As long as the focus is on Mia and Elliot, the film is involving and moving.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A sneak peek at this year's Chicago International Film Festival, which runs from October 10-21.
A recap of the films that played at this year’s Telluride Film Festival, including First Man, Can You Ever Forgive Me?, Boy Erased and more.
A review of new films by Luca Guadagnino, Mike Leigh, Olivier Assayas, and the Coen brothers from Venice.
A look back at my Telluride Film Festival Journal from August 28th to September 1st, 2008
An article about the July 14th gala honoring Chicago International Film Festival founder and CEO Michael Kutza.
An article about the retirement of Cinema/Chicago founder and CEO Michael Kutza.
A closer look at the 13 reviews by Roger Ebert chosen for the front page today to mark the anniversary of Roger's passing and the Day4Empathy.
An interview with Chicago filmmaker Michael Glover Smith.
A history of Gary Oldman's performances.
The "Phantom Thread" and "Another Year" star talks about her busy acting schedule, working with Daniel Day-Lewis and Vicky Krieps and more.
A report from Venice on the latest from Martin McDonagh, "Three Billboards Outside Ebbing, Missouri" and the Swinging London documentary "My Generation."
A guide to the latest and greatest on Blu-ray and DVD, including three Criterion releases, The Wall, and Guardians of the Galaxy, Vol. 2.
A celebration of the late Jonathan Demme.
Matt writes: In his list ranking the best films of 1987, Roger Ebert included Taylor Hackford’s “Chuck Berry: Hail! Hail! Rock and Roll!,” calling it “the year's best musical documentary, a rollicking and sometimes revealing record of the attempt by Rolling Stone Keith Richards to stage a 60th birthday concert for Berry, at which the pioneer of rock and roll would at last be accompanied by a well-rehearsed backup band.” After Berry passed away last weekend, our critic Glenn Kenny penned an insightful obituary that paid tribute to Hackford’s film. “Aside from being a superb portrait of Berry—and of Richards, whose intelligence and clear devotion to music here belies his sometime rap as a wizened five-string-zombie,” wrote Kenny, “[it] is one of the great rock and roll documentaries.” And of Berry, Kenny argued, “For all the great things he achieved, he deserves to be the fifth face on Mount Rushmore.”
Jan P. Matuszyński’s debut feature, which can be seen this week as a part of the New Directors/New Films festival, is the finest movie to come from Poland in the last 25 years.
Jeff Nichols brings "Loving" to Cannes; Cherchez la femme; Best of Cannes so far; STX pays $50 million for unmade Scorsese movie; "Mean Dreams" thrills at Cannes.
An interview with the star of "I Saw the Light," Tom Hiddleston.
An appreciation of Stephen Frears' "My Beautiful Laundrette" after its Criterion release.
A guide to the latest and greatest on Blu-ray and streaming services, including Ex Machina, It Follows, Clouds of Sils Maria, What We do in the Shadows and more!
An interview with Parker Posey, star of "Irrational Man."
An introduction to the coverage of Cannes 2015 at RogerEbert.com.
Predictions for the eight major categories in the 87th Annual Academy Awards.
Lists from our critics and contributors on the best of 2014.
Hollywood's "female stuff" problem; Mike Leigh got John Ruskin all wrong; Update on Lindy Chamberlain; Miyazaki working on manga; Nolan defends "Interstellar" sound.
An interview with Eddie Redmayne, star of James Marsh's "The Theory of Everything."