Maxine’s Baby: The Tyler Perry Story
Self
Tyler Perry
Tyler Perry Movie Reviews
Tyler Perry’s A Madea Homecoming
Madea / Joe / Brian / Heathrow
Don’t Look Up
Jack Bremmer
PAW Patrol: The Movie
Gus (voice)
A Madea Family Funeral
Madea / Joe / Brian / Heathrow
Vice
Colin Powell
The Star
Cyrus (voice)
Tyler Perry’s Boo 2! A Madea Halloween
Madea/Joe/Brian
Boo! A Madea Halloween
Madea / Joe / Brian
Teenage Mutant Ninja Turtles: Out of the Shadows
Baxter Stockman
Gone Girl
Tanner Bolt
The Single Moms Club
T.K.
Tyler Perry’s A Madea Christmas
Madea
Alex Cross
Alex Cross
Diary of a Mad Black Woman
Madea/Brian
Tyler Perry’s Duplicity
Director
The Six Triple Eight
Director
A Jazzman’s Blues
Director
A Fall From Grace
Director
Nobody’s Fool
Director
Blog Posts That Mention Tyler Perry
Black Harvest Film Festival 2023 Highlights: John Singleton, Tyler Perry, and A Vibrant Artistic Community
Staying Connected: Gelila Bekele and Armani Ortiz on Maxine’s Baby: The Tyler Perry Story
Tyler Perry Loves Black Women
Tyler Perry to Receive the Jean Hersholt Humanitarian Award at the 2021 Oscars
Tyler Perry, Crystal Fox, Bresha Webb, and Phylicia Rashad on Making Netflix’s Tyler Perry’s A Fall From Grace
Looking for Truth: Tyler Perry on “Tyler Perry’s Boo! A Madea Halloween”
Black humor: Stepin Fetchit to Richard Pryorto Tyler Perry (Part II)
Retrospective: Oscar Micheaux and the Birth of Black Independent Cinema
‘Saturday Night Live’ Lives – Still Loved, Much Needed
Biggest Acting, Best and Worst: Over the top, Ma!
Impressions Based on the Hype for the Movie Precious Based on the Novel Push by Sapphire
My Night at the Critics Choice Celebration of Black Cinema and Television
Prime Video’s “Cross” Adaptation is Killer
A Farewell and Tribute to Our Senior Editor, Nick Allen
XL Film Festival Runs August 18-20
The Legacy of Gen-X Black Filmmakers
Meet the Writers of Black Writers Week 2022
Black Writers Week 2022: Table of Contents
An Introduction to Black Writers Week 2022
Previewing and Predicting the 94th Academy Awards
The Films That Could Shake Up the Oscar Race
The Tanning of Hollywood: Reimagining Equity and Inclusion as a Pinnacle Measure of Cinematic and Theatrical Excellence
The Tanning of Hollywood Panel to be Broadcast at 3pm CT Tomorrow
Ring the Alarm: The State of Black Kid Joy and What’s at Stake
Meet the Writers of Black Writers Week 2021
Troy Pryor’s Creative Cypher On Way to Being Black Entertainment Giant
Oscars 2021: Nomadland is the Big Winner at an Unusual Academy Awards
Cicely Tyson: 1924-2021
Ebert Symposium 2019 Preview: Keynote Speech, Diversity in Film Panel, VR Experiences
Dr. Stacy L. Smith Will Be the Keynote Speaker at the Second Annual Ebert Symposium, Creating an Inclusive Cinema and Media Ecosystem
Please Watch Netflix’s Dear White People
How the Image of Black Women Has (and Hasn’t) Changed in the Last Two Decades
Steve Carell on Vice, Playing Donald Rumsfeld, Working with Adam McKay and More
2018 Fall Movie Preview: 10 Films We’re Excited About
2018 Winter Movie Preview: 25 Films We’re Excited About
David Fincher’s “The Game” Turns 20
A Shared Love of Film: Brandon Collins and Justin Brown on “Medium Popcorn”
The RogerEbert.com Interviews of 2016
AAFCA Hails 2016 As The Best Year For Blacks In Cinema
2016 Fall Movie Preview: 50 Movies That’ll Prove Film Isn’t Dead
Rudy Ray Moore Blaxploitation Classic “Dolemite” comes to Blu-ray
2016 Summer Movie Preview: A Four-Month, Blockbuster Festival, Part II
Driven to Discussion: An Interview with the Hosts of the “Black on Black Cinema” Podcast
Thumbnails 2/26/16
Film Independent: Justin Simien
“Life Itself” to be Honored at AAFCA Awards Gala
The Individual Top Tens of 2014
Interview: Zach Braff on the Controversial Journey to “Here”
Oscars: Sundancing Into Awards History Or Obscurity
Black FIlm and TV Directors in 2013: A Progress Report
The Ebert Club Christmas 2011: public edition
When a man plays a woman
Readers react to ‘Mad Black Woman’
Who <i>is</i> that mad black woman?
Stepin Fetchit, then and now
Black History Mumf IV: The Year We Rewrite History
Precious Based on the Movie Female Trouble by John Waters
The filmmaker: Wayne Kramer on critics & criticism
A Journey to the End of Taste
Thought experiment: Are some movies better if you don’t see them?
Stepin Fetchit to Denzel Washington (Part I)
The cinema of scarred hearts
TIFF #11: A precious winner
A girl named Precious goes from nobody to the toast of Toronto
For Gabourey Sidibe, ‘Precious’ is a fantasy come to life
Movie Answer Man (09/16/2009)
Fanboys movie is idiotic, but real fanboys not so much
