Sin City: A Dame to Kill For
"Sin City: A Dame to Kill For" doesn't have the electricity of the original, mainly because we've already seen it. Nothing more is really revealed…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
At their big D23 Expo event, Disney unleashed some stars and a lot of tantalizing info about live action films.
Nick Schager ponders the new crop of action directors, who bring 'serious film' cred to the genre, but can't seem to show personality where it counts the most.
Marie writes: It's no secret that most Corporations are evil - or at the very least, suck big time. And while I have no actual proof, I'm fairly certain there is a special level of Dante's Hell reserved just for them. (Map of Dante's Hell.)That being the case, when my younger brother Paul wrote me about a cool project sponsored by Volkswagen, I was understandably wary and ready to denounce it sight-unseen as self-serving Corporate shyte. As luck would have it however, I was blessed at birth with curiosity and which got the better of me and why I took a look. For what I found was nothing less than extraordinary....
BEVERLY HILLS, Calif. (AP) — Complete list of 84th Annual Academy Award nominations announced Tuesday:
Hollywood nostalgia may be warmly embraced Tuesday morning when the 2012 Academy awards nominations are announced. Films involving the invention of the cinema, the transition from Silent to Talkies and the legend of Marilyn Monroe are among those certain to be nominated.
Marie writes: Behold an extraordinary collection of Steampunk characters, engines and vehicles created by Belgian artist Stephane Halleux. Of all the artists currently working in the genre, I think none surpass the sheer quality and detail to be found in his wonderful, whimsical pieces...
Left to right: Little Flying Civil, Beauty Machine, Le Rouleur de Patin(click images to enlarge)
My new voice belongs to Edward Herrmann. He has allowed me to use it for 448 pages. The actor has recorded the audiobook version of my memoir, Life Itself, and my author's copies arrived a few days ago.
Listening to it, I discovered for the first time a benefit from losing my own speaking voice: If I could still speak, I suppose I would probably have recorded it myself, and I wouldn't have been able to do that anywhere as near as well as Herrmann does.
My editor, Mitch Hoffman, suggested a few readers he was confident would do a good job. Herrmann's name leaped up from his email.
You may have seen this Art Warning from the Avon Theatre in Stamford, CT. It's been flying around on Twitter and Facebook the past few days (I RTed it from Christopher Misch at Next Projection) and people have had all sorts of reactions, from "How sad that this is necessary," to "How hilarious that this is necessary," to "Is this necessary?"
Austin Dale of indieWIRE interviewed the Avon's programmer, Adam Birnbaum, who said:
There was a small but vocal minority of patrons who walked out of the film, but there were a few individuals who were fairly nasty and belligerent towards the management staff, demanding their money back. There have been a significant number of people who were fascinated by the film and there were plenty of individuals who have written to us to tell us that they thought the film was a masterpiece.
From Deke Parsons:
I didn't attend the April 30 critics' screening for "Thor" because it was at the same time Ebertfest was showing "A Small Act," about an 88-year-old woman named Hilde Back. She'd flown from Sweden, and I wanted be onstage to present her with the Golden Thumb. Missing "Thor 3D" was not an inconsolable loss, because Richard Roeper covered it for the paper and I was able to see it in Chicago in nice, bright 2D. The house was surprisingly well-populated for a 8:50 p.m. screening on a Monday, suggesting that some people, at least, will make an effort to avoid 3D.
"Thor" is failure as a movie, but a success as marketing, an illustration of the ancient carnival tactic of telling the rubes anything to get them into the tent.
Raging Bull, Henry V and Heat are primary examples of films acclaimed on their releases and steadily more since then. But this is far from being the case with Mary Shelley's Frankenstein: slaughtered by the majority of critics in 1994, when it was released, the movie by British director Kenneth Branagh didn't please the audience either, becoming an embarrassing box office flop in the career of its director, which had so far been in ascension.
Even the surprising casting of Robert De Niro in the role of the "monster" wasn't enough to attract the attention of the audience, which therefore lost the opportunity to witness yet another immensely sensitive performance by the actor - and I use the word "monster" in quotes because DeNiro may have played many in his brilliant career (Louis Cyphre, Al Capone, Max Cady and even Jake La Motta come to mind), but the creature conceived by British writer Mary Shelley certainly isn't one of them. At least, not in Branagh's beautiful version.
Marie writes: In a move which didn't fail to put a subversive smile on my face, works by the mysterious graffiti artist Banksy began to appear recently in Hollywood as Academy Awards voters prepared to judge Exit Through the Gift Shop, which is up for best Documentary. (Click to enlarge.)
The most controversial thus far was painted on a billboard directly opposite the Directors Guild of America HQ on Sunset Boulevard. A poster advertising The Light Group (a property, nightclub and restaurant developer) was stenciled over with images of a cocktail-guzzling Mickey Mouse grasping a woman's breast. As it was being removed, a scuffle broke out between workmen and a man claiming the poster was his "property" - presumably triggered by the fact that an authentic piece by Banksy is worth thousands. To read more visit Banksy targets LA ahead of Oscars at the Guardian. And to see more pictures go HERE.
From Marty Carpnter in Lititz PA:
From the Grand Poobah: Netflix is great, but they don't have everything and seem to be weak on silent films. Here's a pay site streaming a large and useful selection of high-quality films, world-wide....
Marie writes: when Roger told me about this place, I signed-up to see if I could watch one their free movies? Yup! I can stream MUBI in Canada; though content will vary depending on where you live (that's also case with Netflix Canada) and so nothing new there. And after looking through their current catalog, I can report that they do indeed have some rare movies - stuff I've never found anywhere else. I even read that Martin Scorcese is a member.
"Twists of fate, love and humour, perseverance and, finally, a philosophical outlook- his story has it all." - Sarah Hampson.(click photo to enlarge) From the Globe and Mail article "You couldn't write this script" published July 19, 2010.From the Grand Poobah: "A young lady with excellent taste". (click to enlarge) "Ever since I was a child messing around with a terrible paint set from K-mart, I have been obsessed with controlling pigment suspended in water. Now I paint with divine, hand-made watercolors from Holland along with brushes ranging from high-end to dirt cheap, but the obsession remains..." - from Kelly Eddington's artist statement. To read more and see her truly wonderful watercolors, visit Kelly Eddington's Website and Gallery.
Ah, watercolors.... so easy to master; only takes decades....
Recently we lost two American actors who embodied widely different styles, and their passing is a reminder that the very presence of an actor can suggest everything about a film.
The Prince of Denmark, Yukio Mishima and the Incredible Hulk are planning to convene in Champaign-Urbana, IL, for Roger Ebert's Film Festival (April 23-27, 2008). Joining them (off-screen) for the Ebertfest No. 10 will be directors Paul Schrader, Bill Forsyth, Sally Potter and actors Christine Lahti, Aida Turturro, Joe Pantoliano, among others. The emphasis is still on the (re-)discovery of "overlooked" films (with that term defined however Ebert wants to define it), but the festival is now known simply as Ebertfest. The full schedule is here:
TORONTO, Ont. – A wealthy novelist named Andrew Wyke is alone in his isolated mansion when he receives a caller. This is Milo Tindle, the man who boldly boasts of being the lover of Wyke’s wife. The two engage in a savage verbal duel during the long evening ahead.
TORONTO, Ont. -- Everyone, including me, was under the impression that Kenneth Branagh’s new film “Sleuth” was a remake of the 1972 film. Same situation: Rich thriller writer is visited in his country house by man who is having affair with his wife. Same outcome: They argue, man is killed. Same visit: Police detective. Same so forth and so on.
I have before me a schedule of the 2007 Toronto Film Festival, which opens Thursday and runs 10 days. I have been looking at it for some time. I am paralyzed. There are so many films by important directors (not to mention important films by unknown directors), that it cannot be reduced to its highlights. The highlights alone, if run in alphabetical order, would take up all my space.
Q. Last week the Tomatometer at RottenTomatoes.com read 98% favorable for Miyazaki's "Spirited Away," because of a single negative review by someone whose name I can't recall now. Today I see that the green splatter is gone, and the meter is pegged out at a solid 100% "fresh." If there's one film that I've seen recently which deserves a 100% tomato rating, it's this one, so I have no objection to the removal of that negative link. But I am wondering how often RT adjusts its ratings in this way. Do they do it according to some standard, or in response to user complaints? (Joe Lippl, Minneapolis)
TORONTO -- I missed the first Toronto Film Festival. So did a lot of other people. I've attended every one since. The second was like a gathering of conspirators who raced from theater to theater on the rumors of screenings. But the festival has grown so steadily that its 25th anniversary event, which begins today, can safely be called the most important film festival in North America, and one of the top handful in the world.
CANNES, France -- I am a little dizzy. I have just returned from a $2,500-a-ticket dinner auction that followed a fashion show of Victoria's Secret swimwear and included Kenneth Branagh and James Caan stripping to the waist to be massaged by supermodel Heidi Klum on top of a piano later to be played by Elton John, while Harvey Weinstein auctioned off lunch with Nelson Mandela for $100,000.
TORONTO -- The program for the Toronto Film Festival falls with the thud of the Yellow Pages. This year, more than 300 films from 53 countries will be shown at the largest and most important film festival in North America, which opened Thursday, and as usual, the crowds will be lining up for everything - literally everything. If your movie can't fill a theater at this festival, you might as well cut it up and use it to floss with.
The movies are 100 years old in 1997, and the Pulitzer Prizes are 70. This would be a good time for them to get together. In addition to the journalism categories, Pulitzers are awarded in the areas of music, drama and literature - but they never have been given to the movies, where they might actually have a greater influence.