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Ouija: Origin of Evil

By the time it gets to the Polish-speaking ghosts and the ghoulish Nazi doctor, you’re so invested in the characters that you’re willing to buy…


Jack Reacher: Never Go Back

It’s a pity that Jack Reacher: Never Go Back fails to support Cruise and his costars, all of whom are acting as if their lives…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

The Master: What does it all mean?


Or: Once is not enough?

"They love it, they don't like it, they like it better a second time, they see it a third time and they reverse their opinion." -- Paul Thomas Anderson on "The Master," in a Toronto Star interview with Peter Howell

The critics agree! Paul Thomas Anderson's new film "The Master" is... ambiguous. What they don't agree on is whether, as we say in the software world, that's a bug or a feature. Is the movie "demanding" and artfully elusive, challenging audiences by refusing to offer a conventional dramatic catharsis or provide an artificially wrapped-up ending; or is the thing just vague, opaque, muddled? The answer depends on who you ask, what they think of Anderson as a filmmaker and, possibly, what they expected going in: a historical exposé of Scientology, a portrait of post-war/micd-century America, "character study," an acting duel... Take a look:

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#57 April 6, 2011

Marie writes: ever stumble upon a photo taken from a movie you've never seen?  Maybe it's an official production still; part of the Studio's publicity for it at the time. Or maybe it's a recent screen capture, one countless fan-made images to be found online. Either way, I collect them like pennies in jar. I've got a folder stuffed with images, all reflecting a deep love of Cinematography and I thought I'd share some - as you never know; sometimes, the road to discovering a cinematic treasure starts with a single intriguing shot....

A Streetcar Named Desire (1951) Cinematography: Harry Stradling(click images to enlarge)

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