Don't Think Twice
Mike Birbiglia's beautiful, sneakily profound comedy shows a world where "Yes, and ... " is the default.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A piece on how Deadpool could bring back the R-rated blockbuster and when it really mattered.
The greatest Man Cave movie of the last 10 years, made to be viewed from a black leather sofa.
How the female co-stars of Arnold Schwarzenegger's hit films of the '80s helped change the genre.
A look back at the five "Die Hard" movies.
Aging heroes won't give up the gun; Why sex scenes for over-60s are taboo; Trump's resemblance to Citizen Kane; Last films of Fritz Lang; RIP Wes Craven.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Simon Abrams.
The case against innocent bystanders; John McTiernan's "Basic"; Cause of addiction has been discovered; Remembering Dusty Rhodes; J.J. Abrams on Dick Smith.
A list of the two-and-a-half-star reviews so far posted on RogerEbert.com this year.
A preview of dozens of films being released this Summer.
An appreciation of John McTiernan's "The Hunt for Red October" on its 25th anniversary.
"Speed" vs. "True Lies"; 50 Most Underrated Films; What Our Blockbusters Get Wrong About Women; Louis C.K.'s e-mails; 100 Directors' Rules of Filmmaking.
A look at the cinematic and political history that resulted in Bong Joon-Ho's "Snowpiercer."
A history of movies not directly based on comic books but definitely inspired by them.
Writer Simon Abrams responds to our Movie Love Questionnaire.
The new science fiction action film from Bong Joon-ho ("The Host," "Mother") defies the odds by turning yet another dystopian future into something thrilling and distinctive.
On Trayvon and Questlove and feminism and racism; why the American right hates Detroit; Elliott Gould tells tales out of school; why somebody should adapt Stephen King's 'The Long Walk.'
"Die Hard", which was released 25 years ago today, might be the most widely-imitated action film of all time. Who would have thought that a glorified deal memo would turn out to be a classic?
What happens when actors play themselves? Something funny, and often magical, as this Leigh Singer supercut proves. Text by Matt Zoller Seitz.
Marie writes: Remember Brian Dettmer and his amazing book sculptures? Behold a similar approach courtesy of my pal Siri who told me about Alexander Korzer-Robinson and his sculptural collages made from Antiquarian Books. Artist's statement:"By using pre-existing media as a starting point, certain boundaries are set by the material, which I aim to transform through my process. Thus, an encyclopedia can become a window into an alternate world, much like lived reality becomes its alternate in remembered experience. These books, having been stripped of their utilitarian value by the passage of time, regain new purpose. They are no longer tools to learn about the world, but rather a means to gain insight about oneself."
"Dear Mr. Spider;I am profoundly sorry to have taken you from your home in the woods, when I was picking Himalayan Blackberries on Monday afternoon. I didn't see you fall into my bucket and which was entirely my fault; I must have bumped into your web while reaching for a berry. Needless to say, I was surprised upon returning home with my bucket full, to suddenly see you there standing on a blackberry and looking up at me." - Marie
(photo recreation of incident)
The first two "Terminator" movies were to me what "Star Wars" was to previous generations. Every kid wanted to be Eddie Furlong. The prospect of having a badass mother who didn't freak out when you grabbed a gun was overwhelming. On top of that young John Connor had his very own Terminator to command!! When I first watched those movies it was the violence of the first film, the special effects of the second and the time travel paradox of both that kept me up most nights in awe. I must've watched them a hundred times and I still give them credit for kicking off my interest to science fiction and the many mind boggling philosophical ideas that come hand in hand with the genre.
A few years ago, while sitting in the mosque during a Friday sermon, I noticed a man in the center of the second row. This is an octagonal mosque with bare white walls. On the outside, its bluish brick and yellow dome consciously invoke the Dome of the Rock, which itself, incidentally is not a mosque. This man was sitting on the blue carpet with the rest of us, about six feet away from the preaching Imam, yet interestingly, he was not looking at him. The Imam was dressed in a white thobe, white skull cap, and that contrasted his thick jet-black beard. Instead, the man of salt-and-pepper beard was staring at the giant projection of this Imam on a screen above. I don't remember what the Imam was speaking about that day, which might explain why I was probably staring curiously at this man as he stared at the live video projection of the preacher standing right in front of him. But, for reasons I will explain below, that moment comes to mind when I think of Ridley Scott's "Prometheus" (2012).
Published with Press Play on Indiewire
With the unparalleled box office success of The Avengers, superheroes are back in the spotlight. Most comic book aficionados are delighted with the recognition. But believe it or not, there are those such as myself who are dismayed at how superhero films, though more popular than ever, seem to be losing their luster.