At Long Last Love
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Photographed Movie Reviews
Blog Posts That Mention Photographed
You Don’t Lie When You Pray: Paul Schrader on “Oh, Canada”
Short Films in Focus: Fleshwork (with Director Lydia Cornett)
Home Entertainment Guide: July 2024
Willie Mays: The Greatest to Ever Play
Cannes 2024: Marcello Mio, Parthenope, Elementary
Cannes 2024: Anora, Limonov, Ernest Cole: Lost and Found, Lula
Cannes 2024: The Substance, Visiting Hours
The World’s Biggest Jewelry Box: Kristin Joseff on Hollywood’s Favorite Jeweler, Joseff of Hollywood
Saving Film History One Frame at a Time: A Preview of Restored & Rediscovered Series at the Jacob Burns Film Center
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
Short Films in Focus: Five Cents
The Best Films of 2023 … So Far
Sam Hargrave on the Making of Extracton 2, That 21-Minute Oner, Advice from the Russo Brothers, and More
The Fire is Gone: Kenneth Anger (1927-2023)
A Road Paved with Bloodshed: High Plains Drifter Turns 50
SXSW 2023: No Ordinary Campaign, The Arc of Oblivion, Join or Die
Only Remember Beautiful Moments: Carlos Saura (1932-2023)
Sundance 2023: Against the Tide, Smoke Sauna Sisterhood, 5 Seasons of Revolution
Bending History: Marie Kreutzer on Corsage
Short Films in Focus: The Sentence of Michael Thompson
Subscribe to the Black Women Directors Newsletter
15 African-American Filmmakers and Roger Ebert’s Birthday Retrospective Reviews
Our Favorite Roger Reviews: Do the Right Thing
A Preview of the 2022 Rendez-Vous with French Cinema
Happy 100th Birthday to Haskell Wexler!
Sundance 2022: Brian and Charles, The Cow Who Sang a Song Into the Future, Dos Estaciones, Girl Picture
2021 Chicago Critics Film Festival Preview
Trying to Find Your Way Out of It With Whatever Means You Have: Kenneth Branagh on Belfast
Trouble Don’t Last Always: Timuel Black (1918-2021)
A Preview of the 57th Chicago International Film Festival
This Old Dog
From Guillermo and Gottfried to the Golden Arm, Ebertfest 2022 is Back in Full Swing
In Memory of Roger Ebert: Films About Connection
Giuseppe Rotunno: 1923-2021
The Individual Top Tens of 2020
Cinema of Herself: On Four Short Films by Haaniyah Angus
Happy 102nd Birthday to Iconic Historian Timuel Black
Enter Laughing: Carl Reiner, 1922-2020
Cannes Flashback: The Beguiled, Good Time, In the Fade and More
Love Dialogue: Céline Sciamma on Portrait of a Lady on Fire
NYFF 2019: The Wild Goose Lake, Vitalina Varela, Liberté, Beanplole
Mysterious Traveller: Rutger Hauer, 1944-2019
Comic-Con 2019: Space Celebration Sunday with Picard, The Orville, Peanuts and More
Preview of the 26th Annual Chicago Underground Film Festival
A Great Endeavor: Todd Douglas Miller on Apollo 11
30 Minutes On: “If Beale Street Could Talk”
Melancholy Optimist: Paweł Pawlikowski on Cold War
The 4-Star Reviews of 2018
60 Minutes on: “The Hate U Give”
NYFF 2018: The Times of Bill Cunningham, Cold War, Detour
Thumbnails 8/17/18
RogerEbert.com and the Mission: Impossible Movies
Travel the Culinary World with Netflix’s Ugly Delicious
NYFF 2017: Odie’s Favorites and Other Highlights
TIFF 2017: “I Love You, Daddy,” “Hostiles,” “Professor Marston and the Wonder Women,” “Plonger”
The Greatest Show on Earth: Recap of the 2017 Telluride Film Festival
Venice Film Festival 2017: Restorations
Cannes 2017 Video #5: “The Beguiled,” “Good Time,” “In the Fade” and More
Cannes 2017 Video #4: “The Meyerowitz Stories (New and Selected),” “The Killing of a Sacred Deer” and More
A Heroic Achievement: Terence Davies on “A Quiet Passion”
Unlimited Potential: Olivier Assayas on “Personal Shopper”
Telluride 2016: A Cinematic High
A Sneak Peek at Noir City: Chicago 8
Like Going to Church: Joe Dante on “The Movie Orgy”
30 Minutes on: “They Live”
The last stand of Smoky the pig
Body and Soul: Revisiting Michael Mann’s “Ali”
Cannes 2016: “The Handmaiden,” “Transfiguration,” “American Honey”
Roger’s Favorites: John Sayles
Berlin 2016: “The Man Who Fell to Earth,” “Fire at Sea,” “Ta’ang”
It’s Real: A Few Words with Haskell Wexler
“The Look of Silence”
Book Excerpt: “The Gag Man” by Matthew Dessem
Thumbnails 7/27/15
Ebertfest Profile: The Webers
Thumbnails 4/2/15
Meet the Writers: Matt Fagerholm
8 things about Albert Maysles
From the archives: “Cameras Keep Rolling at Maysles Films”
Thumbnails 2/5/15
Sundance 2015: “Brooklyn”
NYFF 2014: Opening Weekend Films “La Sapienza” and “Gone Girl” Display Artistic Depth of Fest
Australian Films in the Spotlight at the Melbourne International Film Festival
Harun Farocki, 1944-2014: His Inextinguishable Fire
Highlights of the 61st Annual Sydney Film Festival
Which Movies Would Roger Choose?
The Great Beauty
The Wes Anderson Collection, Chapter 2: “Rushmore”
“The Wicker Man”: The cut may be final, but the film is still incomplete
L.A. Confidential
Thumbnails 7/16/2013
“The ultimate liberation”: “Shoah” on Blu-ray reminds us of why it is essential cinema
Cybill Shepherd on “At Long Last Love”
Post-Cannes: Two Critics Look Back Over This Year’s Festival
Public Edition #4
They shot horses, didn’t they?
Hef goes West
♫ Nestor Torres and the spirit in the music
Mamet’s Spector of reasonable doubt
