Fantastic Beasts: The Crimes of Grindelwald
While the original Harry Potter saga achieved a magnificent balance between the heart-pounding and the thought-provoking, the Fantastic Beasts spin-off universe still struggles to find…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A look ahead at the films set to come out in the fall season, starring ten of our most anticipated titles.
A countdown of our most anticipated films coming this winter.
An appreciation of "The Game" on its 20th anniversary.
An interview with the hosts of the movies podcast, "Medium Popcorn."
A collection of some of our favorite interviews from 2016.
An interview with writer/director/actor Tyler Perry about "Tyler Perry's Boo! A Madea Halloween."
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
Simon Abrams and Odie Henderson celebrate the Rudy Ray Moore Blaxploitation classic "Dolemite," recently released on Blu-ray by the Vinegar Syndrome.
A preview of dozens of films coming out this summer.
An interview with the hosts of the Black on Black Cinema podcast.
Notes on "Killer of Sheep"; YouTube creators vs. copyright rules; Unsung pioneers of film editing; Phillip J. Bartell on "Miss You Already"; Martin Baron on "Spotlight."
"Dear White People" director Justin Simien, editor Phillip J. Bartell, composer Kathryn Bostic and cinematographer Topher Osborn at the Film Independent Directors Close-Up series.
"Life Itself" will be honored by the African American Film Critics Association.
Lists from our critics and contributors on the best of 2014.
Zach Braff, writer/director/star of "Wish I Was Here" on his latest film.
Eirk Childress looks at the track record of films from the Sundance Film Festival going to the Oscars.
By all accounts, 2013 has been a striking year for black film directors. But is the real story about black directors working in television?
Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....
(Click image to enlarge.)
It's with pleasure and excitement that I welcome Tom Shales, a good friend, as a blogger on this site. Tom, the nation's best-known television critic, won the Pulitzer Prize while writing for The Washington Post from 1972 to 2010. His blog will focus on TV and whatever else he feels moved to write about. -- RE
Apparently a new bylaw at "Saturday Night Live," which began its 38th season this weekend, is "The worse the host, the more sketches in which he'll appear." So it was with big let-down Seth MacFarlane, multimillionaire comedy tycoon who hosted the season premiere. Once he arrived on the show's tiny (and, yes, "iconic") stage, he was punishingly omnipresent for the whole 90 minutes.
We can be grateful he didn't grab a cow bell and crash the musical act.
With the exception of MacFarlane - a man who has gone farther with less than perhaps even Tyler Perry -- the series seemed to be in tip-top ship-shape shape, especially considering that it begins a new year minus two of its greatest cast assets: Andy Samberg, off to make more movies, and the incomparably versatile Kristen Wiig, the funniest woman in television since Tina Fey. Or maybe since Gilda Radner. Or maybe since Carol Burnett. Or maybe since, dare we say it, Lucille Ball?
Marie writes: It was my birthday June 25th. Unlike Roger however, I'm a Crab not a Gemini. So to celebrate and with my brother's help (he has a car), I took my inner sea crustacean to Barnet Marine Park on the other side of Burnaby Mountain... and where our adventure begins....
This is a free edited sample of the Christmas Newsletter.
For Roger's invitation to the Club, go here.
From the Grand Poobah and Mrs. Poobah:
Seasons Greetings Everyone!
From the Poobah: Chaz and Roger Ebert wish you Peace in the New Year!
This introduction to Odienator's Fourth Annual Black History Mumf, a celebration of what we used to call African-American Popular Culture, needs no introduction. Especially to Scanners readers, who've been following it since he challenged Miss Ross's fashion designs in 2008. Of those early days, Odienator (think Odie N. Ator, as in Frank N. Furter, or possibly Meatloaf Aday) now writes:
When I started this series in 2008, I made fun of the Black History Month curriculum we were fed every February in grammar school. I wanted to make my own version of that curriculum, using movies and TV and events from my life to fill in all the holes where public school was lacking. All they told us, in a nutshell, was that we were slaves, we were freed by Abraham Lincoln, and then Martin Luther King showed up. This happened every year, usually sponsored by Budweiser. Boy was I snarky about the lack of depth and detail back then! But now I've been humbled, because as anemic as it may have been, at least they told us the truth and didn't try to change it.
"Beware of artists - they mix with all classes of societyand are therefore most dangerous." ~ Queen Victoriastencil by Banksy, British graffiti artistAnd who inspired a recent film about art...
It's a question to ponder -- especially when they're Andy Warhol movies (whether or not Andy Warhol actually had anything to do with them besides putting his name on them). Consider this story from Reid Rosefelt at My Life as a Blog:
... I was a huge fan of Warhol's films, despite the fact that I had never seen a single one. Most, if not all of the films had been withdrawn from circulation, or very rarely shown, certainly not in Madison. That didn't stop me. I read everything I could about them, and I was totally fascinated.
Spotting Warhol standing at an appetizer table, plastic cup in one hand and plate in the other, during a late-1970s party in New York, RR worked up the nerve to approach the artist. It went something like this: