Black Bag
Director
Steven Soderbergh
Steven Soderbergh Movie Reviews
Presence
Director
Full Circle
Director
Magic Mike’s Last Dance
Director
KIMI
Director
No Sudden Move
Director
Let Them All Talk
Director
The Laundromat
Director
High Flying Bird
Cinematographer
Unsane
Director
Logan Lucky
Cinematographer
Magic Mike XXL
Editor
Side Effects
Directed by
Magic Mike
Directed by
Haywire
Directed by
Contagion
Directed by
The Informant!
Directed by
The Girlfriend Experience
Directed by
Che
Directed by
Ocean’s Thirteen
Directed by
Blog Posts That Mention Steven Soderbergh
58th KVIFF Welcomes Viggo Mortensen, Steven Soderbergh, Clive Owen, And More
The Steven Soderbergh Single-Year Double Feature
20 Years of Steven Soderbergh’s The Limey
Steven Soderbergh’s Mosaic Breaks Form of Standard TV Mystery
TV Review: Steven Soderbergh’s “The Knick” Plays with Modern Concerns
Bright Wall/Dark Room March 2018: Soderbergh’s Limey’s by George Hardy
Rival tendencies: As Steven Spielberg gets ready to chair this year’s Cannes jury, we prepare for an alterna-Cannes.
Why Soderbergh is retiring soon
Sundance 2024: Presence, Love Me, Sasquatch Sunset
Change How the Game is Played: On the Power of Labor and the Timeliness of High Flying Bird
Moving Through Space and Time: On sex, lies, & videotape
30 Minutes on: “The Limey”
Thumbnails 7/24/2013
Glamour Boys: Cannes Report, May 21, 2013
Roger Ebert will receive the Sundance Institute Vanguard Leadership Award
TIFF 2007: Madmen and lawyers
Who matters?
Bordwell covers coverage
Cannes 2025: Sound of Falling, Reedland
What to Watch on Netflix: May 2025
Finding a Way Home: André Holland Never Rests
In the Name of Friendship: Matthew Rankin on “Universal Language”
What to Watch on Netflix: February 2025
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
Meet the Writers: Zachary Lee
André Holland Talks Deleted Scenes from “42”
Venice Film Festival 2024: Prepping for the Biennale
The 10 Best Fourth of July Releases of the 21st Century
The Best Films of 2024 So Far
Home Entertainment Guide: April 2024
Preview of Tributes at the 58th Karlovy Vary International Film Festival
Home Entertainment Guide: March 2024
20 Films We Can’t Wait to See at Sundance 2024
The 25 Best TV Series of 2023
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
Home Entertainment Guide: October 2023
Venice Film Festival 2023: Poor Things, Maestro, The Caine Mutiny Court-Martial, The Killer
Everything Is Fate: Julian Sands (1958-2023)
30 Minutes On: “The Thomas Crown Affair” (1999)
Slamdance Film Festival Highlights 2023
Sundance 2023: Bravo, Burkina!, Divinity, To Live and Die and Live
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
Justin Benson and Aaron Moorhead on LA, COVID, and Conspiracies
You Can Never Be 100 Percent Sure: Lodge Kerrigan on Keane
Home Entertainment Guide: June 2022
Roger’s Top Ten Lists: Best Films of 2006
Sundance 2022: Free Chol Soo Lee, The Exiles, The Princess
Overdue Oscars: 10 Directors Looking for Their First Academy Award
You Make It to Be Seen: Wendell B. Harris on Chameleon Street
Daughters of the Dust to be Presented by Chaz Ebert as Part of the Gene Siskel Film Center’s Chicago Favorites Series
A Look Back at Tribeca 2021: The Narrative Features
Beauty and the Beasts: On Director Jonathan Glazer
The Girlfriend Experience Exists at the Intersection of Sex, Commerce, and Technology
Oscars 2021: Nomadland is the Big Winner at an Unusual Academy Awards
ABC’s Rebel Wastes Talent on Fictional Version of the Erin Brockovich Legacy
Home Entertainment Guide: April 2021
Meet the Writers: Roxana Hadadi
The Great Performances of 2020
World of Wong Kar Wai Retrospective Arrives Virtually to Film at Lincoln Center
Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson
Book Excerpt: The Press Gang by Godfrey Cheshire, Matt Zoller Seitz, Armond White
Our Writers Highlight Articles to Enjoy on our Newly Redesigned RogerEbert.com: Part II
‘I Am Shiva, the God of Death’: On the Deserved Anger of Michael Clayton
‘It’s Not Your Fault’: On Hanging Out and Healing in Good Will Hunting
The Unloved, Part 76: Juggernaut
Home Entertainment Guide: December 12, 2019
Seventh Row Publishes Beyond Empowertainment, a Critical Study of Feminism in Horror
Home Entertainment Guide: November 14, 2019
The Truth Will Out Eventually: The Laundromat Writers on Turning Global Financial Fraud into A Sharply Comic Wild Tale
TIFF 2019: Festival Honors Meryl Streep, Joaquin Phoenix, Taika Waititi
Home Entertainment Guide: September 5, 2019
Twelve Thumbs-Up Films from the Venice Film Festival
Son of the father: Peter Fonda, 1940-2019
Home Entertainment Guide: July 25, 2019
Thumbnails 2/8/19
Happy New Year from All of Us at RogerEbert.com
Sundance 2019 Announces Competition, Premiere, Midnight Titles and More
Mothers Doing the Extraordinary: Peter Hedges on Ben is Back
Nicolas Roeg, 1928-2018
Thumbnails 8/17/18
Cannes 2018 Video #8: Ed Lachman, William Nack and More
Home Entertainment Consumer Guide: June 7, 2018
The First Cut is the Deepest: A Tribute to Anne V. Coates
2018 Summer Movie Preview: 10 Films We’re Excited About
An Impossible Color: Justin Benson & Aaron Moorhead on The Endless
2018 Winter Movie Preview: 25 Films We’re Excited About
The Great Performances of 2017
Home Entertainment Consumer Guide: November 30, 2017
2017 Summer Movie Preview: 25 Films We’re Excited About
Emphatic and Abundant Love: The Work of Jonathan Demme
A Rising Star: Riley Keough on “The Discovery”
Bill Paxton: 1955-2017
The Ten Best TV Shows of 2016
Thumbnails 12/6/16
Changing the Conversation: André Holland on “Moonlight”
Mitchelling on the Regular: On Elvis Mitchell and KCRW’s “The Treatment”
TIFF 2016 Preview: 20 World Premieres We Can’t Wait to See
