The Zero Theorem
Terry Gilliam's first science fiction film since "12 Monkeys" is an inventively designed but oddly inert satire on technology, God and the future of humankind.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A report on response to early Oscar favorites from TIFF 2014.
"Life Itself" among year's best films; Dismal summer box office; Cary Elwes on "The Princess Bride"; Not wild about "Wild"; 21 films to see this fall.
A preview of the 2014 Telluride Film Festival, which runs August 29-September 1, 2014.
An interview with Woody Allen about his new film, "Magic in the Moonlight."
What are we to make of Owen Wilson, he with the tow-colored mop of hair, the crooked nose, and the smile that seems to need so much in return? In certain contexts, Owen Wilson's smile is heartbreaking. Not just in more serious roles, but in everything. One does not often think of grown men as being "wistful" or full of "pathos"; only little plucky orphans in pig-tails and pinafores should be "wistful."
Marie writes: It's no secret there's no love lost between myself and what I regard as London's newest blight; The Shard. That said, I also love a great view. Go here to visit a 360-degree augmented-reality panorama from the building's public observation deck while listening to the sounds of city, including wind, traffic, birds and even Big Ben.
This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.
Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.
Marie writes: Behold the entryway to the Institut Océanographique in Paris; and what might just be the most awesome sculpture to adorn an archway in the history of sculptures and archways. Photo @ pinterest
(click to enlarge.)
• Chaz Ebert at Cannes
Dear Roger: "We were once indivisible from every atom in the cosmos," and that is how I feel when I am sitting in the Palais watching movies at Cannes with a screen spread out as wide as the galaxy, the audience circling around like protons and neutrons breathing as one in empathy.
Marie writes: Belgium club member Koen Van Loocke has submitted the following and it's so awesome, I have no words. But first, background..The Cinematic Orchestra is led by composer/programmer/multi-instrumentalist Jason Swinscoe, who formed his first group "Crabladder" in 1990 while a Fine Arts student at Cardiff College. The group's fusion of jazz and hardcore punk elements with experimental rhythms, inspired Swinscoe to further explore the musical possibilites and by the time the group disbanded in the mid-'90s, he was playing DJ at various clubs and pirate radio stations in and around London.
Lesson for the day: How to have fun while wasting time... Marie writes: welcome to DRAW A STICK MAN, a delightful Flash-based site prompting viewers to draw a simple stick figure which then comes to life! Ie: the program animates it. You're given instructions about what to draw and when, which your dude uses to interact with objects onscreen. Thanks go to club member Sandy Kahn who heard about it from her pal Lauren, in Portland Oregon.Note: here's a screen-cap of what I drew; I've named him Pumpkin Head.
From Mary Jo Jacobs:
From the Grand Poobah and Mrs. Poobah:Seasons Greetings Everyone! (click to enlarge)
I think, at a child's birth, if a mother could ask a fairy godmother to endowit with the most useful gift, that gift would be curiosity. - Eleanor Roosevelt John Singer Sargent: 'Carnation Lily, Lily Rose' (1885-86) Tate Gallery, London
The grand Poobah writes: I have been assured by many posters on my video games blog entry that it took decades for the cinema to gain recognition as an art form. Untrue. Among the first to admire it was Leo Tolstoy, and I reprinted his late 19th-century reaction in my Book of Film. In 1908, Tolstoy and his family appeared in an early motion picture, and if you saw The Last Station (2009) you may want to compare your memories with the real thing. Here is some information about those in the film.
The Last Station (2009) Director Michael Hoffman. Cast: James McAvoy, Helen Mirren, Christopher Plummer, Paul Giamatti and Kerry Condon."The Last Station" focuses on the last year of Count Tolstoy (Christopher Plummer), a full-bearded Shakespearian figure presiding over a household of intrigues. The chief schemer is Chertkov (Giamatti), his intense follower, who idealistically believes Tolstoy should leave his literary fortune to the Russian people. It's just the sort of idea that Tolstoy might seize upon in his utopian zeal. Sofya (Helen Mirren), on behalf of herself and her children, is livid." - Ebert. You can read Roger's full review HERE.
PARIS -- Actor Stephane Freiss, who voices Hugh Laurie's mad scientist character in the French dub of "Monsters vs. Aliens," took advantage of the film's Paris press conference to ask producers Jeffrey Katzenberg: "Why DO aliens in movies always attack the U.S.?"
See also my blog entry, Tru3D: 2 good 2 b 2?
From Dee York:
by Roger Ebert
TORONTO, Ont. -- It’s not often you see films that are perfect. I have just seen two of them here at the Toronto Film Festival, and two others that are extraordinary, and a documentary that is spellbinding. Do I love everything? Not at all. I just happened to have an ecstatic period of moviegoing, that’s all, and that’s enough.
TORONTO, Ont. -- Oh, what a sad man, and oh, what a sad journey he endures to find inner peace. Jeremy Podeswa's "Fugitive Pieces," which opened the 32nd Toronto Film Festival here Thursday night, is a rare film that deals without compromise with the long, dark lifetime of the soul.
TORONTO, Ont. -- And now the ecstasy and madness begins. The 32nd Toronto Film Festival opens Thursday with no fewer than 15 films, and that’s before it gets up to speed. The Trail Mix Brigade is armed with their knapsacks, bottled water, instant snacks, text messengers and a determination to see, who knows, six, seven, eight films a day.
LOS ANGELES - "Crash," a film about the complexities of racism in the American melting pot, was named the year's best picture here Sunday at the 78th Academy Awards. It tells interlocking stories about many of America's ethnic groups, and cops and criminals, the rich and the poor, the powerful and powerless, all involved in racism. The film's circular structure shows how a victim on one day could be a victimizer on another, and doesn't let anyone off the hook.