A stellar high school comedy with an A+ cast, a brilliant script loaded with witty dialogue, eye-catching cinematography, swift editing, and a danceable soundtrack.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with Claire Denis, director/co-writer of "High Life."
A look at how the 75th Golden Globes centered on women and the #MeToo and #TimesUp movements.
On three more films from TIFF 2017, including the latest from Alexander Payne.
Chaz Ebert's Cannes Survival Guide; Kidman is Queen of the Croisette; Vanessa Redgrave turns director; Not enough female filmmakers; Dunst and Coppola on Hollywood sexism.
A review of Amazon's "I Love Dick," starring Kathryn Hahn and Kevin Bacon.
Premieres, Midnights, Special Events and more have been announced for next month's Sundance Film Festival.
A recap of the fifth annual Los Cabos International Film Festival, including reviews of select titles.
A look at the themes of David Mackenzie and Andrea Arnold's highly acclaimed films, two European examinations of America today.
An interview with actress Sasha Lane about making her screen debut in Andrea Arnold's "American Honey."
On five films that premiered at Cannes and made their way to this year's TIFF, including the latest from the Dardennes, Park Chan-wook, Andrea Arnold, and more.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
A preview of the 2016 Toronto International Film Festival.
The first films announced for the 2016 Toronto International Film Festival.
Ken Loach's "I, Daniel Blake" wins the Palme d'Or at the 69th Cannes Film Festival.
Jeff Nichols brings "Loving" to Cannes; Cherchez la femme; Best of Cannes so far; STX pays $50 million for unmade Scorsese movie; "Mean Dreams" thrills at Cannes.
Top lessons from Cannes; How Jodie Foster stays real; Rave review of "American Honey"; Apocalyptic air hangs over Cannes; How Cannes turned into a frenzied mammoth.
Three new films from Cannes 2016, including the latest by Jim Jarmusch.
Ben Kenigsberg introduces the Cannes Film Festival's sidebars and discusses Pablo Larrain's "Neruda."
Three more films from Cannes 2016, including the latest from Park Chan-wook and Andrea Arnold.
A preview of Cannes 2016.
A reposting of Tina Hassannia's article from Movie Mezzanine, and the response it received from Peter Becker, president of the Criterion Collection.
Monica Castillo responds to our Movie Love Questionnaire.
A Sundance dispatch on star-powered films starring Nicole Kidman, Ethan Hawke, Michael Fassbender, and Kristen Wiig.
Beasts of the Southern Wild
• Chaz Ebert in Cannes
The Cannes 2012 Palme D'Or was indeed won Sunday by Michael Haneke for "Amour," the best film in the festival. And what an emotional moment to see its two stars, Jean-Louis Trintignant and Emmanuel Riva walk up on stage with Haneke to accept the award. A juror, Jean-Paul Gaultier said they gave the most emotionally real performances of any film in the festival. He said he bawled his eyes out. This was the second time in three years that Hakeke won the Palme, after "The White Ribbon" in 2009.
And surprisingly, three out of four of my award speculations also won prizes. However, if you listened carefully to the reasoning of the Jury you can conclude that actually all four of the lineup would have won.
Above: Bill Murray, madras paparazzo. (AP photo)
The pizza they make in Cannes is unique: a less-is-more creation that is flat and crispy, thoroughly Mediterranean and packed with Riviera flavor. Alleged "European-style" pizzas peddled in the U. S. never seem to achieve that micron-thin crust covered by the faintest wash of tomato sauce, a mere garnish of cheese, and earthy ingredients that can include artichokes or thinly sliced eggplant, generous oregano, and tiny Cannes-grown olives (complete with pits). It's seared in an oven at an impossibly high temperature so that that everything melds into a glorious crackly flatbread that has nothing in common with the doughy excess of American pizza.
The opening day of the 65th Cannes Film Festival is a little like that local pizza, tasty and unique, providing a full range of experiences with just a few carefully chosen ingredients. The various competition events will be in full swing starting tomorrow morning, so today functions as a bit of an appetizer.
Even as festival workers were putting the final touches on the red carpet covering the famed steps up to the Grand Theater Lumiere for tonight's gala festival opening, the opening film, Wes Anderson's "Moonrise Kingdom," was previewing for the international press at the Debussy Theater next door. Although Anderson is the darling of many critics, the only film of his that I've previously warmed up to was his droll animated feature "Fantastic Mr. Fox." "Moonrise Kingdom" had me enthralled from the first frame, and made me think that I need to take another look at his earlier work.