A stellar high school comedy with an A+ cast, a brilliant script loaded with witty dialogue, eye-catching cinematography, swift editing, and a danceable soundtrack.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A look back at the Coen brothers' "No Country for Old Men."
A recap of the opening night of Ebertfest.
A Look back at the origins of Ebertfest twenty years ago and a look forward to Ebertfest 2018.
Part I of our round-up featuring filmmaker guests scheduled to attend Ebertfest 2018. We will include the film critics in a separate round-up.
A partial preview of films and guests scheduled for Ebertfest 2018.
Difficult is a gendered term fueled by the Hollywood machine and maintained by the belief that actresses aren’t responsible for the achievement of their films.
An interview with the legendary Sam Schacht about the art of Method Acting.
A classic thriller that moves with a sense of purpose.
Meryl Streep and other awards recipients shared their thoughts on an America under Donald Trump during last night's Golden Globes ceremony.
Walter Chaw revisits Oliver Stone's 1981 horror film "The Hand" and explores the director's fascination with nightmares and the uncanny.
A preview of dozens of films coming out this summer.
An interview with experimental filmmaker Mark Rappaport.
An FFC looks at the "Taken" saga.
Olivia de Havilland on "Gone With the Wind"; R.I.P. Bob Baker; Chatting with Ethan Hawke; Kieran Fitzgerald on "The Homesman"; David Blaine interviews Madonna.
An interview with Benedict Cumberbatch.
An interview with Oscar winner Hilary Swank, star of Tommy Lee Jones' "The Homesman."
Interview with Paul Haggis, director of Crash and Third Person.
All of our video segments from Cannes 2014.
Chaz Ebert's latest video reports on the Cannes premieres of "Foxcatcher," "The Homesman," "Mr. Turner," and "The Wonders," while offering an extended report on the emotional screening of "Life Itself."
Day five at Cannes sees an analysis of Tommy Lee Jones' "The Homesman" in light of continued issues with gender equality at the fest.
Barbara Scharres previews the 2014 Cannes Film Festival.
Clever, fun, twisted, and wildly entertaining in the way that fans of not just "Fargo" but all of the Coens’ work hoped it would be.
Oliver Stone talks about the two Roger Ebert reviews that meant the most to him: of "JFK" and "Natural Born Killers."