One Battle After Another
Bob Ferguson
Leonardo DiCaprio
Leonardo DiCaprio
Leonardo DiCaprio Movie Reviews
Killers of the Flower Moon
Ernest Burkhart
Don’t Look Up
Dr. Randall Mindy
Once Upon a Time … in Hollywood
Rick Dalton
Before the Flood
Himself
The Revenant
Hugh Glass
The Wolf of Wall Street
Jordan Belfort
The Great Gatsby
Jay Gatsby
![Titanic [3D]](https://www.rogerebert.com/wp-content/uploads/2024/03/Titanic-3D.jpg)
Titanic [3D]
Jack Dawson
J. Edgar
J. Edgar Hoover
Inception
Cobb
Shutter Island
Teddy Daniels
Revolutionary Road
Frank Wheeler
Body of Lies
Roger Ferris
The Departed
Billy Costigan
The Aviator
Howard Hughes
Catch Me If You Can
Frank Abagnale Jr.
Gangs of New York
Amsterdam Vallon
The Beach
Richard
Celebrity
Brandon Darrow
Blog Posts That Mention Leonardo DiCaprio
Someone to Trust, Something to Prove: The Films of Leonardo DiCaprio
Video Interview: Leonardo DiCaprio and Alejandro González Iñárritu
On Leonardo DiCaprio in “The Aviator”
Leonardo DiCaprio: ‘I like characters who aren’t always what they seem’
A remake of “The Third Man?” Say it ain’t so, Leonardo
recent Two Thumbs Up® reviews
The odds are with the house
TIFF 2007: Grizzly boy
The tail of the banana-eating jungle monkey
GoodFellas and BadFellas
Final shots: In dreams… and waking up
‘The Departed’ revisited
For Sale: On Revolutionary Road
Call him “Mr. Contrarian”
“It Became a Dark Place”: Chief Geoffrey Standing Bear on “Killers of the Flower Moon”
Home Entertainment Guide March 2026: Anaconda, The Housemaid, Killers of the Flower Moon, More
“Sinners” Sets Record with 16 Oscar Nominations
2026 Oscar Nominations Predictions in the Major Categories
Glitz and Glamour: A Report from the 2026 Palm Springs Festival Gala
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
The Great Performances of 2025
“One Battle After Another,” “Sinners” Lead Chicago Film Critics Association Nominees
The Ten Best Films of 2025
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
Cannes 2025 Video #1: Robert De Niro Receives Honorary Palme d’Or and Advocates Protecting Democracy and Art
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
In the Ring: James Madio and Steve Loff on “The Featherweight”
Home Entertainment Guide: April 2024
The Imperiled Women of Alex Garland’s Films
2023: The Year The World Finally Recognized The Brilliance Of Lily Gladstone
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
Edward Zwick Is Revisiting His Past, Wondering About His Future
Nine Major Omissions from the 2024 Oscar Nominations
Oscar Predictions 2024: What Will Be Nominated This Year
2024 Awards Season Kickoff: Palm Springs, Variety Honorees, Golden Globes, Governors Awards
Trailers for Chaz Ebert’s Top 10(-ish) Films of 2023
The Ten Best Films of 2023
Killers of the Flower Moon, Oppenheimer, Poor Things Lead CFCA Nominations
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
Killers of the Flower Moon to Receive the Vanguard Award at the Palm Spring International Film Awards
The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions
Keep These People Alive: David Grann on Killers of the Flower Moon
Cannes 2023: The Idol, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon
Cannes 2023: Killers of the Flower Moon
Martin Scorsese was Roger Ebert’s Favorite Director
Oscar Predictions 2023: Who Will Win This Year
The Stories Behind Martin Scorsese’s Killers of the Flower Moon
Roger Ebert’s Reviews of Oscar-winner Sam Mendes, Who Will Receive the 2022 TIFF Ebert Director Award
Home Entertainment Guide: December 2021, Special Editions
Overdue Oscars: 10 Directors Looking for Their First Academy Award
The Films That Could Shake Up the Oscar Race
The Show Must Go On: The Cannes 2021 Film Festival
Book Excerpt: This is How You Make a Movie by Tim Grierson
Baz Luhrmann’s Romeo + Juliet is as Irreplaceable as Ever
My Happy Place at the Movie Theater During the Pandemic: Part III
We Have to Go Deeper: The 10th Anniversary of Inception
Cannes Flashback: Quentin Tarantino, Werner Herzog, Ernest White II and More
A Look Back at Martin Scorsese’s The Irishman
Max von Sydow: 1929-2020
Watch the Academy Awards and the Film Independent Spirit Awards This Weekend
Joker Leads Oscar Nominations
Chaz Ebert’s Top 10 Films (And Then Some) of 2019
In Defense of Peggy’s Silence in Martin Scorsese’s The Irishman
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Netflix and Marriage Story Lead 2019 Golden Globe Nominations
Martin Scorsese’s Dangerous Men: On the Actors of The Irishman
The Best Films of the 2010s: The Wolf of Wall Street
Fantastic Fungi Runs October 18-24 at Chicago’s Gene Siskel Film Center
Five Questions from Once Upon a Time … in Hollywood
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Cannes 2019 Video #5: Quentin Tarantino, Werner Herzog, Ernest White II and More
Cannes 2019: Once Upon a Time … in Hollywood
Cannes 2019: Quentin Tarantino Brings Hollywood to Cannes
Cannes 2019 Video #2: The Dead Don’t Die & Gender Disparity
Cannes 2019: Preview of the 72nd Festival
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Mothers Doing the Extraordinary: Peter Hedges on Ben is Back
TIFF 2018: The Death and Life of John F. Donovan, Vox Lux
The Power of Community: A Recap of the 2018 TCM Classic Film Festival
Sundance 2018: Three Identical Strangers, Crime + Punishment, The Price of Everything
The Master Lets Go: On the Career of Daniel Day-Lewis
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Amazon’s “Z: The Beginning of Everything” Provides Fine Showcase for Christina Ricci
Sundance 2017: “An Inconvenient Sequel: Truth to Power”
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Making a Picture: Alden Ehrenreich & Lily Collins on “Rules Don’t Apply”
Personal Narratives Fuel this Year’s Best Actress Race
Mitchelling on the Regular: On Elvis Mitchell and KCRW’s “The Treatment”
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If We Picked the Winners 2016: Best Actor
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If We Picked the Winners 2016: Table of Contents
Why Leo winning an Oscar for “The Revenant” would be bad for acting
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