The Transporter Refueled
The Transporter Refueled is an unnecessary bore from start to finish, one that even the most devoted Luc Besson fanatics will find difficult to defend.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Highlights of the live-action portion of 2015's D23, featuring "Star Wars: The Force Awakens," "Captain America: Civil War," and more!
Tragic fate of a femme fatale; Rachel McAdams does fame her way; My fat, perfect wedding; Incredible shrinking worldview of Woody Allen; Marvel's war on capitalism.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Glenn Kenny.
The importance of engaging in all aspects of film analysis, even the -isms, and even in summer blockbusters.
A preview of dozens of films being released this Summer.
A feature on the latest major Blu-ray, Netflix, and On Demand releases, including "Gone Girl," "The Boxtrolls," "The Zero Theorem," "Coherence," and more.
Predictions for the eight major categories in the 87th Annual Academy Awards.
Lists from our critics and contributors on the best of 2014.
The ten best films of 2014, as chosen by the film critics of RogerEbert.com.
Ten underrated female performances from 2014 worthy of Oscar consideration.
A piece on the first wave of critics groups awards and some predictions for SAG and the Golden Globe nominees.
An appreciation of Nastassja Kinski, on the occasion of a tribute to her at the Film Society at Lincoln Center from November 27-December 3, 2014.
On June 21, 2014, “Life Itself” opened the Hamptons Film Festival at Guild Hall in East Hampton, New York. RogerEbert.com publisher Chaz Ebert and editor-in-chief Matt Zoller Seitz were guests at the event and participated in a post-screening Q&A with Alec Baldwin and Hamptons Film Festival artistic director David Nugent afterward.
Minda Kaling; A Japanese remake of Sideways; Superblogs and entertainment journalism; An interview with legendary documentarians; Paul Schneider interview.
Women superheroes; Sexually confused youth; Heterosexuality every after; Beards and more beards; The interiors of Transcendence.
The director of "Sexy Beast" and "Birth" talks about his new film "Under the Skin".
Flappy Bird creator tells all about his hit app; Looking back at Kevin Smith's Mallrats; An expose on Scarlett Johansson; A letter to Lena Dunham; Challenging David Lynch's Blue Velvet.
Nell Minow makes the case for Best Original Screenplay for Spike Jonze's "Her."
Writer Glenn Kenny responds to our Movie Love Questionnaire.
An exhaustive list of Top 10s by RogerEbert.com contributors.
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Critics groups from around the country are giving awards. What impact do these awards have on the Oscar race, and how useful are they as predictors?
Spike Jonze's "Her" is a warm and intelligent consideration of our continually evolving relationship with technology.
Actor Joseph Gordon-Levitt discusses "Don Jon," his first film as a writer-director.
Sheila writes: Todd Sanders is a self-taught neon sign artist. Roadhouse Relics, the gallery of his work in Austin, Texas, is filled with his beautiful vintage-inspired signs. His designs are all hand-drawn. He collects old magazines from the 1920s, 1930s, etc., to get inspiration for his neon signs. He does custom signs as well. You can check out Sanders' work, bio, and press kit at Roadhouse Relics. Neon brings up all kinds of automatic images and associations: seedy hotels, burlesque joints, cocktail bars. His signs evoke those images, but much more. For instance, look at his beautiful "Fireflies In a Mason Jar".