Year of the Horse
Cinematography by
Jarmusch
Jarmusch Movie Reviews
Blog Posts That Mention Jarmusch
Jones, July, Jarmusch & Cannes gold
Jarmusch shows ‘the Money’
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
The Atlas of Cinema: In Praise of Adam Driver
Home Entertainment Guide: June 2024
The Weight of Smoke (and Blue in the Face): The Magic of Paul Auster
The People’s Joker and Six Other Films That Were Stuck in Legal Limbo
The Great Craft of 2023
CIFF 2023: The Taste of Things, Fallen Leaves, La Chimera
The Unloved, Part 118: The Dead Don’t Die
Female Filmmakers in Focus: Fran Rubel Kuzui on Tokyo Pop
Cannes 2023: Highlights of the Year’s Festival
Cannes 2023: Fallen Leaves, Club Zero, Firebrand
Home Entertainment Guide: May 2023
Book Excerpt: In the Time of Kiarostami: Writings on Iranian Cinema by Godfrey Cheshire
Home Entertainment Guide: June 2022
Cannes Film Festival Preview 2022
A Preview of the 2022 Rendez-Vous with French Cinema
A Fearless Critic: Michael Wilmington (1946-2022)
Nicolas Winding Refn’s Drive: Cinema’s Postmodern Samurai
TIFF 2021: Violet, A Banquet, Kicking Blood
HBO’s Painting with John is a Magnetic Celebration of Arts and Artists
Home Entertainment Guide: November 2020
NYFF 2020: The Human Voice, The Woman Who Ran, French Exit
Stirring the Pot: Glenn Kenny on His New Goodfellas Book
Limits Don’t Exist: Michael Almereyda on Tesla
Thumbnails 4/12/20
Home Entertainment Guide: September 19, 2019
Cannes 2019 Video #8: Justice Singleton, Elizabeth & Pamela Guest and the Ebert Fellows
Thumbnails Special Edition: Our Cannes 2019 Coverage
Cannes 2019 Videos: Table of Contents
Cannes 2019: Pain and Glory, Little Joe
Cannes 2019 Video #2: The Dead Don’t Die & Gender Disparity
Cannes 2019: The Dead Don’t Die
Cannes 2019: Deerskin opens Directors’ Fortnight; Chloë Sevigny in The Dead Don’t Die
Cannes 2019: Preview of the 72nd Festival
Cannes 2019 Video #1: The Walking Dead Stroll the Red Carpet to Open the Festival
Home Entertainment Consumer Guide: April 11, 2019
Jonathan Rosenbaum on His New Book Collection, Cinematic Encounters
A Wolf at the Door: Jeffrey Wright on Hold the Dark
Home Entertainment Consumer Guide: May 10, 2018
Ebertfest 2018 Guests: Part II
True/False 2018, Part 1: Bucking the Trend
Epic Scope Blurs the Best Qualities of Netflix’s “Godless”
30 Minutes on: “Elevator to the Gallows”
Hot Docs 2017: “Bobbi Jene,” “Spettacolo,” “Spookers,” “Unarmed Verses”
Home Entertainment Consumer Guide: April 6, 2017
Ebert Fellows at Ebertfest 2017
SXSW 2017: “Lucky,” “La Barracuda,” “Small Crimes”
Winners Announced for Great Movies IV Giveaway
60 Minutes on: “John Wick: Chapter Two”
The Great Performances of 2016
The Individual Top Tens of 2016
The Ten Best Films of 2016
Sundance 2017 Announces Premieres, Midnight Films and More
NYFF 2016 Recap
CIFF 2016: “Paterson”
CIFF 2016 Preview: 35 Films to See
NYFF 2016: Preview of the 54th New York Film Festival
CIFF 2016: Preview of the 52nd Chicago International Film Festival
TIFF 2016: “Aquarius,” “The Salesman,” “Window Horses”
Venice Film Festival: “The Bad Batch,” “One More Time with Feeling”
TIFF 2016 Preview: 20 World Premieres We Can’t Wait to See
Detroit: The New City of American Horror
TIFF Announces First Wave of Galas and Special Presentations
Anton Yelchin: 1989-2016
Thumbnails 5/24/16
Cannes 2016: Palme de Whiskers
Cannes 2016: Palme d’Or Predictions
Video: “Loving,” “The Handmaiden,” “Paterson,” “Toni Erdmann”
Cannes 2016: “From the Land of the Moon,” “Dogs,” “Paterson”
Cannes 2016: “The Handmaiden,” “Transfiguration,” “American Honey”
Cannes 2016: Festival Preview
Jacques Rivette: 1928-2016
Home Entertainment Consumer Guide: December 17, 2015
Gena Rowlands: A Life on Film
NYFF 2015: “The Witness,” “Don’t Blink,” “Maggie’s Plan”
Godfrey Cheshire’s “Death of Film/Decay of Cinema” Essay
Ebertfest to Welcome Jason Segel, Chazz Palminteri and More
We Exist: The Female Horror Directors of 2014
The Individual Top Tens of 2014
The Ten Best Films of 2014
Stars Align at 2014 Gotham Independent Film Awards
Unstoppable: The 2014 Los Cabos Film Festival
Fall 2014 TV: “Forever,” “Gotham” and “Scorpion”
Home Entertainment Consumer Guide: August 28, 2014
“Life Itself” Screens at Indiana University Cinema and Vickers Theatre
A quintessence of dust: “Only Lovers Left Alive”
Death of Film/Decay of Cinema at 15: A Conversation with Godfrey Cheshire
Book Excerpt: “Robert De Niro: Anatomy of an Actor” by Glenn Kenny
Thumbnails 4/18/14
Thumbnails 4/17/14
Thumbnails 4/16/14
Thumbnails 4/14/14
Thumbnails 4/7/14
The Wes Anderson Collection, Chapter 4: “The Life Aquatic with Steve Zissou”
New York Film Festival: “Abuse of Weakness” and “Club Sandwich”
Toronto International FIlm Festival 2013: All of Susan Wloszczyna’s updates
Toronto International Film Festival 2013: Day Three
