Robert Daniels & Odie Henderson Talk “Baby Boy” at 25
Robert and Odie talk John Singleton’s underrated 2001 drama for its 25th anniversary.
Robert and Odie talk John Singleton’s underrated 2001 drama for its 25th anniversary.
An appreciation of the career peak of one of our best actresses.
“Finnegan’s Foursome” could be an endurance test for those who only know Arnold Palmer from mixing tea and lemonade.
A meaningful examination of loneliness in the modern age.
“Voicemails for Isabelle” has a high emotional IQ, a romantic journey you’ll want to follow, and a real sense of the lunacy that makes life hilarious.
“Girls Like Girls” is the kind of coming-of-age film that’s just quiet enough to avoid the loud, broad cliches of the genre.
It matches its bite with embrace, simultaneously cradling the personalities caught in the crossfire of persona-driven capitalism.
The film benefits from Harriman’s portfolio, assembling a plot put together by the cast and crew’s collective compassion.
As Black cinema experienced a renaissance in the mid-’90s, three films made space for the Black female experience.
A rundown of every piece we’re publishing for this year’s Black Writers Week.
“Leviticus,” a romantic horror, experiments with the idea that one’s desires can become their worst fears.
An ode to one of the most creative filmmakers working today.
A look at how Blackness has been used on screen that compares Zendaya’s choices with the career of Sidney Poitier.
A look back at the dystopian whiteness of the sci-fi classic, now half a century old.
An ode to the best albums of the decade that play like movies.