X Games 3D: The Movie
Written by
Lawrence
Lawrence Movie Reviews
Blog Posts That Mention Lawrence
When ‘Bad Boys’ Began, Martin Lawrence Was the Top Dog
Ebertfest 2023: Festival Closes with Guests Lawrence Bender, Mykelti Williamson, Michael Barker and More!
Ebertfest 2023 Announces Full Lineup Including Guests Lawrence Bender, Mykelti Williamson, Michael Morris and More
Lawrence Tierney Bio Etches Vivid Portrait of Hollywood’s Real-Life Tough Guy
A Difficult Journey: Why I Flew Across the Country to See Lawrence of Arabia
The Camera is Dancing with Joaquin: Cinematographer Lawrence Sher on Joker, The Hangover and More
Sober Assessment: Jeff Daniels, Peter Sarsgaard & Lawrence Wright on The Looming Tower
Roger’s Favorites: Quentin Tarantino and Lawrence Bender
Jennifer Lawrence versus Cellphones: ‘I would choose Peeta.’
‘Lawrence’ star is still Lean & mean
Cannes 2025 Video #3: Robert Daniels on Urchin, Renoir, Die My Love, and More
Cannes 2025: Die My Love, Pillion, Miroirs No. 3
What to Watch on Netflix: May 2025
That’s What Disruption Does For Me: Gareth Evans on “Havoc”
In “The Handmaid’s Tale,” Women Fight the Darkness—And Are Tempted By It
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
Pay Attention Now: Gretchen Mol and Juliana Margulies on “Millers in Marriage”
Netflix’s “Cobra Kai” Lands One Final Nostalgic Punch In Its Last Episodes
Sundance 2025: Come See Me In The Good Light, Move Ya Body, Deaf President Now!
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
Meet the Writers: Zachary Lee
The Great Performances of 2024, Part Two
2025 Sundance Film Festival Announces Ambitious Program
Black Harvest Film Festival 2024 Preview
CIFF 2024: Compensation, The Spook Who Sat by the Door, Save the Children
CIFF 2024: On the Legacy and Importance of The Spook Who Sat by the Door
Let the Game Begin: “Saw” at 20
Apple TV+’s “Shrinking” Really Starts Putting the Pieces Together in Second Season
TIFF 2024: Village Keeper, 40 Acres, Flow
TIFF 2024: Conclave, Relay, The Assessment
Locarno Film Festival 2024: Youth (Hard Times), Transamazonia, Moon
Apple TV+’s Bad Monkey Struggles to Find Its Voice
Leaving A Mark Behind: Kevin Costner on Horizon: An American Saga – Chapter 1
The Best Films of 2024 So Far
Donald Sutherland: The Consummate Character Actor
Doug Liman Never Does Things the Easy Way
I Need Your Magic: M. Emmett Walsh (1935-2024)
BET+’s Diarra from Detroit Successfully Blends Comedy & Mystery
Oscars 2024: The View from the Room
30 Minutes On: Dune Part One
The True Triumph of Robert Downey Jr.’s Second Act
Home Entertainment Guide: February 2024
Berlin Film Festival 2024: Honoree Martin Scorsese Honors Powell and Pressburger
How Will Dakota Johnson Survive Madame Web? The Same Way She Handled Fifty Shades of Grey
Death and Other Details Wastes Potential on Neverending Cruise
The Return of 70MM
The Great Craft of 2023
Seasons Greetings from Chaz Ebert and All of Us at RogerEbert.com
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
2024 Film Independent Spirit Award Nominees Led by American Fiction, May December and Past Lives
All Is Not Calm: John Woo on Silent Night
It’s OK, Boomer: The Big Chill Turns 40
NYFF 2023: AGGRO DR1FT, The Sweet East, Ryuichi Sakamoto: Opus
Disney+ Reboot of Goosebumps Slides from Promising Horror into YA Soap Opera
Criterion Releases Special Edition of Nicolas Roeg’s Masterful Walkabout
TIFF 2023: Seven Veils, Do Not Expect Too Much of the End of the World, The Convert
Noir City Returns to the Music Box in Chicago
The Ranown Westerns Join the Criterion Collection
The Best Films of 2023 … So Far
Tapping Into the Infinite: Alexandre O. Philippe on Lynch/Oz
Return of the Jedi Turns 40
Chicago Critics Film Festival 2023 Preview: Chicago Premieres of Acclaimed Films from Around the World
Ebertfest 2023 Recap: A Photo Journal
Smile Politely’s Interview with Ebertfest Organizers Chaz Ebert and Nate Kohn
Ebertfest 2023: Frank Oz and Derek DelGaudio Screen In & Of Itself, Rita Coburn Spotlights Marian Anderson and More!
Ebertfest 2023: Amber Rubarth and David Heinz Present American Folk, Mickey Shapiro Shares Story of My Name is Sara and More!
Ted Lasso Wonders Whether He’s Outstayed His Welcome in Season Three
The Underrated Sayles: An Appreciation of Baby It’s You on Its 40th Anniversary
The Real Deal: Tom Sizemore (1961-2023)
Slamdance Film Festival Highlights 2023
Home Entertainment Guide: January 2023
Apple TV+’s Shrinking is a Cozy, Familiar Comedy
Barbara Walters (1929-2022)
Home Entertainment Guide: December 2022
The Great Filmmaking Craft of 2022
The Great Performances of 2022
Willow Reboot on Disney Plus Makes for a Surprisingly Fun Ride
From the Deep: On the Staying Power of Creature from the Black Lagoon
The Protein of It All: A Conversation with Tamara Jenkins, BendFilm Festival’s Indie Woman of the Year
Preview of the 58th Chicago International Film Festival
NYFF 2022: Coma, Queens of the Qing Dynasty, Enys Men
Major Questions of the 2022 Oscar Race After TIFF
TIFF 2022: Emily, Causeway, The Eternal Daughter
20 Films We Can’t Wait to See in Toronto
The Best Thing You Never Expected: Luck Director Peggy Holmes on Good Luck and Bad
Bright Wall/Dark Room June 2022: Most Wonderful by Nathaniel Missildine
Cannes 2022 Video #8: Elvis, Godland, Tori and Lokita
Star Wars Celebration 2022: Mando+, Light and Magic, Andor and More
TCM Film Festival 2022: Highlights of Getting Back to the Big Screen
Meet the Guests of Ebertfest 2022
William Hurt: 1950-2022
Women Film Editors: Shedding the Cloak of Invisibility
Scene Stealer: A Tribute to Isabel Jewell
The Annotated Table of Contents and Bios for Women Writers Week 2022
Overdue Oscars: 10 Directors Looking for Their First Academy Award
Netflix’s Visual Essay Series Voir is Worth a Look
The Mystery Was the Point: On the Life of Dean Stockwell (1936-2021)
I Believe in Individuals: Barry Gifford and Lili Taylor on Roy’s World: Barry Gifford’s Chicago
