What is most amazing about this film is how completely Spielberg serves his story. The movie is brilliantly acted, written, directed and seen. Individual scenes…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A look ahead at the 112 films that will play the Sundance Film Festival in January 2019.
An interview with writer/director Boots Riley about his incendiary new film, "Sorry to Bother You."
A review of the crazy, ambitious, unforgettable Sorry to Bother You.
110 independent films have been announced to premiere at next January's Sundance Film Festival.
The screenings of "To Sleep with Anger" and "Mind/Game: The Unquiet Journey of Chamique Holdsclaw" at Ebertfest 2017.
A report on Day 2 of Ebertfest 2017.
Chaz Ebert provides a preview of the 19th installment of Roger Ebert's Film Festival "Ebertfest" 2017.
An article about various films set to screen at Ebertfest 2017, including the opening night selection, "Hair."
An interview with Stephen McKinley Henderson and Jovan Adepo, stars of Denzel Washington's "Fences."
An interview with two stars of the family comedy "Almost Christmas."
A recap of the 2016 Chicago International Film Festival.
A look at FOX's new remake series, "Lethal Weapon" and "The Exorcist."
A news brief on Saturday's Ebert Tribute event, which celebrated director Agnès Varda.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
A preview of the 22nd Black Harvest Film Festival, running August 5 - September 1 at the Gene Siskel Film Center.
Roger's Favorites: actor Denzel Washington.
An interview with director Charles Burnett.
A preview of the 2014 Black Harvest Film Festival, including an award for Chaz & Roger Ebert and some highlights of films to see.
We're counting down twelve great movie scenes set around Christmas. Here is the first batch, with #12 through #9.
This HBO drama about Muhammad Ali's court case over his conscientious objector status is surprisingly inert.
"Only God Forgives" commits the unforgivable sin of being boring, "Muhammad Ali's Greatest Fight" is about old white men arguing about race, and "Blue is the Warmest Color" takes its time to follow the transition from uncertain teenager to knowing adult.
The Grand Poobah writes: "No man has a better wife than Chaz."
Marie writes: Intrepid club member Sandy Kahn came upon the following recipe and wisely showed it to me, so that I might share it in turn with all of you. Behold the morning chocolate cookie - a healthy breakfast treat loaded with good stuff; like fiber and imported French chocolate.
"Maverick" starts with the protagonist in the middle of nowhere. He helplessly sits on a horse; his neck is at the end of a noose tied to a tree branch. The men who put him in this vulnerable situation surround him. They drop a bag containing a snake and ride away. If the horse bolts, Bret Maverick dies. It is one of the most attention-grabbing opening scenes in film.
Lawrence Kasdan's "Grand Canyon" didn't make a splash when it opened here in Mexico, and it's not the kind of feature that's ever shown on our TV, so hardly anybody I know has even heard about it. It's not an easy movie to describe. When people ask me about its subject, I say something like "It's about a group of people from Los Angeles living in despair who end up feeling better when they all get together and visit the Grand Canyon." Most of them seem to loose interest but the response of those who do see it is mostly overwhelming.
Watching "The Tree of Life" brought "Grand Canyon" to mind. The films couldn't be more different, but both deal with a search for a deeper meaning in our existence-- a sense of helplessness in trying to place ourselves in the grand scheme of things. They also lack defined plots or conventional structures.