The Sacrifice
Edited by
Tarkovsky
Tarkovsky
Tarkovsky Movie Reviews
Blog Posts That Mention Tarkovsky
This filmmaker ranks with Welles and Tarkovsky
Roger Ebert’s Best and Worst Alien Movies
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Venice Film Festival 2025: The Biennale College
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Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival
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Saving Film History One Frame at a Time: A Preview of Restored & Rediscovered Series at the Jacob Burns Film Center
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Agent Elvis is Not the King of Animated Comedy
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Venice Film Festival 2020: In Between Dying, The Best is Yet to Come, Topside
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Bright Wall/Dark Room December 2019: To the Very End by Calvin McMillin
Short Films in Focus: All These Creatures
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Music Box Memories: A Legendary Theatre Celebrates 90 Years
Enter the Void and the Inhuman Condition
The Individual Top Tens of 2018
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TIFF 2018: Claire Denis Brings High Life to Toronto, Accepts Ebert Tribute
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The Silence: Paul Schrader on First Reformed
Hypocrisy Exists Everywhere: Michael Haneke on “Happy End”
Scientific Cinema: Michael Almereyda on “Marjorie Prime”
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Bright Wall/Dark Room March 2017: “Towards a True Children’s Cinema: On ‘My Neighbor Totoro'” by Lauren Wilford
The Way Of Bresson: Two Books Illuminate The Philosophy And Working Method of a Unique Filmmaker
Shot Across the Bow: Paul Schrader on “Dog Eat Dog”
Bright Wall/Dark Room October 2016: “The Varieties of Religious Experience” by Matt Brennan
Venice Film Festival 2016: Venice Classics Program Includes Restorations of “Stalker,” “Manhattan”
2016 Japan Cuts Festival Preview
The Unloved, Part 29: Knight of Cups
Home Entertainment Consumer Guide: July 9, 2015
Who’s Who In Reviews: Glenn Kenny
Beyond the Uncanny Valley: Alex Garland on “Ex Machina”
Things to Come: Piotr Szulkin’s Homespun Apocalypse
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Terrence Malick’s Cathedrals of Cinema: Excerpt from “Faith and Spirituality in Masters of World Cinema, Vol. 3”
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Blu-ray: The Year in Review, OR Blu-ray Holiday Gift Guide: A “Choose Your Own Adventure” Deciders Feature
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Blu-ray Consumer Guide: February 24, 2014
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100 Great Moments in the Movies
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The 2013 Santa Barbara International Film Festival (by way of Oklahoma)
The Remodernist Film Manifesto
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Elected: 100 Must-See Foreign Films
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Pulp Fiction: Nothing serious?
Bergman and Antonioni: Commercial moviemakers
VIFF: Antichrist: A pew in satan’s church
Into the Great Big Boring
The Return of the Autobiographical Dictionary of Film
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Do the Contrarian (Part I)
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Wild Things, Take 2
Shame, Tree of Life: Ambiguity or bust?
It’s the End of the Cinema, as we know it (then and now)
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Arthouse suspense: My month with Abbas and Joe
The Telluride Widget!
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Through a swan, darkly
Doo Wop, cool and raw masculinity
Movies don’t stream themselves
Not in defense of Armond White
A few calm words about The List
All the lonely people
The greatest movies ever made
The film’s the thing Telluride fest gives nod to big movies on small screen
Feeding the buzz about ‘best’ films
Cannes all winners
Fighting over Bergman’s legacy
