Jurassic World: Fallen Kingdom
This is a movie that’s annoying in part because it doesn’t care if you’re annoyed by it. It doesn’t need you, the individual viewer, to…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A recap of Day 4 & 5 of Ebertfest 2018.
An interview with the writer/director of 45 Years and Lean on Pete.
A hilarious film about a subject that's not funny at all.
Director and co-writer Armando Iannucci talks about his savagely funny political comedy, "The Death of Stalin."
61 films from all 28 EU nations will screen this month at the Chicago European Union Film Festival.
The winners of the festival's jury and audience awards were announced on Saturday night.
A review of the US Dramatic competition film, "Nancy," starring Andrea Riseborough.
A review of Amazon's new anthology series based on short stories by Philip K. Dick.
110 independent films have been announced to premiere at next January's Sundance Film Festival.
A report on new films from Armando Iannucci, Aaron Sorkin, and Lynn Shelton.
A report on four Friday premieres from TIFF 2017, including the surprisingly great I, Tonya.
A preview of the 2017 Toronto International Film Festival, which starts tomorrow.
An essay about Tim Burton's "Big Fish" from the August 2017 edition of online magazine Bright Wall/Dark Room.
The latest on Blu-ray and streaming, including "A Cure For Wellness," "Beauty and the Beast," "Before I Fall," and more.
A preview of this year's Miami Film Festival.
A TV critic's picks for the best TV of 2015-16.
What should be nominated for Emmys this year? Let us guide the way.
A piece on the Milestone Films releases of The Connection and In the Land of the Head Hunters.
A TIFF report on "Time Out of Mind" and "Shelter," two troubled dramas about homelessness in America in 2014.
The final seasons of "Boardwalk Empire" and "Sons of Anarchy" start next week.
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
Clever, fun, twisted, and wildly entertaining in the way that fans of not just "Fargo" but all of the Coens’ work hoped it would be.
Marie writes: As some of you may have heard, a fireball lit up the skies over Russia on February 15, 2013 when a meteoroid entered Earth's atmosphere. Around the same time, I was outside with my spiffy new digital camera - the Canon PowerShot SX260 HS. And albeit small, it's got a built-in 20x zoom lens. I was actually able to photograph the surface of the moon!
(click to enlarge)
This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.
Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.