Filmworker
Stanley Kubrick
Stanley Kubrick Movie Reviews
Dr. Strangelove (Restored Version)
Directed by
Eyes Wide Shut
Directed by
Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb
Directed by
Spartacus
Directed by
Full Metal Jacket
Produced and directed by
The Shining
Directed by
Barry Lyndon
Written and directed by
A Clockwork Orange
Produced, directed and written by
2001: A Space Odyssey
Produced and directed by
Blog Posts That Mention Stanley Kubrick
Gregory Nava on Working with Stanley Kubrick
Stanley Kubrick’s “Barry Lyndon” Joins the Criterion Collection
Foreground Material: “Stanley Kubrick: The Masterpiece Collection”
Stanley Kubrick hates you
Stanley Kubrick 1928-1998
A Clockwork Orange: Battling with Kubrick’s Most Controversial Film
Cannes 2017: Longtime Kubrick Assistant Leon Vitali Recalls Their Collaboration in “Filmworker”
To the moon, Stanley!
Inside Kubrick’s Room 237
Studio turns blind eye to Kubrick’s film
Kubrick defends himself
Cruise opens up about working with Kubrick
No Dream Is Ever Just a Dream: Eyes Wide Shut Turns 25
Dr. Strangelove in the Age of Trump
Thumbnails 7/26/2013
Disney magic: The terror of constant entertainment
CinematoGIFs: Living, breathing movie stills
Moviegoers who feel too much
Euphoria in a matter of seconds
Opening Shots: ‘Petulia’
Inglourious Basterds: Real or fictitious, it doesn’t matter…
Viewer’s guide: The keycard to Room 237?!
Up With Contempt!
The Marty Show
The 100 Most Acclaimed Movies of the 20th Century
The Return of the Son of the Opening Shots Project, Part 2
Nothing is real(ism), and nothing to get hung about
“Trapped in the Closet” screened in UK
Arthur C. Clarke: Do aliens dream of anthropomorphic gods?
Making contact: Spielberg’s Close Encounters and E.T.
“There’s nothing I like less…”
Whose fingerprints are on ‘Touch of Evil’?
Go Inland, young woman!
Following: Nolan in a nutshell
A Clockwork Cuckoo
Wandering the hallways from Marienbad to the Overlook
A Master Emerges: Conrad Hall and “The Outer Limits”
A Duo Unlike Any Other: On the Fiftieth Anniversary of “Siskel & Ebert”
Tim Robinson Sits in a World of Paranoid Conspiracies in HBO’s “The Chair Company”
DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More
Cannes Film Festival 2025: A Look at the Cannes Classics Program
A Sense of Freedom: Filmmaker and Teacher Bart Weiss Talks About his Book “Smartphone Cinema”
A Master of Subtle Function: Cinematographer Dick Pope (1947-2024)
Panic! At the Disco: Body Double at 40
Everything the Light Touches: James Earl Jones (1931-2024)
Book Excerpt: A Complicated Passion: The Life and Work of Agnès Varda by Carrie Rickey
Shelley Duvall’s Five Best Performances
Transplendent: Shelley Duvall (1949-2024)
Meanwhile in France…Cannes to Be Specific
Part of the Solution: Matthew Modine on Acting, Empathy, and Hard Miles
It’s OK For Movies to Just End
The People’s Joker and Six Other Films That Were Stuck in Legal Limbo
The People Who Never Stopped Loving Tenet
Am I Just Anybody?: Ryan O’Neal (1941-2023)
All Is Not Calm: John Woo on Silent Night
The Shining: An Odyssey of Madness
Smile Politely’s Interview with Ebertfest Organizers Chaz Ebert and Nate Kohn
Colors of Film Deconstructs Visual Palettes of Cinema History
The Oneness of All Things: On Sofia Alaoui’s Animalia
Sundance 2023: Heroic, Scrapper, Sorcery
The Most—and Least—Fun I’ve Had At the Movies All Year
Home Entertainment Guide: August 2022
Home Entertainment Guide: June 2022
It Feels Like a Horror Movie: On Trey Edward Shults’ Krisha
Douglas Trumbull: 1942-2022
A Fearless Critic: Michael Wilmington (1946-2022)
The Best Television of 2021
A Tale of the Tapes: On the ‘Recreated’ Conversations in Speer Goes to Hollywood (Updated)
Being Alive: Stephen Sondheim, 1930-2021
Vampire’s Twist: A Look Back at Shadow of the Vampire
A Tour Through the Brand New Academy Museum of Motion Pictures
That Space Between Awake and Asleep: Rebekah Del Rio on the Twentieth Anniversary of Mulholland Dr.
Spike Lee’s NYC Epicenters 9/11-2021½ is Timely, Powerful, and Personal
Book Excerpt: Films of Endearment by Michael Koresky
Pure Imagination: Adam Wingard on Godzilla vs. Kong
Jane Fonda and Norman Lear to Receive Honorary Awards at the 78th Annual Golden Globe Awards on February 28th
The Joke’s On Him: Tom Cruise and Eyes Wide Shut
It Was Great To Play An Actual Cartoon!: Fifteen Minutes With Paul Dooley on Popeye
Malcolm X: Spike Lee’s Timeless Sermon
Krzysztof Penderecki: 1933-2020
The SXSW That Never Was: The Feature Films
Kirk Douglas: 1916-2020
The 4-Star Films of 2019
The Best Films of the 2010s
Home Entertainment Guide: October 3, 2019
We Are a Nation of Immigrants: Gregory Nava on His Masterpiece, El Norte
Short Films in Focus: Squirrel
Preview of Noir City Chicago 2019
30 Minutes On: “Prometheus”
Abbas Kiarostami, the Filmmaker and the Man: an Interview with Godfrey Cheshire
A Look Back at the 10th Annual TCM Classic Film Festival
The Best Current Source for Streaming Classic Movies is … Amazon Prime?
Sundance 2019: The Lodge, Memory – The Origins of Alien, Little Monsters
Jonathan Rosenbaum on His New Book Collection, Cinematic Encounters
Sundance 2019: Late Night, I Am Mother
A Look Back at Those We Lost in 2018
