El Dorado
Directed and produced by
Howard Hawks
Howard Hawks Movie Reviews
Blog Posts That Mention Howard Hawks
In Memory: Howard Hawks
From “Rio Bravo” to “The Insider”: The Western Roots of Michael Mann’s Film on Its 15th Anniversary
The Duke on Rooster: “My first good part in 20 years”
Euphoria in a matter of seconds
Has Tarantino produced a “legacy of greatness”?
Opening Shots: ‘His Girl Friday’
The Marty Show
You don’t dismiss the dean
Which great director is not-so-great?
No fatties
The comical jocularity of humorousness
Book Excerpt: An Anthony Mann Reader by Scout Tafoya
Sony’s “Frank Capra at Columbia” 4K Box Set Encapsulates One of America’s Great Filmmakers
Home Entertainment Guide: November 2024
Bright Wall/Dark Room October 2024: All Hail the Screwball Queen by Olympia Kiriakou
The Tarantino Dozen
13 Films Illuminate Locarno Film Festival’s Columbia Pictures Retrospective
The Best Films of 2024 So Far
Cannes 2024: Kinds of Kindness; Oh, Canada; Scénarios
Working with Complete Fantasy: On the Legacy of Gentlemen Prefer Blondes
Eye on the Screen: David Bordwell (1947-2024)
Artists We Spoke to in 2023: Some of Our Favorite Interviews
Female Filmmakers in Focus: Meg Ryan on What Happens Later
MOMA Launches Iranian Cinema Before the Revolution, 1925-1979
Noir City Returns to the Music Box in Chicago
He Did It All: William Friedkin (1935-2023)
To Return to Innocence From the Other Side: Christian Petzold on Afire
Nell Minow’s Overlooked Films of 2022
James Caan: 1940-2022
The Connection to Old Hollywood: Peter Bogdanovich (1939-2022)
Home Entertainment Guide: December 2021, New Releases
Home Entertainment Guide: July 2021
Why The Thing is One of the Most Effective Horror Movies Ever Made
Netflix’s Social Distance Struggles to Sum Up the Ordeal of 2020
Hal Hartley on His Film Career, Modernist Influences, and Re-Watching His Work
Bright Wall/Dark Room August 2019: A Treadmill to Nowhere By Julia Selinger
One, Two, Three: A wild Cold War farce from Wilder and Cagney
Happy Birthday, Roger: A Celebration of Our Favorite Writing
Thank You, George Cukor and Mitchell Leisen – With Props to Ryan Coogler
The Best Current Source for Streaming Classic Movies is … Amazon Prime?
Always Leave ‘Em Laughing: Peter Bogdanovich on Buster Keaton, superheroes, television, and the effect of time on movies
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Venice Film Festival 2018: Suspiria, Peterloo, The Ballad of Buster Scruggs, Non-Fiction
Clint Eastwood’s Accidental Heroes
A New Frontier: Bill Pullman and Jared Moshe on “The Ballad of Lefty Brown”
Man on the run: the haunted grace of “The Fugitive”
Home Entertainment Consumer Guide: January 19, 2017
Molly Haskell on feminism, censorship, screwball comedy, and life after Andrew Sarris
Slippery as the Dickens: Peter Bogdanovich on “They All Laughed”
30 Minutes on: “The Thing” (1982)
Life Refuses to Stand Still: Another Look at Steven Spielberg’s “Always”
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Home Entertainment Consumer Guide: April 21, 2016
New Directors/New Films 2016: The Power of Understated Feminism
Jacques Rivette: 1928-2016
Solidarity of Cinema: Kent Jones on “Hitchcock/Truffaut”
NYFF 2015: Guy Maddin and Evan Johnson on “The Forbidden Room”
Of Rats and Men: “Black Mass” vs. “The Departed”
Playing All the Parts: Peter Bogdanovich on “She’s Funny That Way”
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The Unloved, Part 13: Public Enemies
What About Bob? New Biography Offers Definitive Portrait
Film is What You Use to Make Movies
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Impossible to Explain: A Few Words with John Carpenter
Lauren Bacall: 1924-2014
Book Excerpt: Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin by David Greven
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Blu-ray Consumer Guide: April 2, 2014
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Atom Age Feminists: The Women of ’50s Sci-Fi
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Brian De Palma’s Films, Ranked
Peter Bogdanovich on “At Long Last Love”
Fur Ever Polanski
Awake in the Dark: Best of Ebert
New Hitchcock prints get festival treatment
Who the Devil Made It is a feast of memories, history and tall
As time goes by, it’s the still the same old glorious `Casablanca’
“The Directors”
The Best 10 Movies of 1967
101 102 Movies You Must See Before…
From boxing movie to political bout
Is Oscar’s best pic a masterpiece?
Who directed this shot?
A piece of David Cronenberg’s mind
The Double-Best of the Year
Ebertfest 2008: Springing forward
Opinions: Are they really worth a damn?
“Avenge me! AVENGE ME!”
Eyeless in Monument Valley, Part II
Top secret leakage from my 2010 Muriels ballot!
And the greatest art work of the 20th century is…
Tinker Tailor, Moneyball: Between the lines (Part 1)
Andrew Sarris, auteurism, and his take on his own legacy
Pop notes: 101 essential movies
Bow down to Babs
