Southside With You
Southside with You builds its emotional richness by coasting on the charisma of its two leads as they carefully navigate each other’s personality quirks and…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The first films announced for the 2016 Toronto International Film Festival.
Top lessons from Cannes; How Jodie Foster stays real; Rave review of "American Honey"; Apocalyptic air hangs over Cannes; How Cannes turned into a frenzied mammoth.
Three more films from Cannes 2016, including the latest from Park Chan-wook and Andrea Arnold.
A preview of Cannes 2016.
An excerpt from the December 2014 issue of "Bright Wall/Dark Room."
Tragedy strikes at SXSW; Nebulous platitudes and James Franco; TV actors don't need movies; Connecting The Sopranos and Irreversible; Eviscerating Nymphomaniac: Vol I.
Harold Ramis dies at 69; A look at the state of film criticism; Method acting destroying the profession; Meryl Streep and the Oscars; Sex and the City ten years later.
An oral history of RoboCop; Sid Ceasar passes away; Shia LaBeouf has a new artistic endeavor; Social media sites as the front pages of the Internet; Roeper on Leno.
The comment on Godard's 'No Comment'; Polanski's victim offers some advice to Dylan Farrow; the comedy club theory of dictatorship; Shia's brand new bag.
"The Stream" finally may be drying up; Beyoncé the feminist; top 2013 horror films; Shia Labeouf ponies up; "Fraggle Rock" is still the best.
Marie writes: The West Coast is currently experiencing a heat wave and I have no air conditioning. That said, and despite it currently being 80F inside my apartment, at least the humidity is low. Although not so low, that I don't have a fan on my desk and big glass of ice tea at the ready. My apartment thankfully faces East and thus enjoys the shade after the sun has crossed the mid-point overhead. And albeit perverse in its irony, it's because it has been so hot lately that I've been in the mood to watch the following film again and which I highly recommend to anyone with taste and a discerning eye.
Marie writes: Now this is really neat. It made TIME's top 25 best blogs for 2012 and with good reason. Behold artist and photographer Gustaf Mantel's Tumblr blog "If we don't, remember me" - a collection of animated GIFs based on classic films. Only part of the image moves and in a single loop; they're sometimes called cinemagraphs. The results can be surprisingly moving. They also can't be embedded so you have to watch them on his blog. I already picked my favorite. :-)
Marie writes: According to the calendar, summer is now officially over (GASP!) and with its demise comes the first day of school. Not all embrace the occasion, however. Some wrap themselves proudly in capes of defiance and make a break for it - rightly believing that summer isn't over until the last Himalayan Blackberry has been picked and turned into freezer jam!
"Dear Mr. Spider;I am profoundly sorry to have taken you from your home in the woods, when I was picking Himalayan Blackberries on Monday afternoon. I didn't see you fall into my bucket and which was entirely my fault; I must have bumped into your web while reaching for a berry. Needless to say, I was surprised upon returning home with my bucket full, to suddenly see you there standing on a blackberry and looking up at me." - Marie
(photo recreation of incident)
Marie writes: club member Sandy Kahn has found some more auctions! Go here to download a free PDF copy of the catalog.
HAPPY BELATED BIRTHDAY TO THE EBERT CLUB!
Q. I've read your statement many times that the best film experience is in a real theater with a real audience. So, do you consider the screening room where you see films that you are reviewing a "real theater with a real audience?" And if not, I'm just curious as to how many films you've seen at "real theaters" with "real audiences" in, say, the last month or two (not counting film festivals.) I very well admit I could be wrong, but I have a hunch that, like many of us, the answer would be not too many. (Mark)
Window-shopping is daily the source of one of the best free shows in Cannes. There's nothing quite like walking around this town, even if it's just a brief walk between screening rooms, and ogling what could be bought if you had millions of dollars at your disposal: the most extravagant flower arrangements, the most colorful and sumptuous pastries, piles of diamond necklaces, strapless cocktail dresses with skirts of white marabou feathers or silver palettes, ice-cream-pastel Chanel suits with glittering sequin trim. The loot of the world's fashion runways is displayed in all its theatrical and expensive glory in the shops that face the Croisette, and most of these outfits would look outlandish anyplace but right here in Cannes.
My first movie at Cannes will hopefully end up being my worst movie at Cannes. I chose to see "William Vincent," directed by Jay Anaia. James Franco starred and produced, as it was his production company Rabbit Bandini Productions that made the film.
I love James Franco and think he is a great actor. I was interested in finding out the types of films he would make if given more control. Unfortunately, the result was disappointing.
From an interview with "Transformers: ROTFL" director Michael Bay at Wall Street Journal Online:
Megan Fox, one of the leads in "Transformers" has criticized your films for being special-effects-driven and not offering so many acting opportunities. Do you agree?
Well, that's Megan Fox for you. She says some very ridiculous things because she's 23 years old and she still has a lot of growing to do. You roll your eyes when you see statements like that and think, "Okay Megan, you can do whatever you want. I got it." But I 100% disagree with her. Nick Cage wasn't a big actor when I cast him, nor was Ben Affleck before I put him in "Armageddon." Shia LaBeouf wasn't a big movie star before he did "Transformers" -- and then he exploded. Not to mention Will Smith and Martin Lawrence, from "Bad Boys." Nobody in the world knew about Megan Fox until I found her and put her in "Transformers." I like to think that I've had some luck in building actors' careers with my films.
So there! But what did Fox actually say about being in "Transformers"? Here are some excerpts from her cover interview in Entertainment Weekly:
The Australian film director Paul Cox, spoke to a group of students earlier this afternoon. While I 've met Cox a few times before at the annual Ebertfest in Champaign-Urbana, IL, I'd never heard him speak freely to a crowd and was interested in what would be said. Paul enters in casual clothes and walks to the seat in front of the class, unfolds a few pages of yellow papers full of scribbly handwriting and begins speaking in a soft, slow, accented voice.
The title of the speech is "Invent not Imitate," encouraging our generation to break the rules and push the limits. So at first, of course, I'm into it. Slowly, the speech turns from an encouraging nudge towards originality and prioritizing values, to a pretty full blown revolutionary anarchist speech. There is a pessimistic rant about the lack of genuineness and how many artists are "rubbish," specifically at this film festival. Cox rags on any one who even considers the nearby Monaco Grand Prix and car racing relevant or acceptable, and then stomps on organized religion, ex-president Bush, fashion and films like "Pulp Fiction." A student in the crowd asks Paul if there was anything he thought was worth doing, seeing or knowing about and beyond Cox's personal hero, Vincent Van Gogh and some rural Aboriginal tribes with which he'd spent time. It seemed he was not.
Steven Spielberg, Harrison Ford and George Lucas bring "Indiana Jones" to Cannes. (AP photo)
The weather gods smiled on Steven Spielberg and George Lucas for their world premiere of “Indiana Jones and the Kingdom of the Crystal Skull.” Crowds gathered in the Riviera sun, some of them with signs pleading, “S’il vous plait, I NEED tickets for Indiana Jones!” There was a screening scheduled for 1 p.m., for both the press and the official invitation holders. In the past mixing the two has spelled disaster for a movie so highly anticipated; usually the screenings are separate, so the black tie crowd doesn't hear the possible snickers of the critics. Today I expected a crowd, so I got to the Palais des Festivals much earlier than usual, but to no avail. The guards told me it was complet!