Ennio
Self
Brian De Palma
Brian De Palma Movie Reviews
Desperate Souls, Dark City and the Legend of Midnight Cowboy
Self
De Palma
Himself
Hitchcock/Truffaut
Himself
Domino
Director
Passion
Screenplay
Redacted
Written and directed by
Femme Fatale
Written and directed by
Mission To Mars
Directed by
Snake Eyes
Directed by
Mission: Impossible
Directed by
Carlito’s Way
Directed by
The Bonfire of the Vanities
Produced and Directed by
The Untouchables
Directed by
Wise Guys
Directed by
Body Double
Director
Greetings
Written and directed by
Blog Posts That Mention Brian De Palma
I’m a Sound Man: Brian De Palma’s Blow Out at 40
Book Review: Are Snakes Necessary? by Brian De Palma and Susan Lehman
How Domino Fits into the Brian De Palma Paradox
It Was All a Ridiculous Mistake!: Brian De Palma’s Sisters Hits Blu-ray
If Only They Knew She Had the Power: Brian De Palma’s “Carrie” Turns 40
A Movie is a Work of Art: An Interview with Brian De Palma
Brian De Palma on “Passion,” passion and film
Brian De Palma’s Films, Ranked
Brian De Palma and The Pink Dahlia
TIFF 2007: Brian De Palma on the front lines
“She Just Had an Accident”: “Seed of Chucky” at 20
Cannes 2023: May December, Anatomy of a Fall and a Godard Trailer
Home Entertainment Guide: September 2022
Home Entertainment Consumer Guide: December 13, 2018
Criterion Collection Celebrates Powell & Pressburger’s A Matter of Life and Death
Celebrating the Artifice: Laurent Bouzereau on Spielberg, Hitchcock, De Palma and More
Margot Kidder: 1948-2018
Home Entertainment Consumer Guide: April 6, 2017
Home Entertainment Consumer Guide: August 14, 2014
Book Excerpt: Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin by David Greven
DGA hails “Slumdog Millionaire,” Ebert made a lifetime member
Stone Reader
Avatar, the French New Wave and themorality of deep-focus (in 3-D)
De Palmania!
Tracing the image #2: The rebirth of ‘The Descent’
Panic! At the Disco: Body Double at 40
Book Excerpt: The World is Yours: The Story of Scarface by Glenn Kenny
Split Personality: Two Cuts of “Raising Cain” Come to Blu-ray
Thumbnails 6/6/16
Back in Fashion After 35 Years: The Return of “Dressed to Kill”
The Unloved, Part 12: Phantom of the Paradise
Faking the real and unreeling the fake
TIFF 2007: Movie bloggers EXPOSED!
Blood rights
The Double-Best of the Year
Opening Shots: ‘Femme Fatale’
Opening Shots: ‘Halloween’
Trash and Art: Critics on/of Pauline Kael
TIFF 2007: What did I know and when did I know it?
Some ways to watch Inglourious Basterds [sic]
Opening Shots: ‘Greetings’
What we talk about when we talk about movies (Part 2)
The prom night from Hell
Highlights from the 2025 MUBI Fest Chicago
The Tarantino Dozen
Conversation Piece: Phil Donahue (1935-2024)
A Moment in the Spotlight: On The King of Comedy
Two More Weeks in the Midday Sun
The 10 Best Start-of-Summer-Movie-Season Films of the 21st Century
I Need Your Magic: M. Emmett Walsh (1935-2024)
Their Show Was the Gateway: Matt Singer on His New Book, Opposable Thumbs: How Siskel & Ebert Changed Movies Forever
An Unforgettable Performer: Piper Laurie (1932-2023)
Carlito’s Way Gets Excellent 4K Arrow Release with Commentary by Matt Zoller Seitz
Ethan Hunt’s Second Act and Tom Cruise’s Third: The Unending Impossible Mission
Prince of the Cinema: Treat Williams (1951-2023)
Of the Same Matter: Gaspar Noé on Vortex and Lux Aeterna
SXSW 2021: Broadcast Signal Intrusion, Offseason
You Don’t Think the Future Knows How to Cross A Bridge: Relighting The Bonfire of the Vanities
Ennio Morricone: 1928-2020
Kirk Douglas: 1916-2020
Bring the Soul to Life: Oscar-Winning Editor Paul Hirsch on “Planes, Trains and Automobiles,” “Star Wars” and His New Memoir
Seventh Row Publishes Beyond Empowertainment, a Critical Study of Feminism in Horror
Fantasia 2019: Phantom of Winnipeg
Fantasia International Film Festival Preview 2019
The Unloved, Part 65: Orphan
Director on a tightrope: Dušan Makavejev, 1932-2019
Rock and Roll Me: On Andrea Riseborough’s Spellbinding 2018 Performances
Happy New Year from All of Us at RogerEbert.com
A Look Back at the 2018 Indie Memphis Film Festival
A Labor of Love: John C. Reilly on The Sisters Brothers
RIFF 2018: Woman at War, Jonas Mekas Exhibition and Camilla Strøm Henriksen on Phoenix
RIFF 2018: Ága, Knife + Heart
Keep the Mission Going with Excellent 4K Releases of First Five Films
A Lit Fuse: The History of the Mission: Impossible Franchise
Spy Music: The Evolution of the Mission: Impossible Theme
Tom Wolfe: 1931-2018
SXSW Film Festival 2018: Elizabeth Harvest, Don’t Leave Home
A Composer For All Seasons: On the Range of John Williams
“Do You Know Anything About Witches?”: “Suspiria” at 40
30 Minutes on: “It” (2017)
Hot Docs 2017: “Maison du Bonheur,” “Becoming Bond,” “78/52,” “Erotica: A Journey Into Female Sexuality”
The RogerEbert.com Interviews of 2016
Shock and Entertainment: A Paul Verhoeven Retrospective
The Best Films of 2016 So Far
Ebertfest 2016, Day 4: Four Movies, Four Writers
An Overview of the 18th Annual Ebertfest
A farewell to Nashville film critic Jim Ridley: a civic institution and everybody’s friend
Roger, You Would Love Ebertfest 2016
Ebertfest Announces Five Films, Special Guests For 2016 Festival
