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Jonathan Glazer Talks About His New FIlm “Under the Skin”

Oscar Nominations Predictions 2025

A Moral Compass: Ben Chaplin, Leonie Benesch, and Tim Fehlbaum on “September 5”

The Red Carpets of the 2024 Chicago Critics Film Festival

Chicago Critics Film Festival Announces Full 2024 Lineup with Sing Sing, Ghostlight, Babes, I Saw the TV Glow, More

Becoming Other: Another Look at Under the Skin

War Was Not Over at the 2024 Oscars

Oscars 2024: The View from the Room

A Great Movie Year Deserved a Better Oscars

SXSW Film Festival 2024: Babes, My Dead Friend Zoe, Y2K

Oscar Predictions 2024: What Will Win This Year

The Unloved, Part 123: Birth

The 96th Academy Award Nominations Are Announced, Led by Oppenheimer

Oscar Predictions 2024: What Will Be Nominated This Year

The Future of the Movies, Part 1

The List is Life: On the 30th Anniversary of Schindler’s List

The Ten Best Films of 2023

Killers of the Flower Moon, Oppenheimer, Poor Things Lead CFCA Nominations

The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023

A Human Face: Christian Friedel on The Zone of Interest

The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions

59th Chicago International Film Festival Announces Exciting Full Line-up of Features and Shorts

TIFF 2023: The Zone of Interest, Monster, The Delinquents

TIFF 2023: 20 World Premieres We Can’t Wait to See

Harlem Festival of Culture to Run July 28-30 in New York City

Cannes 2023 Video #6: Lisa Nesselson on Last Summer, Kidnapped, A Brighter Tomorrow and More

Cannes 2023: Highlights of the Year’s Festival

Cannes 2023 Video #8: The Winners are Revealed

Cannes 2023: Anatomy of a Fall wins Palme d’Or

Cannes 2023 Video #3: Jason Gorber and Isaac Feldberg on Killers of the Flower Moon and The Zone of Interest

Cannes 2023: The Zone of Interest, About Dry Grasses

Cannes 2023: Exciting Films at This Year’s Festival

Cannes 2023 Line-up Includes Wes Anderson, Martin Scorsese, and Many More

Call Me Crazy: Anne Heche (1969-2022)

Clever Comedy Ensemble Elevates Creative The Afterparty on Apple TV+

A Look Back at Tribeca 2021: The Narrative Features

The Best Films of the 2010s: Under the Skin

The Best Films of the 2010s

The Pain Needs to Mean Something: On Horror and Grief

Paul Thomas Anderson, Thom Yorke Collaborate on Mesmerizing Anima

The Right Side of History: Backstage at the 91st Academy Awards

KVIFF 2018: Lukas Dhont’s Girl Breaks New Ground for Transgender Representation

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Hot Docs 2017: “Maison du Bonheur,” “Becoming Bond,” “78/52,” “Erotica: A Journey Into Female Sexuality”

Society for Cinema and Media Studies Meets in Chicago to Think & Talk Screens

Women Overtake the Frat House: How Female Comedians Have Redefined Comedy Central

2015 Fall Movie Preview

Entertaining the -Isms

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Comedy Central Turns a Creative Corner with Larry Wilmore, New Critical Darlings

The RogerEbert.com Interviews of 2014

The Individual Top Tens of 2014

The Ten Best Films of 2014

Home Entertainment Consumer Guide: December 5, 2014

“Life Itself” Among Best Documentary Nominees at the Gotham Awards

“Life Itself” Nominated for Best Documentary by the Gotham Awards

Lauren Bacall: 1924-2014

Home Entertainment Consumer Guide: July 17, 2014

Hamptons Film Festival Q&A with Chaz Ebert and Alec Baldwin on “Life Itself”

If I Had An Emmy Ballot 2014

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Zweiundzwanzig: Meine 22 beliebtesten Filme, 2000-2009 (Best o’ Decade — UPDATE!)

‘Birth’ of a Buñuelian Notion

The great movies (almost) nobody voted for

Buñuelathon ’07!

Movies 101: Opening Shots Project

Sundance #10: Push comes to screen

The good, the bad, & the robotic

Movie Answer Man (07/01/2001)
