Swept Away
Amber
Madonna
Madonna Movie Reviews
Blog Posts That Mention Madonna
Cannes 2015: “Youth,” “Madonna,” “The Assassin”
Madonna: possessed by “Evita”
Your Guide to Ebertfest 2025: Day 2, April 24th
Ebertfest 2025 Announces Full Schedule, With Guests Including Francis Ford Coppola, Susan Seidelman, Rosanna Arquette, and More
Ebertfest 2025 Adds “Desperately Seeking Susan,” “Touch,” “His Three Daughters”
Sundance 2025: Lurker; Free Leonard Peltier; Oh, Hi
“She Just Had an Accident”: “Seed of Chucky” at 20
Home Entertainment Guide: October 2024
Levan Akin on Making Films His Way, the Queer Art That Shaped Him, and His Touching New Drama Crossing
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
Along for the Ride with Sofia Coppola
You’re Naked Without Us: A Report from the Costume Designers Guild
A (Not So) Brief History of Silent Film Influences on Pop Music
Our Opinion of Crossroads Hasn’t Changed, Our Feelings About Britney Spears Have
Their Show Was the Gateway: Matt Singer on His New Book, Opposable Thumbs: How Siskel & Ebert Changed Movies Forever
A Closing Prayer: Terence Davies (1945-2023)
Everything Is Fate: Julian Sands (1958-2023)
A Look Back at Tribeca 2023
Five Great Tales from Cannes’ Past
The Best Thing You Never Expected: Luck Director Peggy Holmes on Good Luck and Bad
The Story of Who We Are: Gregory Nava Helps Celebrate Selena’s 50th Birthday
Alan Parker: 1944-2020
Selah and The Spades to Debut Tomorrow, April 17th, on Amazon Prime
Danny Aiello: 1933-2019
Selah and The Spades to Screen at BAMCinemaFest on June 16th
FX’s Pose has Glamour and Righteous Rage in Second Season
Cannes 2019: Rocketman
Breaking Barriers: Goodbye to John Singleton
Bright Wall/Dark Room April 2019: Religious Cinema for Non-Believers: Scorsese’s Silence
How Clerks and Four Weddings & a Funeral Marked a Turning Point for Female Sexuality in Film
Black Women vs. The End of the World (Again)
Penny Marshall: 1943-2018
Scott Wilson: 1942-2018
Aretha Franklin: 1942-2018
FX’s Historic Series Pose is Glamorous, Reverent
Let the River Run: On the 30th Anniversary of Working Girl
Greta Gerwig Joins Short Legacy of Female Best Director Nominees
Oscar Contenders Have Voters Seeing Triple
The Holy Vow: Margaret Betts on “Novitiate”
Thumbnails 1/6/17
Deconstructing Woody: A Year with a Filmmaker
The Return of Warren Beatty
Nature is Monumentally Indifferent: Werner Herzog and Clive Oppenheimer on “Into the Inferno”
CIFF 2016 Preview: 35 Films to See
Burn The Witch: The Gender Politics of Being an Auteur
New Position: A Defense of “Under the Cherry Moon”
Visual Pleasure and Voodoo Demographics: A Reflection on Women and Film (Updated)
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
NYFF 2015: Films We’ve Covered At Other Fests
TIFF 2015: Movies We’ve Already Seen at Other Fests
Thumbnails 7/30/15
Barbara Cannes 2015
Cannes 2015: Palme de Whiskers
Cannes 2015: “Chronic,” “Masaan”
Cannes 2015: Table of Contents
“The Breakfast Club”, 30 Years Later: A Conversation Across Generations
Thumbnails 3/5/15
Thumbnails 2/26/15
The Ten Best Films of 2014
Holiday Gift Guide 2014: Must-Read Books
Thumbnails 12/4/14
Doraemon Stand By Me: A Robot Cat without a Gong
A Single Consciousness: The Cinema of Terence Davies
Interview: David Thomson on the Changing Nature of Film
Telluride 2014: True Stories Turn to Festival Hits in “The Imitation Game,” “The Price of Fame”
Dr. Ryan Stone: Everything a Typical Female Movie Character Is Not
“Six by Sondheim” Keeps Up HBO’s Track Record for Great Documentaries
Visual Pleasure and Voodoo Demographics: A Reflection on Women and Film
Blood on the screen: Violence, movies and Me
Susan Seidelman, Survivor
Neil Jordan’s Seven Grim Fairy Tales: An Infographic Guide to a Director’s Obsessions
Disturbance in a cathedral: HBO’s “Pussy Riot: A Punk Prayer”
Seduced by Sonoma
Ebert’s Most Hated
The Best 10 Movies of 1996
The Best 10 Movies of 1991
Robert Downey Jr. plays it black
The “gay” Dilemma: If it’s a joke, what does it mean?
Marilyn Chambers, 1952-2009
Use your allusion: Is it funny if you have to explain it?
‘The Scream’: Now more than ever
They no like Borat
Let’s get social: Networking frames
Beep-beep-m beep-beep, yeah
It’s a God! It’s a Man! It’s Super-Jesus!
The Miracle of Trudy Kockenlocker
The death of film criticism has been greatly exaggerated, Part I
On actors who are too gay to be in the Musicals
Brüno is WWE wrestling
Do the Contrarian (Part I)
You make the movie, you sell the movie
A gay kid’s long, barely-repressed sob
Johnny Carson: The man behind the curtain
Irving! Brang ’em on!
“What’s your favorite movie?”
Death to film critics! Hail to the CelebCult!
Deneuve soars above glitz of Cannes
Rodman finds niche as action star
