The Assistant
The Assistant, a very good film, is especially good on power dynamics.
The Assistant, a very good film, is especially good on power dynamics.
Lana Wilson's doc is engineered to appease her fans and promote Swift's self-awareness, and yet it leaves one feeling that there is still so much…
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Chaz Ebert reveals her Top Ten (PLUS) Films of 2019.
An article about today's noon premiere of a new movie about architect Benjamin Marshall at the Gene Siskel Film Center.
Scout Tafoya celebrates William Lustig's Vigilante in his latest video essay about maligned masterpieces.
Chaz Ebert reveals her Top Ten (PLUS) Films of 2019.
Theo Angelopoulos’ Landscape in the Mist is a work of art that comes from the feelings, the dreams, the sorrows, and the flashes of life…
Far Flung Correspondent Seongyong Cho pens a letter to Roger about Michael Apted's 63 Up.
A dispatch from Sundance on two Midnight titles.
A dispatch from Sundance on three films that were in the U.S. Dramatic Competition category.
Matt Zoller Seitz is the Editor at Large of RogerEbert.com, TV critic for New York Magazine, the creator of many video essays about film history and style, a finalist for the Pulitzer Prize in criticism, and the author of The Wes Anderson Collection. His writing on film and TV has appeared in The New York Times, Salon, New York Press, The Star-Ledger and Dallas Observer. (Banner illustration by Max Dalton)
Scout Tafoya celebrates William Lustig's Vigilante in his latest video essay about maligned masterpieces.
Scout Tafoya's series on underrated films heads into the 2020s with a Tony Scott classic.
It’s one of the year’s best and most distinctive movies, though sure to be divisive, even alienating for some viewers, in the manner of nearly all Malick’s films to one degree or another.
This documentary about a family-owned private ambulance service in Mexico City is one of the great modern films about night in the city.
A tediously straightforward adaptation of a drug rehab memoir that turned out to be fiction.
Scout Tafoya's video essay series about maligned masterpieces celebrates Steven Soderbergh's Solaris.
The sheer breadth and depth of this series creates its own sort of poetry.
A typically beguiling and heartfelt guide to the films of the late Agnès Varda, by the director herself.
A legal thriller in the tradition of The Verdict and The Insider.
An elegantly wrought drama about a father and daughter.