A perfect engine of corrosive satire, this drama follows the adventures of an amoral cameraman to its logical and unsettling end.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Boone and Henderson on "Dear White People"; Brody on "Birdman"; Serpico on the NYPD; Sragow on film criticism; Uhlich on "Citizenfour" and "Nightcrawler."
An interview with Jessica Chastain, star of "Miss Julie," opening tonight at the Chicago International Film Festival.
Catching up with Treat Williams and William Forsythe on the NYFF screening of and Blu-ray release of "Once Upon a Time in America."
Odie Henderson went to TIFF 2014 and shares his favorites from this year's fest, along with a glimpse of what's it like on the ground at a fest like Toronto.
An interview with the star & director of "Manglehorn," Al Pacino & David Gordon Green.
An interview with the legendary Liv Ullmann, at this year's TIFF with "Miss Julie."
A report on day three of TIFF on "Pawn Sacrifice" and "The Humbling."
A piece on the best releases new to streaming services and Blu-ray in the last two weeks, including "Noah," "Scanners," and "Life After Beth."
Kevin Spacey discusses the timelessness of William Shakespeare, impact of Hill Street Blues, and the moment he knew he was an actor.
Oliver Stone discusses "Born on the Fourth of July" with Editor-in-Chief Matt Zoller Seitz at the 16th Annual Roger Ebert's Film Festival.
With "Doll & Em" and "Ghetto Klown", Emily Mortimer and John Leguizamo turn personal stories into wildly creative television.
Writer Brian Tallerico responds to our Movie Love Questionnaire.
Tragedy strikes at SXSW; Nebulous platitudes and James Franco; TV actors don't need movies; Connecting The Sopranos and Irreversible; Eviscerating Nymphomaniac: Vol I.
Remembrances of Philip Seymour Hoffman.
Simon Abrams on two sequels: "The Trip to Italy", the sequel to the hilarious "The Trip", and "The Raid 2".
The AV Club picks 33 TV shows to binge on over the long weekend; a black writer explains why it's hard to watch 12 Years a Slave with a white person; how Supergirl, of all movies, changed the way Hollywood treated Thanksgiving.
Scorsese, De Niro reuniting on a new gangster film; Zadie Smith on life, death, Warhol; Spike Lee speaks; our ancestors didn't sleep like us; Van Sant to headline a LGBT film fest in St. Petersburg.
RogerEbert.com editor Matt Zoller Seitz and contributor Steven Boone discuss "Untold History," a documentary series by Oliver Stone and Peter Kuznick that presents an alternative history of the United States and its role in recent world history.
Brian De Palma talks about his new film "Passion," his long career and seeing one of his most famous films, "Carrie," get a remake.
Peter Sobczynski ranks 27 films by Brian De Palma.
Director John Greyson ("Patient Zero") arrested in Cairo; novelist John Niven writes about his brother's suicide; David Kalat and David Ehrenstein reconsider Disney's SONG OF THE SOUTH; top 10 movies about technology; how soon is too soon for artist's to re-create real-life political violence in entertainment? Will success spoil Rose Byrne? Why is your posture so terrible? Why all the question marks? Click the link.
What happens when actors play themselves? Something funny, and often magical, as this Leigh Singer supercut proves. Text by Matt Zoller Seitz.
"I believe he's not guilty."
"Are you sure?"
"No, but I have a reasonable doubt."
The last words spoken in David Mamet's HBO feature film "Phil Spector" are "reasonable doubt." The first words appear in white letters on a black screen:
This is a work of fiction. It's not "based on a true story." ... It is a drama inspired by actual persons on a trial, but it is neither an attempt to depict the actual persons, nor to comment upon the trial or its outcome.
I'm not quite sure what that means (beyond "Don't sue us") -- but it sounds a little like one of Mamet's nonsensical latter-day post-right-wing conversion rants. (Read Mamet's 2008 Village Voice essay, "Why I Am No Longer a 'Brain-Dead Liberal'" and see if you can figure out how he went from an unthinking, ignorant knee-jerk lefty to an unthinking, ignorant knee-jerk conservative. It has something to do with NPR, but what was he listening to? "Car Talk"? He doesn't say -- only that he believes in choosing one's political positions and convictions the way you would choose a sports team to root for, based on your affection for a place and whatever colors you feel are the most flattering this season.)
• As told to Roger Ebert
Al Pacino, Christopher Walken and Alan Arkin walk into a hotel room, and that sounds like the set-up for a joke. It's more like a long-delayed punchline. These guys have been stars for more than 40 years, but until "Stand Up Guys," they've all three never been in a movie together. Arkin and Pacino were in "Glengarry Glen Ross" together, and Walken and Pacino were both in "Gigli," but that's as far as it goes.
I mention they go way back.
"Yes, absolutely," Walken says. "I've known Al for decades, from New York and from, you know..."
"He didn't know I was an actor," Pacino says, "until we did this movie. He'd just see me around the street a lot."