While Oasis: Supersonic is never boring, especially for fans, it’s also not quite deep enough to justify its narrow focus, especially at its overlong running…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An appreciation for Robert Zemeckis' 1992 dark comedy "Death Becomes Her," now available on Blu-ray from Shout! Factory.
A review of the Blu-ray of “Star Wars: Episode VII - The Force Awakens”
A piece on how Deadpool could bring back the R-rated blockbuster and when it really mattered.
A look back at the five "Die Hard" movies.
An overview of the films that will be theatrically released in the 2015 fall season.
An obituary for film icon Jerry Weintraub.
The case against innocent bystanders; John McTiernan's "Basic"; Cause of addiction has been discovered; Remembering Dusty Rhodes; J.J. Abrams on Dick Smith.
An appreciation of Brad Bird's "The Iron Giant" on its 15th anniversary.
Paul Apted dies; The neo-liberal rhetoric of trauma; Universe may be a hologram; Skyler Page out of Cartoon Network; Indie filmmakers in conversation.
Sheila writes: Welcome to the "Life Itself" Special Edition of the Ebert Club newsletter! The film, directed by Steve James, opens on July 4 in select cities (and on demand), with more dates and cities to follow. You will find more information about that below, as well as an exclusive for the newsletter: an interview with Ebert Club member Greg Salvatore, who won tickets to the L.A. premiere of "Life Itself" at the Google+ Hangout held on Roger's birthday. He was generous enough to share his thoughts with us and let us experience the L.A. premiere vicariously. There's lots more below. Here is the official trailer for "Life Itself."
On June 21, 2014, “Life Itself” opened the Hamptons Film Festival at Guild Hall in East Hampton, New York. RogerEbert.com publisher Chaz Ebert and editor-in-chief Matt Zoller Seitz were guests at the event and participated in a post-screening Q&A with Alec Baldwin and Hamptons Film Festival artistic director David Nugent afterward.
Scout Tafoya's series on critically reviled but substantive movies continues with Peter Bogdanovich's 1975 musical "At Long Last Love."
We're counting down twelve great movie scenes set around Christmas. Here is the first batch, with #12 through #9.
"The Wes Anderson Collection" video essay series finishes with a look at the director's 2012 hit "Moonrise Kingdom," the tale of a young love that throws a small community into turmoil.
Peter Sobczynski ranks 27 films by Brian De Palma.
"Die Hard", which was released 25 years ago today, might be the most widely-imitated action film of all time. Who would have thought that a glorified deal memo would turn out to be a classic?
What happens when actors play themselves? Something funny, and often magical, as this Leigh Singer supercut proves. Text by Matt Zoller Seitz.
Marie writes: the great Ray Harryhausen, the monster innovator and Visual Effects legend, passed away Tuesday May 7, 2013 in London at the age of 92. As accolades come pouring in from fans young and old, and obituaries honor his achievements, I thought club members would enjoy remembering what Harry did best.
Marie writes: Behold the entryway to the Institut Océanographique in Paris; and what might just be the most awesome sculpture to adorn an archway in the history of sculptures and archways. Photo @ pinterest
(click to enlarge.)
Marie writes: Behold the amazing Art of Greg Brotherton and the sculptures he builds from found and re-purposed objects - while clearly channeling his inner Tim Burton. (Click to enlarge.)
"With a consuming drive to build things that often escalate in complexity as they take shape, Greg's work is compulsive. Working with hammer-formed steel and re-purposed objects, his themes tend to be mythological in nature, revealed through a dystopian view of pop culture." - Official website
Marie writes: Christmas is almost upon us, and with its impending arrival comes the sound of children running free-range through the snow, while grown-ups do battle indoors in the seasonal quest to find the perfect gift...
Fred Zinnemann's "The Day of the Jackal" (1973) is a great example of how a film can do a good job of creating tension and involving the viewer by sticking with the most basic cinematic elements. We have the benefit of comparing it with a remake ("Jackal," 1997) that went on the opposite direction and by wrongly doing everything that its predecessor got right, making he merits of the earlier version all the more evident. Both are distinctive reflections of how studios perceived audience tastes in their respective time periods. They are as different as two movies based on the same source might be and can hardly be classified in the same genre. The later entry is a brainless action flick; the original is a "thriller" in every sense of the word.
Marie writes: "let's see what happens if I tickle him with my stick..."(Photo by Daniel Botelho. Click image to enlarge.)
Marie writes: The ever intrepid Sandy Khan shared the following item with the Newsletter and for which I am extremely glad, as it's awesome..."Earlier this year, the Guggenheim Museum put online 65 modern art books, giving you free access to books introducing the work of Alexander Calder, Edvard Munch, Francis Bacon, Gustav Klimt & Egon Schiele, and Kandinsky. Now, just a few short months later, the Metropolitan Museum of Art has launched MetPublications, a portal that will "eventually offer access to nearly all books, Bulletins, and Journals" published by the Met since 1870."