The Sacrifice
Edited by
Tarkovsky
Tarkovsky Movie Reviews
Blog Posts That Mention Tarkovsky
This filmmaker ranks with Welles and Tarkovsky
Cannes 2025: Second Takes on a Few Fest Darlings
Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival
The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”
Apocalypse Then: Godzilla Minus One Minus Color
Transcending Hell on Earth in Larisa Shepitko’s “The Ascent”
The Language of Horror: Ishana Night Shyamalan on The Watchers
The Future of the Movies, Part 3
Cannes 2024: The Weirdo Films of Cannes
Saving Film History One Frame at a Time: A Preview of Restored & Rediscovered Series at the Jacob Burns Film Center
The Imperiled Women of Alex Garland’s Films
Agent Elvis is Not the King of Animated Comedy
Book Excerpt: In the Time of Kiarostami: Writings on Iranian Cinema by Godfrey Cheshire
Creepy Archive 81 Wants to be Your Winter TV Obsession
Death Stranding Returns in Flashy Director’s Cut
Telluride Film Festival Announces Full 2021 Program Lineup
Home Entertainment Guide: July 2021
Sundance 2021: In the Earth, I Was a Simple Man, John and the Hole
Venice Film Festival 2020: In Between Dying, The Best is Yet to Come, Topside
Venice Film Festival 2020: The World to Come, Dear Comrades, Apples
Home Entertainment Guide: December 26, 2019
Bright Wall/Dark Room December 2019: To the Very End by Calvin McMillin
Short Films in Focus: All These Creatures
The Best Films of the 2010s: The Tree of Life
Music Box Memories: A Legendary Theatre Celebrates 90 Years
Enter the Void and the Inhuman Condition
The Individual Top Tens of 2018
Home Entertainment Consumer Guide: October 4, 2018
TIFF 2018: Claire Denis Brings High Life to Toronto, Accepts Ebert Tribute
Venice Film Festival 2018: The Mountain, Roma
The Silence: Paul Schrader on First Reformed
Hypocrisy Exists Everywhere: Michael Haneke on “Happy End”
Scientific Cinema: Michael Almereyda on “Marjorie Prime”
Home Entertainment Consumer Guide: July 27, 2017
Bright Wall/Dark Room March 2017: “Towards a True Children’s Cinema: On ‘My Neighbor Totoro'” by Lauren Wilford
The Way Of Bresson: Two Books Illuminate The Philosophy And Working Method of a Unique Filmmaker
Shot Across the Bow: Paul Schrader on “Dog Eat Dog”
Bright Wall/Dark Room October 2016: “The Varieties of Religious Experience” by Matt Brennan
Venice Film Festival 2016: Venice Classics Program Includes Restorations of “Stalker,” “Manhattan”
2016 Japan Cuts Festival Preview
The Unloved, Part 29: Knight of Cups
Home Entertainment Consumer Guide: July 9, 2015
Who’s Who In Reviews: Glenn Kenny
Beyond the Uncanny Valley: Alex Garland on “Ex Machina”
Things to Come: Piotr Szulkin’s Homespun Apocalypse
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Terrence Malick’s Cathedrals of Cinema: Excerpt from “Faith and Spirituality in Masters of World Cinema, Vol. 3”
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Blu-ray: The Year in Review, OR Blu-ray Holiday Gift Guide: A “Choose Your Own Adventure” Deciders Feature
Shirley Clarke: Made In America
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Blu-ray Consumer Guide: February 24, 2014
Meet the Writers: Glenn Kenny
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100 Great Moments in the Movies
A comedy beyond time and space
The 2013 Santa Barbara International Film Festival (by way of Oklahoma)
The Remodernist Film Manifesto
The man who is scaling Mt. Criterion film by film
The Game of Art 3
100 great movie moments
What we talk about when we talk about film criticism
Preview of Coming Attractions
Elected: 100 Must-See Foreign Films
CinematoGIFs: Living, breathing movie stills
Our Father: The Tree of Life
Pulp Fiction: Nothing serious?
Bergman and Antonioni: Commercial moviemakers
VIFF: Antichrist: A pew in satan’s church
Into the Great Big Boring
The Return of the Autobiographical Dictionary of Film
Greatest Films of All Time: Where’s the funny?
TIFF: The Pervert’s Guide to Cinema
The best greatest movies ever list
Life in movies (and vice versa)
The Telluride legend of Richard Widmarkand the art of entertainment
Do the Contrarian (Part I)
Name That Director!
Wild Things, Take 2
Shame, Tree of Life: Ambiguity or bust?
It’s the End of the Cinema, as we know it (then and now)
The 100 Greatest Directors of… what?
Arthouse suspense: My month with Abbas and Joe
The Telluride Widget!
Can a movie ruin a good review?
Through a swan, darkly
Doo Wop, cool and raw masculinity
Movies don’t stream themselves
Not in defense of Armond White
A few calm words about The List
All the lonely people
The greatest movies ever made
The film’s the thing Telluride fest gives nod to big movies on small screen
Feeding the buzz about ‘best’ films
Cannes all winners
Fighting over Bergman’s legacy
Robert Bresson was master of understatement
‘Stardust’ memories
Movie Answer Man (05/20/2001)
