Jean-Pierre Movie Reviews
Blog Posts That Mention Jean-Pierre
Retrospective: Jean-Pierre Melville and the Cinematic Hitman
Edward Frumkin
Jean-Pierre Jeunet Isn’t Anything Like Amélie, but He’s Trying
Tim Grierson
A Film in the Present Tense: Jean-Pierre and Luc Dardenne on “The Unknown Girl”
Matt Fagerholm
Arriving at a Character: The Process of Jean-Pierre and Luc Dardennes
Brian Tallerico
Cannes 2025 Video #8: Award Winners
Chaz Ebert
Cannes 2025: The Mastermind, Young Mothers
Ben Kenigsberg
Life Sustained by Desire: Alain Guiraudie on “Misericordia”
Isaac Feldberg
CIFF 2024: Cloud, Grafted, Parvulos
Peter Sobczynski
In Memoriam: Alain Delon
Farran Smith Nehme
At the Movies, It’s Hard Out There for a Hit Man
Tim Grierson
Saving Film History One Frame at a Time: A Preview of Restored & Rediscovered Series at the Jacob Burns Film Center
Monica Castillo
Home Entertainment Guide: March 2024
Brian Tallerico
Feeling Seen by Sometimes I Think About Dying
Caroline Madden
A Preview of the 2024 Rendez-Vous with French Cinema
Peter Sobczynski
The Walking Dead Finds Religion In the Compelling, Odd Spinoff Daryl Dixon
Clint Worthington
Home Entertainment Guide: July 2023
Brian Tallerico
The Best Films of 2023 … So Far
The Editors
Must-See Jean Eustache Film Series Led by 4K Restoration of The Mother and the Whore
Godfrey Cheshire
Tom Luddy (1943-2023)
The Editors
We Create Loneliness: Lukas Dhont on His Oscar-Nominated Film, Close
Matt Fagerholm
Lawrence Tierney Bio Etches Vivid Portrait of Hollywood’s Real-Life Tough Guy
Donald Liebenson
Fantastic 4K Box Set Captures Legacy of Sony Pictures Classics
Brian Tallerico
Image is Happiness: Jean-Luc Godard (1930-2022)
Dan Callahan
Home Entertainment Guide: August 2022
Brian Tallerico
Cannes 2022: An Annotated Table of Contents
The Editors
Cannes 2022 Video #8: Elvis, Godland, Tori and Lokita
Chaz Ebert
Cannes 2022: Triangle of Sadness wins Palme d’Or
Ben Kenigsberg
Cannes 2022: Decision to Leave, Tori and Lokita, Funny Pages
Ben Kenigsberg
Home Entertainment Guide: March 2022
Brian Tallerico
Nicolas Winding Refn’s Drive: Cinema’s Postmodern Samurai
Andrew Bundy
TIFF 2021: Encounter, Earwig, Inexorable
Brian Tallerico
Jean-Paul Belmondo: 1933-2021
Dan Callahan
Fantasia 2021: Junk Head, The Great Yokai War: Guardians, The Sadness, Yakuza Princess
Brian Tallerico
A Household Name in France: Celebrating Bertrand Tavernier
Lisa Nesselson
Bertrand Tavernier: 1941-2021
Scout Tafoya
Meet the Writers: Carlos Aguilar
Carlos Aguilar
Home Entertainment Guide: October 2020
Brian Tallerico
8 Films to See at the Nightstream Virtual Film Festival
Isaac Feldberg
NYFF 2020: Malmkrog, Days, I Carry You With Me
Godfrey Cheshire
Cannes Flashback: Quentin Tarantino, Werner Herzog, Ernest White II and More
Chaz Ebert
Home Entertainment Guide: April 16, 2020
Brian Tallerico
Preview of Noir City Chicago 2019
Laura Emerick
Cannes 2019: Bong Joon-ho Wins Palme d’Or for Parasite
Ben Kenigsberg
Cannes 2019 Video #5: Quentin Tarantino, Werner Herzog, Ernest White II and More
Chaz Ebert
Cannes 2019: The Traitor, Oh Mercy
Barbara Scharres
Cannes 2019: Young Ahmed, Portrait of a Lady on Fire, Adam
Barbara Scharres
Cannes 2019 Videos: Table of Contents
The Editors
Cannes 2019: Preview of the 72nd Festival
Barbara Scharres
Bernardo Bertolucci: 1941-2018
Dan Callahan
RIP Cinema: On James Dean’s Disappearance and French New Wave Legacy
Q.V. Hough
Home Entertainment Consumer Guide: November 16, 2017
Brian Tallerico
NYFF 2017: “Wonder Wheel”
Godfrey Cheshire
TIFF 2017: Midnight Madness, Part Two
Brian Tallerico
The Big Knockover: “Noir City: Chicago” Brings Heist Films to the Music Box Theater
Laura Emerick
The Passenger: Bertrand Tavernier on “My Journey Through French Cinema”
Steve Erickson
Things Have Changed a Great Deal Since Your Time: A Reappraisal of the “Alien” Sequels
Peter Sobczynski
A Preview of the 22nd Annual Rendez-Vous with French Cinema
Peter Sobczynski
Emmanuelle Riva: 1927-2017
Dan Callahan
British Noir Comes to the Gene Siskel Film Center
Laura Emerick
TIFF 2016: Cannes Hits Come to Toronto
Brian Tallerico
Telluride 2016: A Cinematic High
Meredith Brody
Preview of the 43rd Telluride Film Festival
Meredith Brody
Book Review: “Éric Rohmer: A Biography”
Glenn Kenny
Ken Loach’s “I, Daniel Blake” wins Palme d’Or at Cannes 2016
Ben Kenigsberg
Cannes 2016: “The Unknown Girl,” “Inversion,” “It’s Only the End of the World”
Barbara Scharres
Cannes 2016: Festival Preview
Barbara Scharres
“Two Weeks in the Midday Sun” Reprinted with Foreword by Martin Scorsese
The Editors
Thumbnails 1/5/2016
Matt Fagerholm
The RogerEbert.com Interviews of 2015
The Editors
Helena Bonham Carter on “The Young and Prodigious T.S. Spivet”
Peter Sobczynski
Home Entertainment Consumer Guide: August 20, 2015
Brian Tallerico
Orson Welles at 100
Patrick Z. McGavin
Home Entertainment Consumer Guide: May 7, 2015
Brian Tallerico
The Unique Narrative of Lisandro Alonso’s “Jauja”
Scout Tafoya
If We Picked the Winners 2015: Best Actress
Sheila O'Malley
Thumbnails 1/22/15
Matt Fagerholm
“Godard: The First Wave” Comes to Chicago
Peter Sobczynski
Rupert Wyatt Bets on a Remake of “The Gambler”
Peter Sobczynski
The Individual Top Tens of 2014
The Editors
The Ten Best Films of 2014
The Editors
2014 Chicago International Film Festival Preview
Peter Sobczynski
Barry Lyndon with Monsters: The Directors of “The Boxtrolls”
Brian Tallerico
TIFF 2014: One Final Cinematic Lap Around the World
Brian Tallerico
Reverse Trip: Charting the History of Bong Joon-Ho’s “Snowpiercer”
Scout Tafoya
Highlights of the 61st Annual Sydney Film Festival
Tom Clift
The Best of the d’Ors
Michał Oleszczyk
Cannes, Day Seven: “Two Days, One Night,” “Coming Home”
Barbara Scharres
Great Comic Book Movies Not Based On Comics
Glenn Kenny
Cannes 2014 Preview: Legendary Directors Lead Impressive Festival Line-up
Barbara Scharres
“Film & Cultural Politics” at Ebertfest
Matt Fagerholm
Martin Scorsese’s World Cinema Project
Steve Erickson
Cohen Media Group Brings Classic and Vintage FIlms to a 21st Century Audience
Donald Liebenson
Blu-ray Consumer Guide: November 2013
Glenn Kenny
True love and self-destruction: Early Fassbinder on DVD
Steve Erickson
Bernadette Lafont: The French New Wave’s First Leading Lady Hardly Ever Played “Lady-like”
Lisa Nesselson
“Die Hard” in a building: an action classic turns 25
Matt Zoller Seitz
The Best Films of 2010
Roger Ebert
Ebert’s Four-Star Movies of 2006
Roger Ebert
Best 10 Movies of 2003
Roger Ebert
Familiar names top Indie awards
Roger Ebert
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