't we use this thing called television for the broadcasting of grace through the land? - Mr Rogers
There aren't many films that have made me cry. "Brokeback Mountain" prickled my eyes. "Toy Story 2" caused a lone tear to escape my eyelids and creep across my cheek. "Dear Zachary" made me discreetly weep with silent despair. And two PBS documentaries about a children's TV presenter left me red-eyed and runny-nosed, my face swollen and my chest shaking, as I sat clutching Kleenex and trying not to dehydrate.
Superheroes may have been born in comic books, but they were made for the movies. Defying the laws of physics, and occasionally the laws of society, they tend to be transgressors whose supernatural powers (or costumes and gadgets) enable them to surpass the abilities of mortals when it comes to maintaining stability and order -- or, at least, exacting revenge -- whether they act on behalf of themselves or society (or the cosmos) at large. "Truth, justice and the American Way," as the Man of Steel might put it.
PARK CITY, Utah -- I took a day off to cover the Oscars, and I'm nine films behind. That's nine I've seen, not nine I've missed. They are so various and in many cases so good that the problem is to write about them without sounding like a crazed cinemaniac.
Morgan Freeman, who will be honored by the Chicago Film Festival tonight, "may be the greatest American actor in movies," Pauline Kael once wrote.
LOS ANGELES Has any other movie director become this famous after making only two movies? Well, yes - Orson Welles. But Welles was already a star when he went to Hollywood. Quentin Tarantino came out of next to nowhere and became famous because he made two of the most influential movies of the past five years, and because . . . well, because he tickles people.
"I hope they're not rewriting this scene," Morgan Freeman said, looking uneasily over at a script conference on the far side of the big set.
NEW YORK -- "Speechless" is a movie about two political consultants for different parties, who fall in love. So I'm talking with Michael Keaton, the star of the movie, and I say, "I gather this screenplay was written before Mary Matalin and James Carville became a couple."
They are a couple for the '90s, he in latex, she in leather, he with pointy ears, she with slashing claws. Beneath their retro evening costumes, of course, they are a mass of neuroses: Batman is the quintessential lonely guy, and Catwoman is the victim of office sexism, who explodes in anger after she is harassed one time too many.
Between Beverly Hills and the Valley. He came around a curve and saw a car coming straight at him - a driver trying to pass five cars. On one side of Beatty was oncoming traffic. On the other side was a 100-foot drop.
Ebert's Best Film Lists1967 - present