Good Boy!
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Hoffman
Hoffman
Hoffman Movie Reviews
Blog Posts That Mention Hoffman
Jan de Bont on Flying Cows, Philip Seymour Hoffman and the Enduring Appeal of ‘Twister’
From “Tales of Hoffmann” to “Taxi Driver”: An Interview with Thelma Schoonmaker
Strength and compassion: a note to drug abuse concern trolls, concerning Philip Seymour Hoffman
Stay, little Valentine: Philip Seymour Hoffman, 1967-2014
Philip Seymour Hoffman, 1967–2014
Selected writings on Philip Seymour Hoffman
Anne Boleyn vs. Abbie Hoffman vs. the Nazis
Hoffman shines in Truman show
Hoffman goes extra ‘Mile’
KVIFF 2026: Wrap-up and Awards
Karlovy Vary Announces 2026 Award Winners
Home Entertainment Guide May 2026: The Bride!, Wuthering Heights, Sentimental Value, More
Hearing a Movie: Daniel Roher on “Tuner”
Cannes 2026 Video #1: The 79th Cannes Film Festival Begins!
Chicago Critics Film Festival Lineup Announced, including Guests Olivia Wilde, Joe Swanberg, Dawn Porter, More
Final Season of “Hacks” Ends a Perfect Run for HBO Max Hit
Something Lasting and Unforgettable: Robert Duvall (1931-2026)
Book Excerpt: STEVE JOBS MONOGRAPH, Edited by B.C. Wallin
Sundance 2026: Table of Contents
Sundance 2026: I Want Your Sex, The Incomer, Paralyzed by Hope: The Maria Bamford Story
The 17 Best Movies About Radio, Ranked
2026 Sundance Preview: 20 Films We Can’t Wait to See
It’s Stephen King’s World: How the Writer Became the King of Hollywood Again in 2025
Sundance Film Festival Announces 2026 Line-Up
RescueFest Opens with Restoration of Steve Buscemi’s Wonderful “Trees Lounge”
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
The 11 Best Body-Swap Movies, Ranked
It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
Just Be Sure You’re Right: Watching “All the President’s Men” in 2025
TIFF 2025: A Canadian Viewpoint on the Toronto International Film Festival at 50
The Golden Boy: 11 of Our Favorite Robert Redford Performances
TIFF 2025: The Christophers, &Sons, Dead Man’s Wire, Tuner
TIFF 2025: Mile End Kicks, Maddie’s Secret, Poetic License
TIFF 2025: 20 World Premieres We Can’t Wait to See
Meet the Writers: Peyton Robinson
Dead Man Walking: Taron Egerton on “She Rides Shotgun”
Shark Attack: “Jaws” Remains as Entertaining as It Was 50 Years Ago
Lookin’s Free: Joe Don Baker (1936-2025)
Highlights from the 2025 MUBI Fest Chicago
Doc10 Launches 10th Anniversary Edition with Some of the Best Non-Fiction Films of 2025
I Think Of Them As The Work: Gene Hackman (1930-2025)
Sundance 2025: Come See Me In The Good Light, Move Ya Body, Deaf President Now!
30 Minutes On: Talk Radio
The Weirdos and the Outsiders: Gregg Araki on “The Teen Apocalypse Trilogy”
Bird on a Wire: Kris Kristofferson (1936-2024)
I’ve Got A Way With Young People: 25 Years of Dick
Donald Sutherland: The Consummate Character Actor
Cannes 2024: Megalopolis
Cannes 2024: Megalopolis, Bird, The Damned, Meeting with Pol Pot
The 10 Best Start-of-Summer-Movie-Season Films of the 21st Century
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
11:11 – Eleven Reviews by Roger Ebert from 2011 in Remembrance of His Transition 11 Years Ago
I Need Your Magic: M. Emmett Walsh (1935-2024)
The Best Legal and Courtroom Dramas
Vote for Neuro(diversity): On the 20th Anniversary of Napoleon Dynamite
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
The True Triumph of Robert Downey Jr.’s Second Act
Short Films in Focus: The 2024 Oscar-Nominated Short Films
The Perfection of the Human Soul: The Cast of Groundhog Day Celebrates Harold Ramis
The 96th Academy Award Nominations Are Announced, Led by Oppenheimer
20 Films We Can’t Wait to See at Sundance 2024
TIFF 2023: Wildcat, Gonzo Girl, Orlando My Political Biography
Hollywood & The March on Washington: When Fame Overcame Fear
Maybe the Horror is in the Breakfast Room: Stewart Thorndike on Bad Things
Hulu’s Only Murders in the Building Returns with Meryl Streep, Paul Rudd, and Razzle-Dazzle
No Moment was Wasted: Highlights at the 2023 Indy Shorts International Film Festival
Magnolia: One Day in the Valley
Endings Are My Favorite Thing About Movies: Rian Johnson on Glass Onion: A Knives Out Mystery
The Protein of It All: A Conversation with Tamara Jenkins, BendFilm Festival’s Indie Woman of the Year
Home Entertainment Guide: June 2022
Hulu’s Only Murders in the Building Makes Cozy Complicated in Season Two
The American Dream, Period: Philip Baker Hall (1931-2022)
Home Entertainment Guide: May 2022
Roger’s Top Ten Lists: Best Films of 2006
HBO’s Winning Time: The Rise of the Lakers Dynasty Can’t Find On-Court Chemistry
After They Yelled Cut: Alana Haim on Licorice Pizza
The Ten Best Films of 2021
Defying Gravity: Dante Basco, Caroline Goodall, James V. Hart, Charlie Korsmo and More on the Thirtieth Anniversary of Hook
A Tale of the Tapes: On the ‘Recreated’ Conversations in Speer Goes to Hollywood (Updated)
Listening as an Action: Mike Mills on C’mon C’mon
The Films That Could Shake Up the Oscar Race
Passing Wins Top Prize at LGBTQ+ NewFest 2021
Bright Wall/Dark Room September 2021: It’s All Happening by Ethan Warren
Telluride Film Festival Announces Full 2021 Program Lineup
Thumbnails Special Edition: Happy 40th Anniversary to the Sundance Institute
KVIFF 2021: A Conversation with Ethan Hawke
Hulu’s Only Murders in the Building is a Playful True-Crime Romp
Winning is Easy: Producer Griffin Dunne on the 2006 Hidden Gem, Game 6
