You may actually find yourself getting a bit choked up by the end, even though you’ve been on this journey countless times before.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with the Oscar-nominated actor about producing and co-starring in Jacques Audiard's unusual Western, The Sisters Brothers.
On two new films from Venice, including a career best piece of work by John C. Reilly.
The latest on Blu-ray and DVD, including "The Boss Baby," "Kong: Skull Island," "Ghost in the Shell," and the Criterion releases of "Lost in America" and "Stalker"!
Disney Legends were celebrated and animation films were previewed at this past D23 Expo.
An interview with Azazel Jacobs, writer/director of "The Lovers."
A preview of the 5th Chicago Critics Film Festival, which runs from May 12-18 at the Music Box Theater.
25 films we can't wait to check out during the summer movie season.
Alison Brie, Dave Franco, Kate Micucci and Molly Shannon talk about their new movie, the 14th century convent sex comedy "The Little Hours."
A review of two opening night films from Sundance 2017.
Premieres, Midnights, Special Events and more have been announced for next month's Sundance Film Festival.
The latest and greatest on Blu-ray, including Popstar, Neighbors 2, Captain America: Civil War, Blood Simple, Cat People and many more.
A preview of the upcoming 2016 Chicago French Film Festival, which runs July 22 - 28 at the Music Box Theater.
Depressing and fun. Not a combination you encounter every day.
A preview of dozens of films coming out this summer.
Karyn Kusama is not going away; Why music biopics fall flat; Pupinia Stewart is stealing my sanity; Interactive storytelling reshaping cinema; Price of "Girlfriend Experience" too high.
An extensive look at titles playing the 19th Annual Chicago European Union Film Festival, which is running at the Chicago's Gene Siskel Center from March 4 - 31.
An interview with actor/co-writer Gregg Turkington about "Entertainment."
A CIFF report on "Entertainment."
A review of the three biggest Cannes winners now playing at TIFF: Son of Saul, Dheepan and The Lobster.
An overview of the films that will be theatrically released in the 2015 fall season.
The pink ghetto of social media; Phil Joanou on Ennio Morricone; "Driving Miss Daisy" and "Do the Right Thing"; Memories of "Quick Change"; The Judy Greer effect.
The tragedy of the American military; Why Idris Elba can't play James Bond; Robert Elswit's two sides of L.A.; "Into the Woods": stage versus screen; "Selma" reignites L.B.J. controversy.
An oral history of "Boogie Nights"; Douglas Trumbull's latest project; Reassessing "Zero Dark Thirty"; Five great foreign titles from 2014; Paul Thomas Anderson on "Inherent Vice."
Our most anticipated films of the 2015 Sundance Film Festival.
I apologize for the lack of postings the last few weeks. A recent flare-up of heart problems left me with little energy to write. But as the emaciated old man in "Monty Python and the Holy Grail" says: "I'm feeling much better!"
At one point well into Paul Thomas Anderson's "The Master" I thought that the movie was going to reveal itself as a story about the meaninglessness of human existence. But that notion was based on a single piece of aphoristic, potential-thesis-statement dialog that, like much else, wasn't developed in the rest of the movie. Which is not to say that "The Master" isn't about the meaninglessness of human life. The line, spoken by Lancaster Dodd (Philip Seymour Hoffman), the cult guru known to his acolytes as Master, is addressed to the younger man he considers his "protégé," a dissolute mentally ill drifter named Freddie Quell (Joaquin Phoenix), and the gist of it is that the itinerant Freddie has as much to show for his life as somebody who has worked a regular 9-to-5 job for many years. The point being, I suppose, that for all Freddie's adventures, peculiarities and failures, he isn't all that much different from anybody else. Except, maybe, he's more effed-up.