Pink Flamingos
Divine/Babs Johnson
Divine
Divine
Divine Movie Reviews
Blog Posts That Mention Divine
Sundance 2019: Dolce Fine Giornata, Divine Love, Monos, Queen of Hearts
“Boyhood”: Richard Linklater’s Divine Comedy
TIFF 08: The Divine and the “Religulous”
KVIFF 2026: Rose, Black Money for White Nights, Paris Paris
A Leaning Tower of Camp: John Early on “Maddie’s Secret”
Humor Is a Weapon: A Conversation with John Waters
Documentary Now! 4th Edition is an Incredible Companion to Beloved Show
Cannes 2026 Video #4: Festival Dispatch with Zachary Lee
Michael Sheen and David Tennant’s Emotional Connection Grounds a Bittersweet “Good Omens” Finale
A Fond Farewell to Our Critic Monica Castillo
A True American Original: Ted Turner (1938-2026)
Male Directors Can’t Stop Making Movies About Female Pop Stars
An Act of Translation: David Lowery on “Mother Mary”
“The Faithful: Women of the Bible” Doesn’t Match the Grandeur of its Premise
We Broke the Loop: Ian Tuason and Nina Kiri on “undertone”
How “The Testament of Ann Lee” Subverts Cinema’s Lineage of Cult Leaders
It All Starts With the Meditation App: Bart Layton on “Crime 101”
Sundance 2026: Leviticus, Buddy, Mum I’m Alien Pregnant
Cute Chaos: Penny Lane on “Happy And You Know It”
The Great Craft of 2025
I’m Just An Actor: Rebuilding Roles with Josh O’Connor
CIFF 2025: The Book of Sijjin & Illiyyin, The Holy Boy, Anything That Moves
CIFF 2025: True North, Pasa Faho, Sun Ra: Do the Impossible
Venice Film Festival 2025: Broken English, The Wizard of the Kremlin, No Other Choice, In the Hand of Dante
Desire Never Goes Away: Sarah Friedland and Kathleen Chalfant on “Familiar Touch”
Syfy’s “Revival” Resurrects the Small-Town Zombie Craze In Suitably Morbid Fashion
People Have Theories: “Picnic at Hanging Rock” at 50
Anora’s Real-Life Fairytale: Five-Oscar Victory for Indie Film
In the Name of Friendship: Matthew Rankin on “Universal Language”
Meet the Writers: Zachary Lee
The Great Craft of 2024
The Great Performances of 2024, Part One
Two Thumbs Up! The Individual Top Tens of 2024
You Don’t Lie When You Pray: Paul Schrader on “Oh, Canada”
Living Forward: Adam Elliot on “Memoir of a Snail”
André Holland Talks Deleted Scenes from “42”
The State of the 2024 Oscar Race
Looking Into My Soul: Colman Domingo on Sing Sing
Fantasia 2024: The Chapel, The Beast Within, FAQ
Time to Bloom: KiKi Layne on Dandelion
High Noon: Greg Kwedar and Monique Walton On Sing Sing
On The Same Level: Paul Raci, Clarence Maclin, and Sean Johnson on Sing Sing
Film Festivals: A Place For Found Family & Cultivating Community
Cannes 2024: Megalopolis, Bird, The Damned, Meeting with Pol Pot
The Red Carpets of the 2024 Chicago Critics Film Festival
Luca Guadagnino Is Love
Chicago Critics Film Festival Announces Full 2024 Lineup with Sing Sing, Ghostlight, Babes, I Saw the TV Glow, More
David Krumholtz Wants to Reintroduce Himself to You
SXSW 2024: Sing Sing, Bob Trevino Likes It, Hood Witch
Along for the Ride with Sofia Coppola
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
In Memoriam: The 10 Great Movies That Were Forgotten This Oscar Season
Take Time To Savor It: Trần Anh Hùng on The Taste of Things
At the Movies: Clarenfreud
Female Filmmakers in Focus: Nancy Savoca on Household Saints
FX’s Fargo Gets Back on Its Feet In Its Assured Fifth Season
Bright Wall/Dark Room October 2023: Killing Time: 3:10 to Yuma & the Lonesome West by Nicholas Russell
Bright Wall/Dark Room September 2023: I Used to Float, Now I Just Fall Down by Lindsey Romain
John Waters: Pope of Trash Opens at Academy Museum
TIFF 2023: Rustin, Sing Sing
KVIFF 2023: Citizen Saint, Brutal Heat, Dancing on the Edge of a Volcano
KVIFF 2023: White Plastic Sky, Inside the Yellow Cocoon Shell, In Camera
The Best Films of 2023 … So Far
Cannes 2023: How to Have Sex, Los Delincuentes, The New Boy
A Return to the Presence of Love
The Power of Lashana Lynch
Lyndall Hobbs Has Mixed Feelings about Back to the Beach
Home Entertainment Guide: June 2022
Female Filmmakers in Focus: Anisia Uzeyman and Saul Williams on Neptune Frost
The Space Left on the Screen is For You to Fill: Scott Ryan on Fire Walk With Me: Your Laura Disappeared
A True Artiste: Lloyd Kaufman on His Career and His Final Film
Bardcore Noir: Joel Coen, Shakespeare and The Tragedy of Macbeth
Out Upon the World’s Stage: Lincoln as History and Tragedy
Cannes 2021: Benedetta, The Worst Person in the World
FILM FESTIVALS ARE BACK!!!???
How This Year’s Golden Globes Could Impact Award Season
Sundance 2021: Ma Belle, My Beauty, The Blazing World, and Son of Monarchs
No Easy Answers: Ramin Bahrani on The White Tiger
Entertaining 30 Coins Examines Depths of Evil with Style
Baz Luhrmann’s Romeo + Juliet is as Irreplaceable as Ever
The Unloved, Part 83: Resident Evil: Retribution
True Believers: How Abel Ferrara’s Recent Work Reflects His Debut, The Driller Killer
Frederick Douglass Reminds Us Why Black Lives Matter on the Fourth of July
Malcolm X: Spike Lee’s Timeless Sermon
Jerry Stiller: 1927-2020
Bright Wall/Dark Room March 2020: The Cross Inside Me by Thomas Zak
On Mona May, the Queen of ‘90s Movie Fashion
