Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with director Peter Bogdanovich about 1981's "They All Laughed."
Before this summer's "The BFG," Spielberg made another personal, enchanting and overlooked film: 1989's "Always."
Grieving in life and cinema; Donald Trump, baby boomer; Kitten Natividad on Roger Ebert; Your media business will not be saved; South Sudanese filmmakers revamp national image.
A guide to the latest on Blu-ray, including "The Texas Chainsaw Massacre 2" and "Only Angels Have Wings" (the first time those two movies have ever been in a sentence together).
A report on three highlights from the 2016 New Directors/New Films festival.
A tribute to the late Jacques Rivette.
An interview with director Kent Jones about his documentary "Hitchcock/Truffaut."
A video interview with Guy Maddin and Evan Johnson.
A comparison of Frank Costello in The Departed and Whitey Bulger in Black Mass reveals weaknesses in the latter.
An interview with the legendary Peter Bogdanovich.
"Inside Out" and the stranglehold of Minnesota Nice; 20th anniversary of "Kids"; Small-screen auteurism of Keith Gordon; Danny Elfman on Tim Burton; John Lasseter on the evolution of storytelling.
Curtis Mayfield's "Claudine" soundtrack; Women in Noah Baumbach's films; Filming "12 Angry Men Inside Amy Schumer"; Films of Billy Wilder; Chatting with Nathan Silver.
What do the Quentin Tarantino and Interstellar stories say about the growing divisions between celluloid lovers and digital projection?
Roderick Heath on "We Are the Best!"; The whiplash of journalism; Hollywood's secret sequel economy; Chatting with Seth Meyers; Kirk Douglas on Lauren Bacall.
An obituary for the legendary Lauren Bacall.
An appreciation of Michael Mann's "The Insider" on its 15th anniversary that connects Michael Mann's film with the westerns of Howard Hawks.
Recent titles released on Blu-ray.
Understanding consciousness; Inside Llewyn Davis and Mad Men; Canceling the Colbert Show; John Wayne biography; Amtrak's shoddy writer's program.
Sheila writes: Todd Sanders is a self-taught neon sign artist. Roadhouse Relics, the gallery of his work in Austin, Texas, is filled with his beautiful vintage-inspired signs. His designs are all hand-drawn. He collects old magazines from the 1920s, 1930s, etc., to get inspiration for his neon signs. He does custom signs as well. You can check out Sanders' work, bio, and press kit at Roadhouse Relics. Neon brings up all kinds of automatic images and associations: seedy hotels, burlesque joints, cocktail bars. His signs evoke those images, but much more. For instance, look at his beautiful "Fireflies In a Mason Jar".
Peter Sobczynski ranks 27 films by Brian De Palma.
Marie writes: Welcome to "Good Books", an online bookseller based in New Zealand. Every time you buy a book through them, 100% of the retail profit goes directly to fund projects in partnership with Oxfam; projects which provide clean water, sanitation, develop sustainable agriculture and create access to education for communities in need. To increase awareness of Good Books' efforts to raise money for Oxfam, String Theory (New Zeland based agency) teamed up with collaborative design production comany "Buck" to create the first of three videos in a digital campaign called Good Books Great Writers. Behold the award winning animated Good Books Metamorphosis.
As a companion piece to our reassessment of "At Long Last Love," Peter Bogdanovich recalls the film's orgins, its forgotten pleasures, and the studio-mandated tinkering that turned it into a box office bomb. He also recalls turning down an offer of help from Gene Kelly, casting Burt Reynolds, and a remarkable encounter with Roger Ebert.