Love, Antosha
Himself
J.J. Abrams
J.J. Abrams Movie Reviews
Tour De Pharmacy
For the Love of Spock
Himself
Star Wars: The Rise of Skywalker
Director
The Cloverfield Paradox
Producer
Star Wars: Episode VII – The Force Awakens
Director
Star Trek Into Darkness
Director
Super 8
Written and directed by
Mission: Impossible III
Written by
Joy Ride
Written by
Armageddon
Written by
Blog Posts That Mention J.J. Abrams
Vulcan survivor’s guilt: Why J.J. Abrams should make Mr. Spock the hero of the new “Star Trek” franchise
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Super 8: Spielberg Lite
Why the Enterprise matters (and the rest is anti-matter)
Film Critic Keyboard Cat in the 23½ Century!(Or: “Play ’em off the bridge, KC!”)
Prime Video Has What Batman Fans Need in Caped Crusader
The 10 Best Start-of-Summer-Movie-Season Films of the 21st Century
I Used to Hate The Phantom Menace, but I Didn’t Know How Good I Had It
Short Films in Focus: The Oscar-Nominated Short Films of 2023
Home Entertainment Guide: January 2023
Prime Video’s Night Sky is a Sentimental but Hollow Sci-fi Series
When Art Doesn’t Age Well
SDCC 2020: The Psychology of Star Trek vs. Star Wars
Nausicaä Awakens: The Influence of Hayao Miyazaki on the Star Wars Sequel Trilogy
Home Entertainment Guide: April 2, 2020
Max von Sydow: 1929-2020
Netflix’s Faith-Based Thriller Messiah Leads Viewers Astray
Galaxy’s Edge, Panels, Argus Panox and More: Highlights from the 2019 Star Wars Celebration
Star Wars, Episode IX Announces Title, Releases Trailer
Why Mary Poppins Returns is Disney’s Best Reimagining to Date
Keep the Mission Going with Excellent 4K Releases of First Five Films
RogerEbert.com and the Mission: Impossible Movies
A Lit Fuse: The History of the Mission: Impossible Franchise
Spy Music: The Evolution of the Mission: Impossible Theme
Comic-Con 2018: A First-Look at Hulu’s New Stephen King Series, Castle Rock
Star Trek: Discovery Returns to Series’ Musical Roots
Home Entertainment Consumer Guide: November 3, 2016
The Dance of the Lightsabers: Duels in the Original “Star Wars” Trilogy vs. the Prequels
Arthur Hiller: 1923 – 2016
Comic-Con 2016: The Indestructible Redshirt
Comic-Con 2016: World Premiere of “Star Trek Beyond”
You Can Go Home Again: Netflix’s Wildly Entertaining “Stranger Things”
Home Entertainment Consumer Guide: June 23, 2016
Anton Yelchin: 1989-2016
2016 Summer Movie Preview: A Four-Month, Blockbuster Festival, Part II
Blu-ray Review: “Star Wars: Episode VII – The Force Awakens”
Star Wars Mythology 3.0
TV Review: USA’s Evasive “Colony” Occupies Familiar Territory
“Star Wars” in South Africa: “The Force Awakens” in the Shadow of an Empire
Plagiarizing “Star Wars”: The Problems with “The Force Awakens”
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Sundance 2016 Completes Lineup with New Films from Werner Herzog, Kelly Reichardt and More
Meet the Writers: Nick Allen
The Final “Star Wars: The Force Awakens” Trailer is Unleashed
2015 Fall Movie Preview
Marvel, Star Wars Highlights and More From D23
Sincere Warmth, Unscripted Hilarity Abound as HFPA Gives Away $2M
SDCC 2015: Sam Viviano of MAD Magazine
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The Unloved, Part 16: The Ward
Leonard Nimoy: 1931-2015
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Comic-Con 2014: Ships of the Line
Interview: Dave Green and Teo Halm on “Earth to Echo”
“Don’t be an a–hole”: Richard Linklater talks about “Boyhood,” commitment, justice, and why he let convicted murderer Bernie Tiede live with him
NBC Wants You to “Believe” While ABC Needs a “Resurrection”
Time Shifting Redefines Ratings Success For Fox
How Netflix Could Drive the Next Creative Evolution of Television
“That’s not a plot hole. Allow me to explain.”
War Machines: Summer Blockbusters, Drones, And The Future Of The Action Hero In An Age Of Robot Warfare
Free sample of Ebert Club Newsletter
Public Edition #5
And what’s more, why no Shatner?
David Simon: Damn right Omar is cool. Get over it.
A Master Emerges: Conrad Hall and “The Outer Limits”
The Captains: The Shat talks Trek
You’re tuned to AM 2387: All Star Trek, all the time
