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Byrne Movie Reviews
Blog Posts That Mention Byrne
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
Rose Byrne and Seth Rogen’s Apple TV+ Buddy Comedy Platonic is Amiable and Harmless
Video Interview: Melissa McCarthy and Rose Byrne on “Spy”
Home Entertainment Guide May 2026: The Bride!, Wuthering Heights, Sentimental Value, More
A Fond Farewell to Our Critic Monica Castillo
Criterion Venerates Three Essential Works of ’90s Black Cinema with “John Singleton’s Hood Trilogy”
If We Picked the Winners: The 98th Academy Awards
“Train Dreams” Wins Big at the 2026 Independent Spirit Awards
The Archaic Mother’s Embrace: How “If I Had Legs I’d Kick You” and “Die My Love” Reframe the Monstrous
“Sinners” Sets Record with 16 Oscar Nominations
2026 Oscar Nominations Predictions in the Major Categories
Glitz and Glamour: A Report from the 2026 Palm Springs Festival Gala
“One Battle After Another,” “Hamnet” Win Big at 2026 Golden Globes
40 Shows We Can’t Wait to Watch in 2026
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
The 10 Best Horror Films of 2025
The Great Craft of 2025
The Great Performances of 2025
“One Battle After Another” Wins Record Number of Chicago Film Critics Association Awards
Sundance Film Festival Announces 2026 Line-Up
“One Battle After Another,” “Sinners” Lead Chicago Film Critics Association Nominees
The Ten Best Films of 2025
Some Things You Consume, Some You Experience: Mary Bronstein on “If I Had Legs I’d Kick You”
USA’s “The Rainmaker” is a Traditional TV Legal Drama
Apple TV+, Seth Rogen Continue Hot Streaks with Second Season of “Platonic”
SDCC 2025: Celebrating ALL the Popular Arts
Netflix Unpacks One of Chicago’s Most Infamous Unsolved Mysteries in “Cold Case: The Tylenol Murders”
Excellent Cast Struggles to Hold Together Plodding “Dept. Q”
10 Great Performances from Sundance 2025
Sundance 2025: If I Had Legs I’d Kick You, The Thing with Feathers, Rabbit Trap
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
2025 Sundance Film Festival Announces Ambitious Program
Margo Martindale Anchors the Clever, “Fargo”-esque Tale of “The Sticky”
Black Harvest Film Festival 2024: Disco Afrika, It Was All a Dream, Dreams Like Paper Boats
Home Entertainment Guide: August 2024
Locarno Film Festival 2024: Youth (Hard Times), Transamazonia, Moon
San Francisco Silent Film Festival Highlights Unearthed Treasures of Film History
It’s OK For Movies to Just End
Danny Boyle Explains What Made Cillian Murphy So Special from the Start
10 Music Documentaries You Should See After The Greatest Night in Pop
The 25 Best TV Series of 2023
Home Entertainment Guide: October 2023
TIFF 2023: Stop Making Sense, In Restless Dreams: The Music of Paul Simon
TIFF 2023: Finestkind, Ezra, One Life
TIFF 2023: 20 World Premieres We Can’t Wait to See
Female Filmmakers in Focus: Fran Rubel Kuzui on Tokyo Pop
Apple TV+’s Physical Loses Its Strong Voice in Final Season
Everything Is Fate: Julian Sands (1958-2023)
A Gold Mine of Material: George Griffith on From the Head and Twin Peaks: The Return
Bright Wall/Dark Room March 2023: Something Wild: The Other Half of You by Christian Craig
Short Films in Focus: The Oscar-Nominated Short Films of 2023
10 Major Snubs and Surprises from the 2023 Oscar Nominations
The Great Performances of 2022
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
A Frequency: Tilda Swinton and Joanna Hogg on The Eternal Daughter
Bright Wall/Dark Room November 2022: C’mon C’mon: It’s Called a Repair by Ethan Warren
58th Chicago International Film Festival Reveals Award Winners
TIFF 2022: The Wonder, Runner, Love Life
Create the Legend: Erich von Stroheim’s Foolish Wives
Darkly Comedic This is Going to Hurt is a Feat of Empathetic Entertainment
Home Entertainment Guide: February 2022
The Ten Best Films of 2021
CIFF 2021: Oscar Micheaux—The Superhero of Black Cinema, Punch 9 for Harold Washington, Love Charlie: The Rise and Fall of Chef Charlie Trotter
A Preview of the 57th Chicago International Film Festival
57th Chicago International Film Festival Announces Full Schedule; Wes Anderson’s The French Dispatch to Open
Cannes 2021: The Souvenir Part II, After Yang, Ahed’s Knee, Lingui
Apple TV+’s Dark Physical is Definitely Not a Comedy but Still Worth Your Time
Welcome to Black Writers Week
HBO’s In Treatment is Back in Session with Uzo Aduba
Oscar Predictions 2021
Spike Lee Receives American Cinematheque Award
Nomadland Wins Big for Chicago Film Critics Association
Nomadland Leads 2020 Chicago Film Critics Nominations
The Individual Top Tens of 2020
The Ten Best Films of 2020
A Preview of the 56th Chicago International Film Festival
NYFF 2020: The Human Voice, The Woman Who Ran, French Exit
Home Entertainment Guide: October 2020
TIFF Artistic Director Cameron Bailey Reflects On This Year’s Virtual Festival
TIFF 2020: Pieces of a Woman, I Care a Lot, Summer of ‘85
Our Writers Highlight Articles to Enjoy on our Newly Redesigned RogerEbert.com: Part II
Short Films in Focus: Crude Oil
She-Hulk Smashes Boundaries, Conformity, and Other Things Not Suitable for Empowered Femmes
We All Came Here to Fall Down: The Ross Brothers on Bloody Nose, Empty Pockets
Amazon Prime’s Addictive Thriller ZeroZeroZero Depicts a Global Drug Deal Gone Wrong
Epix Presents Slow Dirge to the End of the War of the Worlds
Hal Hartley on His Film Career, Modernist Influences, and Re-Watching His Work
The 4-Star Films of 2019
Russell Hornsby Headlines Mediocre Lincoln Rhyme: Hunt for the Bone Collector
Chaz Ebert’s Top 10 Films (And Then Some) of 2019
Home Entertainment Guide: December 12, 2019
The Ten Best Films of 2019
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
The Best Films of the 2010s: Mad Max: Fury Road
Who Tells Our Stories: Gender Progress Behind the Screen is Reflected On It
Book Excerpt: Tour of Memories: The Creative Process Behind Joanna Hogg’s The Souvenir
Joanna Hogg on The Souvenir, Painting the Structure of a Film in Watercolors and More
