Dragnet
Screenplay by
Mankiewicz
Mankiewicz Movie Reviews
Blog Posts That Mention Mankiewicz
The 2025 TCM Classic Film Festival
Book Excerpt: A Complicated Passion: The Life and Work of Agnès Varda by Carrie Rickey
Meanwhile in France…Cannes to Be Specific
Their Show Was the Gateway: Matt Singer on His New Book, Opposable Thumbs: How Siskel & Ebert Changed Movies Forever
Hollywood & The March on Washington: When Fame Overcame Fear
Highlights of the 2023 TCM Film Festival
Academy Museum of Motion Pictures Exhibition, Regeneration: Black Cinema 1898 -1971, Kicks Off with Screening Series
TCM Film Festival 2022: Highlights of Getting Back to the Big Screen
Dignified Defiance: Sidney Poitier (1927-2022)
Richard Donner: 1930-2021
David Fincher’s Mank Leads 93rd Oscar Nominees with 10
How This Year’s Golden Globes Could Impact Award Season
The 2020 Frontrunners for Best Picture
The 2020 Frontrunners for Best Director
After Kane, Before Mank: Revisiting RKO 281
19 Dazzling Favorite Movies and Reviews from 2020
The Great Performances of 2020
The Individual Top Tens of 2020
The 2020 Frontrunners For Best Actor and Best Supporting Actor
The 2020 Frontrunners For Best Actress and Best Supporting Actress
How the Next Oscars Could Mirror 1997
60 Minutes on: Christopher Reeve as Superman
Home Entertainment Guide: November 27, 2019
A Look Back at the 10th Annual TCM Classic Film Festival
The Best Current Source for Streaming Classic Movies is … Amazon Prime?
The Power of Community: A Recap of the 2018 TCM Classic Film Festival
Nitrate and Old Favorites: A Recap of the 2017 TCM Classic Film Festival
An Air of Authenticity: The TCM Classic Film Festival Celebrates Robert Osborne
A Supreme Artist: Pascal Mérigeau on “Jean Renoir: A Biography”
All Your Buried Corpses are Now Beginning to Speak: Raoul Peck on “I Am Not Your Negro”
Telluride 2016: A Cinematic High
Blu-ray Review: Kino Lorber’s “Pioneers of African-American Cinema”
Moving Pictures: A Recap of the 2016 TCM Classic Film Festival
Bette Davis: Cinematic Medusa
Bright Wall/Dark Room February 2016: “The Grace of Keanu Reeves” by Angelica Jade Bastién
Surprises and Snubs: An Expert Responds to the Oscar Nominations
In Praise Of The Alloy Orchestra (and The Virginia Theater)
Print the Legend: The 2015 TCM Film Festival
Ruby Dee: 1922-2014
Cannes 2014: a debate
“The reason I used that word is because that’s the word they used”: An interview with Ben Urwand, author of “The Collaboration: Hollywood’s Pact with Hitler.”
Bonnie & Clark: How a gory gangster picture led to Hollywood’s first superhero blockbuster
Cannes Classics: Tip of “Fedora” to You
A.O. Scott and Michael Phillips new co-hosts of ‘At the Movies’
A Viewer’s Companion to ‘Citizen Kane’
‘Citizen Kane’ a masterpiece at 50
101 102 Movies You Must See Before…
Eyeless in Monument Valley, Part II
Kiss Kiss Bang Bang: Deeper into Kael
The 100 Most Acclaimed Movies of the 20th Century
Elizabeth Taylor, pagan goddess
Are Movies Going to Pieces?
Name That Director!
Stepin Fetchit to Denzel Washington (Part I)
You’ve Got Mail
Some year-end thoughts from Chaz Ebert
Time keeps on slip, slip, slippin’ away
See you at the movies
Outdoor film festival salutes Mickey Mouse, Brando, Grant
Cannes all winners
Quentin Tarantino glouriously basterdizes World War Two
Jude Law, Michael Caine, Kenneth Branagh: “Sleuth” is not a remake
Interview Peter Bogdanovich
Now you see ’em, now you don’t
Tinseltown author gets ‘Down and Dirty,’ indeed
