Nothing here deserves to be characterized as morbid. Indeed, quite the opposite.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Our resident awards expert predicts who will go home with an Oscar on Sunday night.
Oscar nominees spotlight diversity; Best Actor Battle; Damien Chazelle wins DGA Award; "The Salesman" may win thanks to Trump; All nominees tipped to win.
A dispatch on two high-profile Sundance premieres, starring Jason Segel and Jeremy Renner.
An excerpt from the January 2017 issue of online magazine Bright Wall/Dark Room about Denis Villeneuve's "Arrival."
Some of our favorite performances of 2016.
A look at how "Arrival" reflects Heidegger's philosophies.
FFC Pablo Villaça explores the themes at the heart of Denis Villeneuve's sci-fi film "Arrival."
A look at the films expected to dominate this year's Oscar race and the narrative scope they share.
Chaz Ebert highlights 13 must-see films of 2016.
A recap of the 2016 Chicago International Film Festival.
A list of films and special events to check out when attending this year's Chicago International Film Festival.
A recap of the Telluride Film Festival with an emphasis on how it spotlighted stories about women.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
A preview of the films playing at the 2016 Telluride Film Festival.
The first films announced for the 2016 Toronto International Film Festival.
How comedy soared in 2015; "Star Wars" among Top 10 Films of 2015; Mark Ulano on "The Hateful Eight"; Carrie Fisher remains riotously off-message; Roger Deakins on "Sicario."
A recap of the 2015 Toronto International Film Festival by the contributors who were there.
An overview of the films that will be theatrically released in the 2015 fall season.
A table of contents of Cannes 2015 coverage by Barbara Scharres.
A roundtable discussion on the best and worst of Cannes 2015.
A Cannes report on new films by Denis Villenueve and Zhang-ke Jia.
Pablo Villaça offers another perspective on "Prisoners."
Marie writes: Behold a truly rare sight. London in 1924 in color. "The Open Road" was shot by an early British pioneer of film named Claude Friese-Greene and who made a series of travelogues using the colour process his father William (a noted cinematographer) had been experimenting with. The travelogues were taken between 1924 and 1926 on a motor journey between Land's End and John O'Groats. You can find more footage from The Open Road at The British Film Institute's YouTube channel for the film. You can also explore their Archives collection over here.
Marie writes: They call it "The Shard" and it's currently rising over London akin to Superman's Fortress of Solitude and dwarfing everything around it, especially St. Paul's in front. I assume those are pigeons flying over-head and not buzzards. Ie: not impressed, but that's me and why I'm glad I saw London before they started to totally ruin it.Known as the "London Bridge Tower" before they changed the name, when completed in 2012, it will be the tallest building in Europe and 45th highest in the world. It's already the second highest free-standing structure in the UK after the Emley Moor transmitting station. The Shard will stand 1,017 ft high and have 72 floors, plus another 15 radiator floors in the roof. It's been designed with an irregular triangular shape from base to top and will be covered entirely in glass. The tower was designed by Renzo Piano, the Italian architect best know for creating Paris's Pompidou Centre of modern art with Richard Rogers, and more recently the New York Times Tower. You can read an article about it at the Guardian. Here's the official website for The Shard. Photograph: Dan Kitwood.