Southbound is a prime example of a horror omnibus film: even the weaker segments have something to recommend them.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The shaming of Robert De Niro; Disappointment invades "The 5th Wave"; Christopher Jason Bell on "The Winds That Scatter"; Why the #OscarsSoWhite fuss matters; Boxing's greatest muse.
A preview of the 73rd Golden Globes ceremony airing Sunday night, and some predictions.
A piece on how the 2015 award season reflects a thriving marketplace for older moviegoers.
An article on the 2016 Golden Globe nominees.
The latest on Blu-ray and streaming services, including "Best of Enemies," "Shaun the Sheep Movie," "Mississippi Grind" and "Don't Look Back" on Criterion.
A review of Fox Searchlight's "Brooklyn" and "Youth."
A report on the Hollywood Foreign Press Association's August 13th, 2015 Grants Gala.
A report on the Hollywood Foreign Press Association's upcoming grants banquet on August 13th.
A piece on the history of Cameron Crowe in light of this week's Aloha.
A report from Cannes 2015 on the latest films from Paolo Sorrentino, Shin Su-won and Hou Hsio-hsien.
A review of Paolo Sorrentino's latest from Cannes.
A curtain raiser for the 2015 iteration of the Cannes Film Festival.
A review of Grace and Frankie, starring Jane Fonda, Lily Tomlin, Martin Sheen, and Sam Waterston.
A review of the final season of HBO's The Newsroom.
An excerpt from the October 2014 edition of "Bright Wall/Dark Room" on "The Hunger."
Is feature filmmaking dead?; Gripes with "This Is Where I Leave You"; Remembering Peter von Bagh; "Raiders of the Lost Ark" in black-and-white; B. Ruby Rich on "Life Itself."
"Speed" vs. "True Lies"; 50 Most Underrated Films; What Our Blockbusters Get Wrong About Women; Louis C.K.'s e-mails; 100 Directors' Rules of Filmmaking.
A report on the weekend presentation of "White House Butler Down," J. Hoberman's simultaneous screening of "The Butler" and "White House Down."
Old films into purgatory; A Nine to Five reevaluation; True Detective and literary references; Internet trolls are the worst; and a Studio Ghibli retrospective.
An exhaustive list of Top 10s by RogerEbert.com contributors.
Lee Daniels, the director of "Lee Daniels' The Butler," discusses his personal stakes in the story and working with Forest Whitaker on the way the character grows and changes.
Marie writes: There was a time when Animation was done by slaves with a brush in one hand and a beer in the other. Gary Larson's "Tales From the Far Side" (1994) was such a project. I should know; I worked on it. Produced by Marv Newland at his Vancouver studio "International Rocketship", it first aired as a CBS Halloween special (Larson threw a party for the crew at the Pan Pacific Hotel where we watched the film on a big screen) and was later entered into the 1995 Annecy International Animated Film Festival, where it won the Grand Prix. It spawned a sequel "Tales From the Far Side II" (1997) - I worked on that too. Here it is, below.
"All Together," or "Et si on vivait tous ensemble?" (97 minutes) is available via VOD on various cable systems, and on iTunes, Amazon Instant and Vudu.
The cinema of 2012 is brought to you by Viagra, or so it seems. The year has been chock full of movies about horny old people. Sure, the characters still complain, have aches and pains, and deal with moments both senior and regrettable. But Nana's also out to prove she's still got the ill na na, and Gramps is in the mood like Glenn Miller on an endless loop. Films like Dustin Hoffman's "Quartet," with its randy Billy Connolly, and the main characters of Stephane Robelin's "All Together" dispel the myth that once you go gray, the sex goes away. These folks are reclaiming "bitch and moan" from its grumpy origins, and turning the phrase into a cause-and-effect relationship.
Marie writes: It's no secret that most Corporations are evil - or at the very least, suck big time. And while I have no actual proof, I'm fairly certain there is a special level of Dante's Hell reserved just for them. (Map of Dante's Hell.)That being the case, when my younger brother Paul wrote me about a cool project sponsored by Volkswagen, I was understandably wary and ready to denounce it sight-unseen as self-serving Corporate shyte. As luck would have it however, I was blessed at birth with curiosity and which got the better of me and why I took a look. For what I found was nothing less than extraordinary....