The film provides a fascinating, on-the-ground account of people struggling with situations that range from challenging to horrific.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with the legendary star of the new I'll See You in My Dreams.
A preview of dozens of films being released this Summer.
A piece on the latest and greatest Netflix, On Demand, and Blu-ray releases including "The Immigrant", "Interstellar", "A Most Violent Year", and more!
A personal recap of the 2015 Critics Choice Movie Awards.
The official nominees along with some fun facts about this year's crop.
Predictions for the eight major categories in the 87th Annual Academy Awards.
Predictions for the 2015 Golden Globes, a recap of the PGA and WGA nominations, and thoughts on where Ava DuVernay's "Selma" stands in the awards season race.
The ten best films of 2014, as chosen by the film critics of RogerEbert.com.
Ten underrated female performances from 2014 worthy of Oscar consideration.
A piece on the first wave of critics groups awards and some predictions for SAG and the Golden Globe nominees.
A report from the 2014 Los Cabos Film Festival.
A preview of the 2014 Chicago International Film Festival.
An interview with "The Good Life" stars Emmanuel Jal and Ger Duany, and producer Molly Smith.
A report on response to early Oscar favorites from TIFF 2014.
"Life Itself" among year's best films; Dismal summer box office; Cary Elwes on "The Princess Bride"; Not wild about "Wild"; 21 films to see this fall.
A preview of the 2014 Telluride Film Festival, which runs August 29-September 1, 2014.
An interview with Woody Allen about his new film, "Magic in the Moonlight."
What are we to make of Owen Wilson, he with the tow-colored mop of hair, the crooked nose, and the smile that seems to need so much in return? In certain contexts, Owen Wilson's smile is heartbreaking. Not just in more serious roles, but in everything. One does not often think of grown men as being "wistful" or full of "pathos"; only little plucky orphans in pig-tails and pinafores should be "wistful."
Marie writes: It's no secret there's no love lost between myself and what I regard as London's newest blight; The Shard. That said, I also love a great view. Go here to visit a 360-degree augmented-reality panorama from the building's public observation deck while listening to the sounds of city, including wind, traffic, birds and even Big Ben.
This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.
Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.
Marie writes: Behold the entryway to the Institut Océanographique in Paris; and what might just be the most awesome sculpture to adorn an archway in the history of sculptures and archways. Photo @ pinterest
(click to enlarge.)
• Chaz Ebert at Cannes
Dear Roger: "We were once indivisible from every atom in the cosmos," and that is how I feel when I am sitting in the Palais watching movies at Cannes with a screen spread out as wide as the galaxy, the audience circling around like protons and neutrons breathing as one in empathy.