The fact that he doesn’t try to redeem these flawed, fascinating figures—or even try to make you like them in the slightest way—feels like an…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with Joel Edgerton, star/writer/director of "The Gift."
The June 2015 installment of Bright Wall/Dark Room featuring an in-depth analysis of the controversy regarding "Zero Dark Thirty."
Jim Hemphill on "The Trouble with the Truth"; 1980s Atlanta as a backdrop of the future; How to make Blu-rays relevant again; Recreating Klimt; In defense of Trevor Noah.
The dangers of stock photo modeling; Nancy Reagan refused to help Rock Hudson; Bed bugs may be splitting into new species; Hollywood's white-guy problem; Eugene Levy and Catherine O'Hara.
Chatting with Björk; Life and death in Senegal; Why "Life Itself" was snubbed; Disney rejects George Lucas; "American Sniper" is not war propaganda.
Open-office trend destroys workplace; Dark day for women in Hollywood; Matt Zoller Seitz on Wes Anderson; Hollywood absent from Oscars; Michael Phillips on "American Sniper."
Predictions for the eight major categories in the 87th Annual Academy Awards.
Hollywood's toxic addiction to franchises; Looking back on "Wolf of Wall Street"; "Avatar" left no pop culture footprint; Elf on the Shelf is dangerous; North Korea is not funny.
A piece on the first wave of critics groups awards and some predictions for SAG and the Golden Globe nominees.
Remembering Mike Nichols; Kathryn Bigelow's experimental short; The rational wonders of Christopher Nolan; Interviewing Billy Wilder; RIP Leigh Chapman.
An interview with Jessica Chastain, star of "Miss Julie," opening tonight at the Chicago International Film Festival.
An interview with the legendary Liv Ullmann, at this year's TIFF with "Miss Julie."
An interview with Mark Duplass, writer and star of "The One I Love."
A look at the cinematic and political history that resulted in Bong Joon-Ho's "Snowpiercer."
The first recipients of the Sundance Institute's Roger Ebert Scholarship for Film Criticism make their debut at the Sundance Film Festival.
The nominations from the Producers Guild, Screen Actors Guild and the Writers Guild have announced their nominations, and the Oscars race is starting to come into focus.
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Erik Childress looks at the first awards of the season and their possible impact on the Oscar race.
Critic Carrie Rickey traces the evolution of women on film and behind the camera over the course of her career writing about film.
More debate about the future of U.S. healthcare reform; Twitch Film apologizes to director Sono Sion; friends don't let friends remake "Ben-Hur"; how television does better by women than movies do; deconstructing a "Carlito's Way" scene.
Susan Seidelman has been making films for over 30 years. Her work includes "Desperately Seeking Susan," the pilot for "Sex and the City," and her new sports comedy "The Hot Flashes." Her story is the story of women in Hollywood: a study in creativity, courage and strength. A profile by RogerEbert.com's Christy Lemire.
Susan Wloszczyna wonders if women at the helm might be just the thing to revitalize the foundering, repetitive comic-book movie genre.
Los Angeles, CA: Sundance Institute will remember and celebrate journalist and film critic Roger Ebert by honoring him with the Vanguard Leadership Award in Memoriam, in recognition of his advocacy of independent cinema. He was a frequent attendee of the Sundance Film Festival, where he discovered and supported films like Hoop Dreams, Man Push Cart, Come Early Morning, Longtime Companion, Metropolitan, The Brothers McMullen, Crumb, Picture Bride, American Movie, and The War Zone. Sundance alumni who count him as an advocate include Steve James, Spike Lee, Kathryn Bigelow, Steven Soderbergh, Quentin Tarantino, Errol Morris and Werner Herzog.
The star of Kathryn Bigelow's "Zero Dark Thirty" (2012) is Kathryn Bigelow. This film is intensely suspenseful, even though we already know the narrative and its ending, or perhaps because we already know. Its drama is all the more compelling because, when listing out all the plot points, this is actually a very straightforward, almost dull story about a chase that, when it completed, was mostly irrelevant. Even the raid on Usama bin Laden's compound was more of a careful trek through a labyrinth than a shootout. Moreover, we know what happens; we are now watching how.
The Oscars are the most important way the American film industry can honor what it considers the year's best work. But for millions of movie lovers all over the globes, they are something else: A show.
That's why I suspected last June that Quvenzhané Wallis might win a nomination. The pride of Hounduras Elementary School in Houma, LA, has now become, at nine, the youngest nominee in history for Best Actress. Her story is even better: She was five when she auditioned for the role, and six when she performed it.