Finestkind
Ray Eldridge
Tommy Lee Jones
Tommy Lee Jones Movie Reviews
The Burial
Jeremiah O'Keefe
Wander
Jimmy Cleats
Ad Astra
Clifford McBride
Shock and Awe
Joe Galloway
Just Getting Started
Leo
Mechanic: Resurrection
Max Adams
Jason Bourne
Robert Dewey
Criminal
Dr. Franks
The Homesman
George Briggs
The Family
Emperor
Gen. MacArthur
Lincoln
Stevens
Hope Springs
Arnold
Men in Black III
Agent K
Captain America: The First Avenger
Col Phillips
The Company Men
Gene McClary
No Country for Old Men
Sheriff Bell
In the Valley of Elah
Hank Deerfield
A Prairie Home Companion
Axeman
Blog Posts That Mention Tommy Lee Jones
The Tommy Lee Jones I knew
Tommy Lee Jones plays his hometown
Tommy Lee Jones: Good at acting bad
Jones, July, Jarmusch & Cannes gold
The Lonely Road: Hilary Swank on the Feminist Western “The Homesman”
Cannes 2014, Day Five: “The Homesman”
“No Country for Old Men” towers over 2007
No Country For Old Men: Out in all that dark
TIFF 2007: The Coens = the essence of movies
TIFF 2007: Madmen and lawyers
TIFF 2007: What did I know and when did I know it?
Steve Park: A funny man, serious and significant
For Your Consideration: Anton Chigurh, Supporting Actor
In Praise of Excess: Queer Maximalism in the Films of Joel Schumacher
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
30 Minutes On: Talk Radio
Chicago Style: Andrew Davis on the Making of The Fugitive, Stony Island, and More
TIFF 2023: 20 World Premieres We Can’t Wait to See
Ten Must-See Films at the 2023 Toronto International Film Festival
Cannes Flashback: Cannes Premieres of Life Itself, Foxcatcher and The Homesman
You Can’t Stop What’s Coming: On No Country for Old Men
Ebertfest 2018, Day 1: Year 20 Starts with a Modern Action Classic
Ebertfest 2018 Guests: Part I
Three Queens of Cinema to Grace Ebertfest 2018
Dear Roger: I Can’t Believe Our Film Festival is Twenty Years Old!
The History of Hollywood’s Difficult Women
Man on the run: the haunted grace of “The Fugitive”
2017 Golden Globes: Meryl Streep vs. Trumpland
Oliver Stone, Poet of the Id: “The Hand” revisited
2016 Summer Movie Preview: A Four-Month, Blockbuster Festival, Part II
Medium For a Dead Person: Mark Rappaport Comes to Fandor
Return to the Riviera: Our 2015 Cannes Coverage
A Very Particular Set of Skills: A Look at the “Taken” Saga
Thumbnails 12/4/14
She Holds the Eye: Jessica Lange Accepts the Kirk Douglas Award
Interview: Benedict Cumberbatch on “Penguins of Madagascar”
Location, Location, Location: The Middleburg Film Festival
Paul Haggis on “Third Person,” “Crash,” Scientology and Truth
Cannes Wrap-up: 2014 Video Reports
Video: Cannes Premieres of “Life Itself,” “Foxcatcher,” and “The Homesman”
Cannes 2014 Preview: Legendary Directors Lead Impressive Festival Line-up
FX’s “Fargo” Has Creative Spark of Coen Classic
My Favorite Roger: Oliver Stone on Roger’s reviews of “JFK” and “Natural Born Killers”
Emperor
The Ebert Club Christmas 2011: public edition
2013 Academy Award nominees
Outguess Ebert? I may have them all right
“No Country” hits home
Lincoln: “It’s true because it works”
Lincoln: The Abe Team
National Society of Film Critics falls for “Amour”
The year’s ten best films and other shenanigans
The best movies of 2006
Coen country
Ebert’s Best 10 Movies of 2005
The Best 10 Movies of 1994
The Best 10 Movies of 1993
The Best 10 Movies of 1988
No Country, under the skin
Three kinds of violence: Zodiac, No Country for Old Men, There Will Be Blood
Winslet, Ledger: Who’s supporting whom?
Scanners’ 2007 Exploding Head Awards (Part 1)
The great movies (almost) nobody voted for
The reviews are in: Let the Funny Games begin!
They call it Stormy Monday
Watching the World Slip Away
The Magic of Magic and Bird
Should “JFK” have even been made?
Nominations announced for strike-imperiled Oscars
Ebert reviews the Oscar winners
Ebert’s roundup: One way or another, there will be Oscars
Ebert’s predix, Oscar’s results
There Will Be Oscar
And the nominees are … (2008)
Toronto #4: Perfection times two
2006 Floating Film Festival – “Shek It Out!”
Cannes verdict: A bit less good?
Cannes #7: Odds and sods
No place for political correctness in film
The film’s the thing Telluride fest gives nod to big movies on small screen
‘Schindler’ on List for 12 Oscars
A ‘Silence’ sweep?
Oscar will finally pay its respects to Spielberg
Triumph For ‘Schindler’
Lights, Camera, Reaction !!! It’s Oliver Stone
Oliver Stone concludes his Vietnam trilogy
Oliver Stone meets on-screen counterpart
Melanie Griffith puts heart into `Stormy Monday’
Norman Mailer: Tough guy directs
Oliver Stone
Here’s an intriguing Credit Cookie idea for the end of ‘Charlie Wilson’s War’
Movie Answer Man (08/01/1994)
Movie Answer Man (01/01/1994)
