Final Destination 3
Written by
Wong
Wong Movie Reviews
Blog Posts That Mention Wong
Enter the World of Wong Kar Wai with One of Criterion’s Best Box Sets
World of Wong Kar Wai Retrospective Arrives Virtually to Film at Lincoln Center
James Wong Howe, Master of Lights
Cannes 2025: Resurrection, Honey Don’t!
Cannes 2025: Renoir, Sons of the Neon Night, Orwell: 2+2=5
Cannes 2025 Video #3: Robert Daniels on Urchin, Renoir, Die My Love, and More
The 2025 TCM Classic Film Festival
“Anora,” “Shōgun” Win Big with Critics Choice Awards
Sundance 2025: Bunnylovr, Atropia, Love, Brooklyn
“The Brutalist,” “Emilia Pérez” Win Big at 2025 Golden Globe Awards
Cannes 2024 Diary 2: International Genre Picks
The Movies That Underwent Major Changes After Their Festival Premiere
How Do You Live: On the Power of Edson Oda’s Nine Days
Netflix Launches Ambitious, Engaging Adaptation of 3 Body Problem
Berlin Film Festival 2024: Demba, The Strangers’ Case, Black Tea
The 29th Critics Choice Awards Honor a Wide Variety of Film and TV
Oppenheimer, Poor Things Big Winners at the 2024 Golden Globes
The 25 Best TV Series of 2023
Netflix’s Scott Pilgrim Takes Off is a Phenomenal Stand-Alone Anime Addition
Home Entertainment Guide: August 2023
New York Asian Film Festival 2023 Highlights
Don’t Forget Your Place: On Joseph Losey’s The Servant
Disney Version of American Born Chinese Entertains Even as It Dilutes Its Source
Gremlins: Secrets of the Mogwai Reignites Beloved Property
Ebert Symposium 2023 to Precede Ebertfest on April 18th & 19th
Ebertfest 2023: Studio Head Jason Michael Berman and Director Edson Oda Open Festival with Nine Days
Colors of Film Deconstructs Visual Palettes of Cinema History
Nina Yang Bongiovi to Receive the Variety Creative Impact Award at the 2023 Sun Valley Film Festival
The Impact of Everything Everywhere All at Once on the Asian-American Community
The Key to Directing is Nurturing: Goran Stolevski on Of an Age
Home Entertainment Guide: November 2022
Prime Video’s Paper Girls is a Thrilling, Surprising Time Travel Adventure
There Are Many Different Types of Deaths: On This is Not a Burial, It’s a Resurrection
Our Favorite Roger Reviews: The Joy Luck Club
Home Entertainment Guide: December 2021, The Criterion Collection
Abe Lincoln No Malice Awards Celebrate Young Filmmakers At Shakespeare Theater
No Malice Film Celebration to be Held September 19th at The Yard at Chicago Shakespeare Theater
Another Chance: On the Sustained Power of John Frankenheimer’s Seconds
Meet the Winners of the Inaugural No Malice Film Contest
Judging the No Malice Film Contest
The Winners of the Inaugural No Malice Film Contest are Revealed
Meet the Writers: Roxana Hadadi
Amend: The Fight for America Educates Netflix Audiences on 14th Amendment
Video: Chaz Ebert Introduces the No Malice Film Contest
Sundance 2021: Luzzu, Hive, Fire in the Mountains, One for the Road
Beyond the Lines: Joan Micklin Silver, 1935-2020
Gang of Three: A Conversation with Godfrey Cheshire, Matt Zoller Seitz, and Armond White
AMC’s Soulmates Owes Too Much to Black Mirror
Subversive Sensuality: Isabel Sandoval on Lingua Franca
Short Films in Focus: Summer Hit
Get Lost in Bruce Lee’s Greatest Hits from Criterion
East Meets West: Arthur Dong on Hollywood Chinese
Sundance 2020: Nine Days, Minari, The Evening Hour
Home Entertainment Guide: December 26, 2019
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
NYFF 2019: Varda by Agnes, He Walked by Night, 45 Seconds of Laughter, Dodsworth
Who Tells Our Stories: Gender Progress Behind the Screen is Reflected On It
Thumbnails Special Edition: Cannes 2019
Olivier Assayas on Non-Fiction, Working with Juliette Binoche, Streaming vs. Theatrical and More
Bright Wall/Dark Room March 2019: Love You for 10,000 Years by Kelsey Ford
Syfy’s Deadly Class Fails to Live Up to Its Potential
Kino Lorber’s Pioneers: First Women Filmmakers Box Set is a Treasure Trove of Silent Film History
Sundance 2019 Announces Competition, Premiere, Midnight Titles and More
AFI Fest 2018: Bird Box
Red Carpet Premiere of Crazy Rich Asians Celebrates a Continuing Asian-American Movement
Fantasia 2018: Buffalo Boys, The Unity of Heroes, True Fiction
Cannes 2018: Ash is Purest White, Girls of the Sun, Girl
We Have Been Them: Roger Ebert’s Reviews About Empathy
Chicago’s Asian Pop-Up Cinema Starts Sixth Season
30 Minutes on: “Elevator to the Gallows”
New York Asian Film Festival 2017 Preview
Criterion’s “World Cinema Project, Vol. 2” Offers a Film Class in a Box
Meet the Writers: Jessica Ritchey
Bright Wall/Dark Room March 2017: “Towards a True Children’s Cinema: On ‘My Neighbor Totoro'” by Lauren Wilford
If We Picked the Winners 2017: Best Picture
What Nightmares May Come: How the “Resident Evil” Films and Games Work Together
Did You Know There’s a New Stephen Chow Movie Coming out Friday?
How Disney’s “Mulan” Brazenly Challenges Gender and Sexuality
The Macau Film Festival 2016: Classics in the “Crossfire” Sidebar, A Mexican Found Footage Horror Film and More
Sundance 2017 Announces Competition Titles
AFI Fest 2016: “Piccadilly” and a Doomed Diva
2016 Fall Movie Preview: 50 Movies That’ll Prove Film Isn’t Dead
Chicago French Film Festival 2016 Preview
It’s Over the Ocean to Scranton, Pennsylvania: An Appreciation of “The In-Laws”
Home Entertainment Consumer Guide: June 23, 2016
New York Asian Film Festival 2016 Preview
Documentary Buddha: Gordon Quinn on the Legacy of Kartemquin Films
Memoirs of a Geisha, Part II: How Are Geisha or Nerd Stereotypes Harmful?
Meet the Writers: Monica Castillo
“La Dolce Vita” No More: On The Current State of Foreign-Language Film Distribution
Return of “The X-Files” Stumbles But Quickly Recovers
RogerEbert.com Writers & Filmmakers Remember Haskell Wexler
Thumbnails 8/24/15
Who’s Who In Reviews: Christy Lemire
Chicago Underground Film Festival 2015 Preview
Thumbnails 2/26/15
