Cannes 2025 Announces Lineup with New Films by Ari Aster, Kelly Reichardt, Julia Ducournau, Richard Linklater, Wes Anderson and More Brian Tallerico
Ordinary F**king People: Modes Of Verisimilitude in “Boyhood” and Richard Linklater’s “Before” Movies Glenn Kenny
“Don’t be an a–hole”: Richard Linklater talks about “Boyhood,” commitment, justice, and why he let convicted murderer Bernie Tiede live with him Matt Zoller Seitz
Bright Wall/Dark Room June 2020: Just in Time: Finding True Companionship Before Sunset by Adam Membrey The Editors
Flashes of Kindness: Ideological Ambivalence in the “The Last Detail” and “Last Flag Flying” Vikram Murthi
Cannes 2025 Video #5: Chaz Ebert on “Nouvelle Vague” and “Highest 2 Lowest”; Interviews with Elizabeth Guest and Filmmakers of “Average White Band”; Nicole Kidman on Women in Motion Award Chaz Ebert
It’s Too Bad That Audience Pictures Like Ultraman: Rising Will Barely Be Seen in Theaters Matt Zoller Seitz
SXSW 2024: Clemente, Cheech & Chong’s Last Movie, This is a Movie About the Black Keys Brian Tallerico
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com Chaz Ebert and the Editors
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition The Editors
Chaz Ebert Celebrates 25 Years of Ebertfest While Honored at University of Illinois Alumni Awards Gala The Editors
Bright Wall/Dark Room July 2019: Only I Know the Secrets: Breaking Down Under the Silver Lake by Ethan Warren The Editors