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Matt Fagerholm

Matt Fagerholm

Matt Fagerholm is the former Literary Editor at RogerEbert.com and is a member of the Chicago Film Critics Association. He spent four years writing film reviews and interviews for HollywoodChicago.com and has contributed to a variety of publications including Time Out Chicago, The A.V. Club, No Film School, Cinema Femme and Magill's Cinema Annual. His writing/editing experience includes serving as Assistant A&E Editor at the Columbia Chronicle and a full-time writer interviewing such icons as Betty White, Ed Asner and Judy Collins at the Woodstock Independent. For nearly a decade, he served as a monthly guest on Vocalo radio's The Morning AMp program, and is also the founder of Indie Outlook, a blog and podcast featuring exclusive interviews with some of the most exciting voices in modern independent filmmaking. Follow him on Twitter at @IndieOutlook and @mattfagerholm.

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Framing Agnes
Master of Light
Dos Estaciones
McEnroe
I'm Fine, (Not) Really
Return to Space
Brighton 4th
President
Torn
Detainee 001
The Human Factor
Erēmīta (Anthologies)
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I Am Greta
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Features

Thumbnails 8/24/15

Deborah Kampmeier on "Hounddog"; Today's reductive emotional landscape; Not a reboot, a repackaging; Riding tall on a rebellion frontier; When brown actors play white characters.

Features

Thumbnails 8/21/15

Lessons learned from "Rosemary's Baby"; What's missing from "Straight Outta Compton"; Keith Gordon on "The Singing Detective"; Rose McGowan's feminist revolution; Memories of Musso & Frank.

Features

Thumbnails 8/12/15

Meryl Streep performances ranked; Malick and the tao of the sojourning soul; Soderbergh and sex at the movies; Resurrection of America's slums; Pleasures of Blumhouse films.

Features

Thumbnails 8/10/15

Colleges censor stand-up comics; Edward Norton on the monetization of Oscars; Nine-year-olds' open letter to Disney; William Friedkin revisits golden era; "Shaun the Sheep" filmmakers.

Features

Thumbnails 8/7/15

Daily Dot kills its comments section; Netflix's racist algorithm; Veil of diversity in "Sleepy Hollow"; Warning for screenwriters; Why story structure formulas don't work.