Earthquake
Earthquake Movie Reviews
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Blog Posts That Mention Earthquake
Cannes 2025: The President’s Cake, Death Does Not Exist, Peak Everything
Chicago Critics Film Festival Announces Full Schedule, Special Guests
SDCC 2024: Back Bigger and Better
Furiosa Doesn’t Feel Like Any Other Mad Max Film, and That’s What’s Wonderful About It
The Legacy of David Bordwell; or, The Memorial Service as Network Narrative
Until It’s Too Late: Bertrand Bonello on The Beast
Jean-Pierre Jeunet Isn’t Anything Like Amélie, but He’s Trying
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
Inside My Head: Kristoffer Borgli on Dream Scenario
A Goodbye to Shaft, Hollywood’s First ‘Bad’ Black Man: Richard Roundtree (1942-2023)
The Towering Fear: Makoto Shinkai on Suzume
Bright Wall/Dark Room June 2022: Most Wonderful by Nathaniel Missildine
Love Your Enemies: A Biblical Reading of Michael Sarnoski’s Pig
Book Excerpt: Cinemaphagy: On the Psychedelic Classical Form of Tobe Hooper by Scout Tafoya
On the Graceful Work of Composer Emile Mosseri
Being Human Is Heroic: Melora Walters on Waterlily Jaguar, Drowning, Magnolia and More
Frederick Douglass Reminds Us Why Black Lives Matter on the Fourth of July
Sundance 2020: Kajillionaire, Dick Johnson is Dead
Jane Levy Leads Charming Zoey’s Extraordinary Playlist
The Best Television of the Decade
Thank You to the Cast of My Play, The Great Debate
TIFF 2019: Atlantics, Bacurau, Zombi Child
Abbas Kiarostami, the Filmmaker and the Man: an Interview with Godfrey Cheshire
Book Excerpt: Conversations with Kiarostami by Godfrey Cheshire
Cannes 2019: Too Old to Die Young, Zombi Child
Doris Day: 1922-2019
Bright Wall/Dark Room April 2019: Religious Cinema for Non-Believers: Scorsese’s Silence
How The Poseidon Adventure Got Me Hooked On Movies for Life
A Writer Watches Roma in Mexico City
NYFF 2018: Ray & Liz, Asako I & II, Hotel by the River
Thumbnails Special Edition: Critics in the Spotlight
Bright Wall/Dark Room April 2018: The Force that Through the Green Fuse Drives the Flower: On A Little Princess and The Secret Garden by Corbin Dewitt
“Marvel’s The Defenders” Does Bare Minimum For Netflix Fans
Bright Wall/Dark Room June 2017: “Of Meat & Mediums” by Kelsey Ford
An Air of Authenticity: The TCM Classic Film Festival Celebrates Robert Osborne
Sundance 2017 Interview: “Kuso”
Sundance 2017 Announces Premieres, Midnight Films and More
Fantasia Fest 2016: Welcome Home, Takashi Miike
2016 Japan Cuts Festival Preview
Godfrey Cheshire on Knowing Abbas Kiarostami Through His Films and Friendship
Bright Wall/Dark Room May 2016: “Floating in Jars” by Elisabeth Geier
No Survivors and Heroes: “Batman v Superman: Dawn of Justice”
Thumbnails 2/26/16
Wax Masks and Helicopter Acrobatics: An Extra’s Experience on the Set of “Spectre”
FFC: Star Wars and Science Fiction Fashion
Home Entertainment Consumer Guide: October 23, 2015
2015 Summer Movie Preview: A Four-Month, Blockbuster Festival
Ebertfest 2015: The Full Schedule
Berlin 2015: Come On, Pilgrim: Terrence Malick’s “Knight of Cups”
10 Underrated Female Performances of 2014
Friends & Memories: The Los Angeles Premiere of “Life Itself”
A Personal Take on Disaster Movies
AFI Film Festival: Report from the Opening Weekend
“The Wind Rises”: And Everything Just Floats By…
Why ‘Crash’? Some theories…
My Ten Greatest Movies
“The Premature Burial,” by Edgar Allan Poe
The Man Who Foretold the Future
Adrift among the Vanishing Olive Trees
A Letter to Rush Limbaugh
Little Hushpuppy in a big forgotten world
“Avatar” wins Golden Globes
Screen Gimmicks Nothing New
Larger than life
Airport ‘79 winners
Opening Shots: ‘Superman,’ ‘Lost in Translation,’ more
Three faces of Margaret
Inception: Has Christopher Nolan forgotten how to dream?
Voltaire addresses the voodoo of Pat Robertson across the chasm
Film criticism mash-up: Exciting and new!
The End of “The Road”
Arthouse suspense: My month with Abbas and Joe
The Seoul of a New Movie Machine: Dude, you gotta see it in 4-D!
TIFF: ‘RFK: The Disaster Movie’
The masters of disaster, by Gerardo Valero of Mexico
The China / Fukushima Syndrome
The Arikan Agenda: The Best Films of 2011
Legend of the Millennium Dragon: Epic anime
Here’s another fine mess
It’s going to be a bumpy night
A roll of whose dice?
Traveler to the undiscovere’d country
